At Radcliffe, Daniel M. Callahan is beginning his second book, “Conducting Oneself,” which examines how the bodies, identities, and repertoire of orchestra conductors produce, legitimate, and limit their movements on the podium and off, from conservatories to coveted positions. Drawing on movement analysis, oral history, and affect theory, the project explores how conductors visibly embody their empathy with scores while simultaneously projecting expertise and power.

Learn more about Conducting Oneself: Choreographing Bodies and Identities On and Off the Podium.