The artist Tomashi Jackson and Tomiko Brown-Nagin, dean of the Harvard Radcliffe Institute, will engage in a wide-ranging conversation to mark the opening of Jackson’s new Radcliffe exhibition, Brown II, which explores the challenges of implementing the landmark 1954 US Supreme Court decision Brown v. Board of Education of Topeka. Her work centers on the subsequent 1955 case (referred to as Brown II), which stated that the effort to desegregate schools in the United States was to be undertaken with “all deliberate speed.”
Jackson and Brown-Nagin will consider the Brown II...
Devour the Land explores the unknown and often hidden consequences of militarism on habitats and well-being in the United States. Featuring approximately 160 photographs across 7 thematic...
Capture the beauty of birds with pencil and paper in this online workshop. We will explore avian anatomy, step-by-step methods for developing bird drawings, and techniques for drawing feather textures. Groups will be limited to twelve, allowing ample time for individual feedback. All skill levels are welcome.
Like architecture and landscape architecture, but possibly even more so, urban design is a discipline that relies on precise and complex knowledge. This knowledge has been patiently accumulated over time and is the sum of the intelligence, experience, and creativity of those who have built up our cities and the discipline itself.
The lecture addresses this layered historical and contemporary knowledge of the city: How can we really see our built environment and understand its intertwinings that reveal and create genealogies? How can we organise its solutions in compendiums...
The replacement of the unique and specific with the generic is a sign of our times. Cities make no exception. In the name of the modern, new and improved, the luring richness, unexpected and uncontrolled are being standardized out of our urban landscapes. The result is often a sterile built environment with scary resemblance to architectural renderings that has little to do with the unfolding of human experience.
Robin Winogrond will show a series of her recent projects in Switzerland and Germany, most often on the urban periphery, which increasingly focus on sussing out the...
Creatives of all mediums and backgrounds: Apply to participate in this year's VIRTUAL Allston-Brighton Winter Market!
With last year's market attracting over 20,000 online views, this virtual marketplace celebrates local creative entrepreneurship by uniting buyers with fine art,...
John Marin's vibrant watercolors of Mt. Chocorua in the White Mountains of New Hampshire offer an exhilarating experience of the New England landscape. What’s left of the promises of American Modernism that these works helped usher in?
Join us for the public reopening of the Harvard Art Museums on Saturday, September 4!
Begin in our Calderwood Courtyard before venturing into the galleries to enjoy three levels of art, spanning ancient to modern times. See the exhibitions “States of Play: Prints from Rembrandt to Delsarte” and “A Colloquium in the Visual Arts.” And don’t forget to stop by the museum shop, just off the courtyard, to round out your visit.
Our new ReFrame initiative, which reimagines the function, role, and future of the university art museum, introduces new artworks to many of our...
Creatives of all mediums and backgrounds: Apply to participate in this year's Allston-Brighton Winter Market!
With last year's market attracting over 20,000 online views, this virtual marketplace celebrates local creative entrepreneurship by uniting buyers with fine art, artisanal goods,...
French painter Jean Frédéric Bazille's Summer Scene is one of the most iconic—and most enigmatic—paintings in the Harvard Art Museums collections. Join curator A. Cassandra Albinson as she traces this work's history—from its making and its reception during Bazille's lifetime to the painting’s final journey from France to Cambridge, in the summer of 1937.
The final installment in the summer series of Virtual Radcliffe Book Talks will feature a discussion of Our Bodies, Ourselves, first published in 1971. This event is organized in recognition of the 50th anniversary of the book’s first edition and in connection with the Boston Women’s Health Book Collective Records housed in the Schlesinger Library. The event will also include audience Q&A.
In this talk, Ph.D. candidate Kéla Jackson discusses the role of music, color, and interiority in Louis Delsarte’s 1995 print Unity, made during the artist’s residency at the Brandywine Workshop and Archives. Founded in Philadelphia in 1972 by Allan L. Edmunds, the workshop has supported generations of artists by fostering a deep sense of collective education and art making, foregrounding the “fresh, human and personal” aspects of art and the power of improvisation.
Hear from people from 4000 years ago by looking at the objects they left behind. Meet the ancient Egyptians, Maya, Mesopotamians, and others through live, small-group Zoom sessions, and explore how objects in the museums tell their stories. Together, we’ll try some archaeology activities, use 3D models and augmented reality, and discover hidden objects within the exhibits of...
Harvard Ceramics Program, 224 Western Ave., Allston
Register now for Ceramics Program fall 2021 courses, open to adults 18+. From introduction to wheel throwing and hand building to figurative and abstract sculpture to glaze chemistry and experimental photography on clay, we offer courses for adults of all levels to explore and develop new skills in clay.
Most fall 2021 courses will be held in the Ceramics Program studio in Allston, with several online options available.
Cost: Varies. If you have questions about registration procedures and pricing, please email Ji Eun Kim at...
The third installment of the Virtual Radcliffe Book Talks will feature Daniel Carpenter, author of Democracy by Petition: Popular Politics in Transformation, 1790–1870 (Harvard University Press, 2021). Carpenter is the faculty director of the social sciences at Harvard Radcliffe Institute and the Allie S. Freed Professor of Government in the Harvard Faculty of Arts and Sciences.
Carpenter's reading will be followed by a discussion with Nikki M. Taylor, professor of history and chair of the Department of History at Howard University. The event will also include an...
The second installment of the Virtual Radcliffe Book Talks will feature Tiya Miles, author of All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake (Random House, 2021). Miles is a Radcliffe Alumnae Professor at Harvard Radcliffe Institute and a professor of history in the Harvard Faculty of Arts and Sciences.
Miles's reading will be followed by a discussion with Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, Daniel P.S. Paul Professor of Constitutional Law at Harvard Law School, professor of history in the Harvard Faculty of Arts and...
Ceramics Program, Office for the Arts at Harvard—Online
Join former Ceramics Program Artist-in-Residence and instructor Ruth Easterbrook in a virtual demonstration of her unique method of glazing to create her inviting utilitarian ware. Over this two day event, the artist will share some of her inspiration for her surface design using and interpreting botanicals elements as seen in the natural world and art history. During her demonstration, Ruth will share new ways of thinking of glaze as a pallet of not only colors but also using the other qualities of glaze as well. Participants will observe how she plans and executes her complex surfaces...
Curator Joachim Homann will discuss the themes, techniques, and function of Dutch drawings with preeminent collector George Abrams (Harvard College ’54, Harvard Law ’57), who is internationally regarded as the preeminent collector of historical Dutch drawings.
The first installment in the summer series of Virtual Radcliffe Book Talks will feature Clint Smith, author of How the Word Is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021) and staff writer at The Atlantic. Smith's reading will be followed by a discussion with Kyera Singleton, executive director of the Royall House and Slave Quarters, in Medford, Massachusetts. The event will also include audience Q and A.
A close look at Edward Hopper’s watercolors depicting Cape Cod, including the masterpiece Highland Light (1930) and a new acquisition, reveals a landscape in transformation.
Led by: Joachim Homann, Maida and George Abrams Curator of Drawings, Division of European and American Art