A close look at Edward Hopper’s watercolors depicting Cape Cod, including the masterpiece Highland Light (1930) and a new acquisition, reveals a landscape in transformation.
Led by: Joachim Homann, Maida and George Abrams Curator of Drawings, Division of European and American Art
Cecilia Zhou ’22 looks at the historically specific ways humor is deployed in a few serious works of art from across time that may make you laugh out loud (LOL). She’ll focus on the 1640s painting The Drunken Silenus, by Francesco Fracanzano; the 18th-century scroll painting Puppies with Hotei and Jittoku, by Nagasawa Rosetsu; and a...
Kaitlin Hao ’21 explores how three historical vessels bring us into the worlds that created them, along with their legacies and their sense of the world yet to come.
First, she will discuss a ritual food vessel made in China in the 11th or 10 century BCE. She will then turn to a stoneware storage jar by David Drake, also known as Dave the Potter, an enslaved Black man in antebellum South Carolina. And finally, she will take a...
Join us on Sunday, June 20 to learn about the scientific and cultural significance of the summer solstice, enjoy musical performances and explore activities to do at home. Stay tuned for the full details!
Both David Hammons and Kerry James Marshall consider their time as students of Charles White at the Otis Art Institute in the 1960s and ’70s as an important experience for them as young Black men and artists.
On this tour coinciding with Juneteenth, Maeve Miller ’22 and Cecilia Zhou ’22 will talk about a work by each of these artists: White’s linocut print of blues icon Bessie Smith (1950); Hammons’s Untitled [Body Print] (1974), which he made partly by...
Egyptian makers were skilled at using only a few materials to create a rich variety of textiles, but we rarely have detailed information about the people who made them or their artistic processes.
Join conservation fellow Julie Wertz to explore what close looking, microscopy, and micro-analytical techniques can teach us about the materials and methods these unknown makers used to create beautiful and functional art objects.
In her tour, Maeve Miller ’22 will explore how performance and entertainment figure into three works of art. She will examine the woodcutMagician (1956), which Erich Heckel made in Germany more than 40 years after the heyday of his involvement with the Expressionist art movement; the painting Ventriloquist(1952), which Jacob Lawrence made in Harlem, New York, as part of his Performance Series; and a woodblock print...
We’re bringing Painting Edo: Japanese Art from the Feinberg Collection to you! Join us for this final talk in our series of virtual conversations exploring themes highlighted in the exhibition.
How has Japonisme shaped the reception of Japanese art? In this online program, professors Elizabeth Emery and Chelsea Foxwell will consider the persistent influence of the western construct of Japonisme and the new aesthetic forms it inspired.
In 1872, French art critic Philippe Burty coined the term “Japonisme” to refer to the growing western admiration for “all things...
Explore a vibrant collection of watercolors featuring a flock of fantastic birds inspired by a king’s royal menagerie in Jean-Baptiste Oudry’s Avian Album.
Creature Feature, an online series from the Harvard Art Museums, offers a chance for families to explore magical creatures across the collections through close looking and curious exploration with museum staff. Creature Feature talks are free, open to explorers ages 6 and up, and offered once a...
Student Guide Cecilia Zhou’s art-inspired makeup tutorials have appeared on the social media channels of the Harvard Art Museums and the Metropolitan Museum of Art. In this tour, she will spend time with three paintings that inspired her: the 20th-century Head of a Woman by Russian Expressionist Alexei von Jawlensky, the 3rd-century Egyptian ...
Join the Harvard Art Museums on Zoom for a bite-size look at the role of food in art, presented in partnership with the Food Literacy Project at Harvard University Dining Services.
From vegetable-based dyes to dairy fixatives, food and art share a long and interesting history. In this talk, curatorial and conservation fellows Ruby Awburn, Lauren Hanson, Leonie Mueller, and Julie Wertz will take us on a culinary tour of the Harvard Art Museums and discuss the varied roles that food has played in art.
Radcliffe Institute for Advanced Study at Harvard—Online
Phillip B. Williams is the author of the poetry collection “Thief in the Interior.” His artistic interests manifest through lyrical and narrative investigations of the aesthetic possibilities and historical implications of the grotesque and through (re)creation of Afro-diasporic mythologies within contemporary timeframes.
Join Williams as he discusses researching, writing, and revising poems (title: “Mutiny”) and prose (title: “Threshold”) during his Radcliffe fellowship year. Within both genres, he hopes to research and explore Black folklore, African-diasporic mythologies...
On November 5, 2018, a pair of dilapidated buildings in central Marseille collapsed, taking the lives of eight people, many of them from immigrant origin. This toll of urban decay reflects both the diversity of the district and the hardship of living in Marseille, a city marked for centuries by migration, poverty, and social inequality. Divided along ethnic and class lines, with wealthy conservatives dominating the south and an energetic but pauperized community of immigrant origins in the north, Marseille highlights the tensions stemming from discriminatory governance, lack of housing-...
The prominence of powerful goddesses and queens in the Nubian Kingdom of Kush (now Northern Sudan) highlights the unusually high status of women in this ancient African society and serves as a fitting focus for the study of female power in the ancient world. Using temple inscriptions found in Egypt and Nubia, the rich funerary goods found in royal burials, and temple and tomb imagery, Solange Ashby will discuss how ancient Africans of the Nile Valley understood female power and presence. Songs from Beyoncé’s recent production "Black Is King" will be woven into this presentation on...
In this conversation, architectural historians Ana María León and Torsten Lange consider the labor of organizing around issues of gender in architecture. Based on three precedents, they will reflect on their work and practice and highlight how the present has allowed scholars and practitioners to revise architectural historiography. Building on intersectional feminist theory, the discussion considers architecture and urban space as well as architectural discourse as forums where white heteronormative systems of planning can become subverted by empowered labor and living practices....
American historian Christy Coleman is the distinguished lecturer for the 2021 Seminar in Innovative Curatorial Practice. Coleman is renowned for creating innovative, engaging, and inclusive museum exhibitions and programs that tell a comprehensive story of American history. In this program she will discuss the power that museums have to genuinely engage with communities around what matters most to them. While expertise within the museums is invaluable, it is wasted if not used to help communities address their issues and aspirations.
"A terrible mechanism [is] on the march, its gears multiplying." So begins the first essay of the 48th issue of Harvard Design Magazine, guest edited by Mark Lee, chair of the department of architecture at the Harvard Graduate School of Design, and Florencia Rodriguez, editorial director of -Ness Magazine. The issue takes as its theme the slippery and ambiguous figure of "America," seen through the lens of the built and unbuilt environment. Americanization—once the "terrible mechanism" bent on pressing capitalist values on emerging economies everywhere—is now in...
Climate change has brought renewed and urgent interest in the relationship between human behavior and the mass extinction of animal species and their habitats. Early modern Europeans, too, were preoccupied with extinction, and many works of art bear witness to their concerns. Focusing on Antonio Tempesta’s print A Wolf Hunt, with a Dead Ram as Bait, this talk will examine the period’s various notions of extinction, while also drawing connections with contemporary thinking on the subject in museums and elsewhere.
Explore works that are shaped by decay and generated through destruction. This interactive tour looks closely at the beauty that remains in the wake of decay in the Thai sculpture The Standing Buddha (7th–8th century), the bronze Daphne (1930) by sculptor Renée Sintenis, and the painting Legno e Rosso 3 (1956) by Alberto Burri.