Western scholarship has focused on the monumental sculptures in Afghanistan’s Bamiyan Valley as Buddhas created in the late sixth and early seventh centuries. This lecture tells an alternative story based on Islamic sources from the tenth to the twentieth century, which saw these sculptures not as Buddhas but as legendary heroes representing the mythic conversion of the Bamiyan Valley to Islam.
At the beginning of the twenty-first century, the Taliban destroyed the sculptures—as Buddhas. After the fall of the Taliban, the sculptures’ entangled histories and the viewpoints of...
Join us for a virtual preview and conversation about the Muchos Méxicos exhibition! Three scholars who contributed to the making of the show will discuss their favorite objects, and how they each tell stories of exchange and innovation—as well as loss and perseverance—across time and space.
Live interpretation available in English and Spanish.
Explore the beauty and variety of plant forms with pencil and paper. Taught by a scientific illustrator, the emphasis in this online workshop will be on close observation and realistic representation. We will explore a range of techniques for achieving more accurate drawings and will delve into contour, gesture, foreshortening, and shading to create volume and depth. Groups will be limited to twelve, allowing ample time for individual feedback. All skill levels are welcome.
What does it mean to be a human ornament, to be a subject who survives as or through crushing objecthood? What is beauty for the unbeautiful?
This talk takes a series of humanoid objects – monsters, cyborgs, and standing vases – as fulcrums through which to explore how racialized gender, specifically the specter of the yellow woman, animates the designs of futurity and enables the slippage between the human and the inhuman so fundamental to the dream of modernity.
People tend to think of ancient sculpture as colorless, as it appears today. But the carved surfaces were often vibrantly painted. Scientific analysis can help us envision the Persian capital city Persepolis in its original splendor.
Led by: Katherine Eremin, Patricia Cornwell Senior Conservation Scientist, Straus Center for Conservation and Technical Studies Susanne Ebbinghaus, George M.A. Hanfmann Curator of Ancient Art and Head, Division of Asian and Mediterranean Art
The artist Tomashi Jackson and Tomiko Brown-Nagin, dean of the Harvard Radcliffe Institute, will engage in a wide-ranging conversation to mark the opening of Jackson’s new Radcliffe exhibition, Brown II, which explores the challenges of implementing the landmark 1954 US Supreme Court decision Brown v. Board of Education of Topeka. Her work centers on the subsequent 1955 case (referred to as Brown II), which stated that the effort to desegregate schools in the United States was to be undertaken with “all deliberate speed.”
Jackson and Brown-Nagin will consider the Brown II...
Capture the beauty of birds with pencil and paper in this online workshop. We will explore avian anatomy, step-by-step methods for developing bird drawings, and techniques for drawing feather textures. Groups will be limited to twelve, allowing ample time for individual feedback. All skill levels are welcome.
Like architecture and landscape architecture, but possibly even more so, urban design is a discipline that relies on precise and complex knowledge. This knowledge has been patiently accumulated over time and is the sum of the intelligence, experience, and creativity of those who have built up our cities and the discipline itself.
The lecture addresses this layered historical and contemporary knowledge of the city: How can we really see our built environment and understand its intertwinings that reveal and create genealogies? How can we organise its solutions in compendiums...
The replacement of the unique and specific with the generic is a sign of our times. Cities make no exception. In the name of the modern, new and improved, the luring richness, unexpected and uncontrolled are being standardized out of our urban landscapes. The result is often a sterile built environment with scary resemblance to architectural renderings that has little to do with the unfolding of human experience.
Robin Winogrond will show a series of her recent projects in Switzerland and Germany, most often on the urban periphery, which increasingly focus on sussing out the...
John Marin's vibrant watercolors of Mt. Chocorua in the White Mountains of New Hampshire offer an exhilarating experience of the New England landscape. What’s left of the promises of American Modernism that these works helped usher in?
Join us for the public reopening of the Harvard Art Museums on Saturday, September 4!
Begin in our Calderwood Courtyard before venturing into the galleries to enjoy three levels of art, spanning ancient to modern times. See the exhibitions “States of Play: Prints from Rembrandt to Delsarte” and “A Colloquium in the Visual Arts.” And don’t forget to stop by the museum shop, just off the courtyard, to round out your visit.
Our new ReFrame initiative, which reimagines the function, role, and future of the university art museum, introduces new artworks to many of our...
French painter Jean Frédéric Bazille's Summer Scene is one of the most iconic—and most enigmatic—paintings in the Harvard Art Museums collections. Join curator A. Cassandra Albinson as she traces this work's history—from its making and its reception during Bazille's lifetime to the painting’s final journey from France to Cambridge, in the summer of 1937.
The final installment in the summer series of Virtual Radcliffe Book Talks will feature a discussion of Our Bodies, Ourselves, first published in 1971. This event is organized in recognition of the 50th anniversary of the book’s first edition and in connection with the Boston Women’s Health Book Collective Records housed in the Schlesinger Library. The event will also include audience Q&A.
In this talk, Ph.D. candidate Kéla Jackson discusses the role of music, color, and interiority in Louis Delsarte’s 1995 print Unity, made during the artist’s residency at the Brandywine Workshop and Archives. Founded in Philadelphia in 1972 by Allan L. Edmunds, the workshop has supported generations of artists by fostering a deep sense of collective education and art making, foregrounding the “fresh, human and personal” aspects of art and the power of improvisation.
Hear from people from 4000 years ago by looking at the objects they left behind. Meet the ancient Egyptians, Maya, Mesopotamians, and others through live, small-group Zoom sessions, and explore how objects in the museums tell their stories. Together, we’ll try some archaeology activities, use 3D models and augmented reality, and discover hidden objects within the exhibits of...
The third installment of the Virtual Radcliffe Book Talks will feature Daniel Carpenter, author of Democracy by Petition: Popular Politics in Transformation, 1790–1870 (Harvard University Press, 2021). Carpenter is the faculty director of the social sciences at Harvard Radcliffe Institute and the Allie S. Freed Professor of Government in the Harvard Faculty of Arts and Sciences.
Carpenter's reading will be followed by a discussion with Nikki M. Taylor, professor of history and chair of the Department of History at Howard University. The event will also include an...
The second installment of the Virtual Radcliffe Book Talks will feature Tiya Miles, author of All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake (Random House, 2021). Miles is a Radcliffe Alumnae Professor at Harvard Radcliffe Institute and a professor of history in the Harvard Faculty of Arts and Sciences.
Miles's reading will be followed by a discussion with Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, Daniel P.S. Paul Professor of Constitutional Law at Harvard Law School, professor of history in the Harvard Faculty of Arts and...