What does it mean to be a human ornament, to be a subject who survives as or through crushing objecthood? What is beauty for the unbeautiful?
This talk takes a series of humanoid objects – monsters, cyborgs, and standing vases – as fulcrums through which to explore how racialized gender, specifically the specter of the yellow woman, animates the designs of futurity and enables the slippage between the human and the inhuman so fundamental to the dream of modernity.
People tend to think of ancient sculpture as colorless, as it appears today. But the carved surfaces were often vibrantly painted. Scientific analysis can help us envision the Persian capital city Persepolis in its original splendor.
Led by: Katherine Eremin, Patricia Cornwell Senior Conservation Scientist, Straus Center for Conservation and Technical Studies Susanne Ebbinghaus, George M.A. Hanfmann Curator of Ancient Art and Head, Division of Asian and Mediterranean Art
The artist Tomashi Jackson and Tomiko Brown-Nagin, dean of the Harvard Radcliffe Institute, will engage in a wide-ranging conversation to mark the opening of Jackson’s new Radcliffe exhibition, Brown II, which explores the challenges of implementing the landmark 1954 US Supreme Court decision Brown v. Board of Education of Topeka. Her work centers on the subsequent 1955 case (referred to as Brown II), which stated that the effort to desegregate schools in the United States was to be undertaken with “all deliberate speed.”
Jackson and Brown-Nagin will consider the Brown II...
Like architecture and landscape architecture, but possibly even more so, urban design is a discipline that relies on precise and complex knowledge. This knowledge has been patiently accumulated over time and is the sum of the intelligence, experience, and creativity of those who have built up our cities and the discipline itself.
The lecture addresses this layered historical and contemporary knowledge of the city: How can we really see our built environment and understand its intertwinings that reveal and create genealogies? How can we organise its solutions in compendiums...
The replacement of the unique and specific with the generic is a sign of our times. Cities make no exception. In the name of the modern, new and improved, the luring richness, unexpected and uncontrolled are being standardized out of our urban landscapes. The result is often a sterile built environment with scary resemblance to architectural renderings that has little to do with the unfolding of human experience.
Robin Winogrond will show a series of her recent projects in Switzerland and Germany, most often on the urban periphery, which increasingly focus on sussing out the...
John Marin's vibrant watercolors of Mt. Chocorua in the White Mountains of New Hampshire offer an exhilarating experience of the New England landscape. What’s left of the promises of American Modernism that these works helped usher in?
French painter Jean Frédéric Bazille's Summer Scene is one of the most iconic—and most enigmatic—paintings in the Harvard Art Museums collections. Join curator A. Cassandra Albinson as she traces this work's history—from its making and its reception during Bazille's lifetime to the painting’s final journey from France to Cambridge, in the summer of 1937.
The final installment in the summer series of Virtual Radcliffe Book Talks will feature a discussion of Our Bodies, Ourselves, first published in 1971. This event is organized in recognition of the 50th anniversary of the book’s first edition and in connection with the Boston Women’s Health Book Collective Records housed in the Schlesinger Library. The event will also include audience Q&A.
In this talk, Ph.D. candidate Kéla Jackson discusses the role of music, color, and interiority in Louis Delsarte’s 1995 print Unity, made during the artist’s residency at the Brandywine Workshop and Archives. Founded in Philadelphia in 1972 by Allan L. Edmunds, the workshop has supported generations of artists by fostering a deep sense of collective education and art making, foregrounding the “fresh, human and personal” aspects of art and the power of improvisation.
The third installment of the Virtual Radcliffe Book Talks will feature Daniel Carpenter, author of Democracy by Petition: Popular Politics in Transformation, 1790–1870 (Harvard University Press, 2021). Carpenter is the faculty director of the social sciences at Harvard Radcliffe Institute and the Allie S. Freed Professor of Government in the Harvard Faculty of Arts and Sciences.
Carpenter's reading will be followed by a discussion with Nikki M. Taylor, professor of history and chair of the Department of History at Howard University. The event will also include an...
The second installment of the Virtual Radcliffe Book Talks will feature Tiya Miles, author of All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake (Random House, 2021). Miles is a Radcliffe Alumnae Professor at Harvard Radcliffe Institute and a professor of history in the Harvard Faculty of Arts and Sciences.
Miles's reading will be followed by a discussion with Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, Daniel P.S. Paul Professor of Constitutional Law at Harvard Law School, professor of history in the Harvard Faculty of Arts and...
Curator Joachim Homann will discuss the themes, techniques, and function of Dutch drawings with preeminent collector George Abrams (Harvard College ’54, Harvard Law ’57), who is internationally regarded as the preeminent collector of historical Dutch drawings.
The first installment in the summer series of Virtual Radcliffe Book Talks will feature Clint Smith, author of How the Word Is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021) and staff writer at The Atlantic. Smith's reading will be followed by a discussion with Kyera Singleton, executive director of the Royall House and Slave Quarters, in Medford, Massachusetts. The event will also include audience Q and A.
Cecilia Zhou ’22 looks at the historically specific ways humor is deployed in a few serious works of art from across time that may make you laugh out loud (LOL). She’ll focus on the 1640s painting The Drunken Silenus, by Francesco Fracanzano; the 18th-century scroll painting Puppies with Hotei and Jittoku, by Nagasawa Rosetsu; and a...
Kaitlin Hao ’21 explores how three historical vessels bring us into the worlds that created them, along with their legacies and their sense of the world yet to come.
First, she will discuss a ritual food vessel made in China in the 11th or 10 century BCE. She will then turn to a stoneware storage jar by David Drake, also known as Dave the Potter, an enslaved Black man in antebellum South Carolina. And finally, she will take a...
Join us on Sunday, June 20 to learn about the scientific and cultural significance of the summer solstice, enjoy musical performances and explore activities to do at home. Stay tuned for the full details!
Both David Hammons and Kerry James Marshall consider their time as students of Charles White at the Otis Art Institute in the 1960s and ’70s as an important experience for them as young Black men and artists.
On this tour coinciding with Juneteenth, Maeve Miller ’22 and Cecilia Zhou ’22 will talk about a work by each of these artists: White’s linocut print of blues icon Bessie Smith (1950); Hammons’s Untitled [Body Print] (1974), which he made partly by...
Immerse yourself in the deep beauty of trees in this story and music journey through the Arboretum. Led by Oracle award-winning storyteller Diane Edgecomb and Celtic harper Margot Chamberlain, this unfolding performance of ancient tales and songs from cultures around the world takes place in a variety of groves—birch, cherry, and evergreen—at some of the Arboretum’s loveliest spots.
This event is free, but registration is required and limited. Not designed for children under 12, and dogs are not allowed. COVID guidelines will be followed.