Gallery 224, Harvard Ceramics Program, 224 Western Ave., Allston
Solo exhibition of work by Ruth Easterbrook, 2019-20 Artist In Residence at the Ceramics Program, Office for the Arts at Harvard.
Gallery 224 is open by appointment. Please note that masks are required inside the Ceramics Program building. All visitors age 12 or older must provide proof of full COVID-19 vaccination or proof of a negative COVID-19 PCR test administered within the previous 72 hours.
Advance reservations are required to attend the...
This conference brings together scholars whose research investigates the relationship between the African diaspora, Afro-descendants, and the built environment of North America and the Caribbean from a variety of lenses that are specific to the scholars’ fields of inquiry. The goal is to begin to expand the field of landscape history by taking into consideration questions that are not always deemed central to the practice of design, if design is understood as an activity that has featured—in the historical narratives—the presence of an author-designer, a client, and a variety of tools...
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
The future of democratic societies rests not simply on shared values but on shared spaces: the libraries, childcare centers, and parks where crucial connections are formed. Drawing on extensive sociological research, Klinenberg claims that “social infrastructure,” which he defines as the physical spaces that shape our interactions, plays an essential but unappreciated role in modern societies, generating inequalities in health, education, crime, climate vulnerability, and social networks. In this lecture, he shares key findings from his landmark book, Palaces for the People, and...
A close look at a group of bold watercolors by Zelda Fitzgerald confirms her originality, talent, and wit as an artist. Known to her contemporaries as F. Scott Fitzgerald’s temperamental wife, Zelda was a creative force in her own right.
Peabody Museum of Archaeology and Ethnology, 1 Divinity Ave., Cambridge
Stop by the Peabody Museum for a short moment of personal reflection on the past year which brought losses to so many. The front steps of the museum will be set up as a simple outdoor altar and staff will distribute lighted candles to visitors in observance of those we have lost. Pause and remember as you place your candle in our community display. Post a Message of Love to our online Virtual Altar before attending. And join us next year when our annual fiesta returns to the Peabody galleries! Rain or...
Ceramics Program, Office for the Arts at Harvard—Online
The Ceramics Program, Office for the Arts at Harvard presents a series of lectures by 2021-22 Artists In Residence.
Shea Burke is a ceramic artist from Rochester New York. Their work employs the ceramic vessel as a container for thoughts and histories around their Black biracial ancestry. Shea dreams of their role as a future ancestor themself. Shea received their BFA from Alfred University in 2017 and an MFA from School of the Art Institute of Chicago in 2021. They were the recipient of a Zenobia Award for a residency at Watershed Ceramics in 2018.
In a world of increasing polarization and boundary-drawing manifest at multiple scales, what has happened to the notion of “the public”? Is there evidence that collective understanding of who belongs in our neighborhoods, cities, regions, and nations is changing? And to what extent have the urban planning and design professions enabled or constrained these transformations? The 49th issue ofHarvard Design Magazine, guest-edited by Anita Berrizbeitia and Diane Davis, addresses “the status of the...
David Cheng Chang is an associate professor of humanities and the associate director of Global China Center at the Hong Kong University of Science and Technology. While at Radcliffe, he is using interdisciplinary source materials to write a book that will weave together the personal histories of more than 3,000 Chinese interpreters for the American and British allied forces during World War II with the larger military, political, diplomatic, and social history of World War II, the Chinese Civil War, the Korean War, and the Cold War. Join Chang as he discusses this project and the...
Before the development of synthetic dyes in the second half of the 1800s, natural dyes were some of the most prized and sought-after commodities in the global economy. This talk uses historical images and texts to excavate changing approaches to indigenous environmental knowledge in colonial Mexico and early modern Europe through the study of cochineal.
This insect, native to the Americas, produced the world's best quality and most valuable red dye from the 1520s until the rise of the modern chemical dye industry. Long used by indigenous people in the Americas, under Spanish...
Victoria Chang writes in her New York Times Notable Book of 2020, Obit, “I always knew that grief was something I could smell. But I didn’t know that it’s not actually a noun but a verb. That it moves.” After the deaths of her parents, she refused to write elegies; instead, Chang wrote poetic obituaries of the beautiful, broken world that surrounds her (many see them...
In Texas’ freedom colonies — African American settlements founded 1866-1930 — descendants of community founders engage in heritage conservation by keeping folklife, sacred rituals, and other cultural expressions that sustain communities’ Black sense of place. However, rural, vernacular African American placekeeping strategies are rarely framed in planning and architectural history as transgressive or expressions of Black liberation.
Presenting an excerpt from her forthcoming book, Never Sell the Land, Dr. Roberts shares case studies in which descendants of Deep East...
Artificial intelligence (AI) is rapidly permeating many facets of our lives, raising both hope and concern about possibilities for our future. AI is transforming domains as disparate as science, medicine, commerce, government, law, the military, and the arts, and in doing so, it is forcing us to grapple with practical, political, and philosophical questions about humans and the nature of human interaction. The Harvard Radcliffe Institute Science Symposium, featuring speakers from disparate disciplines and industries, will examine AI, its impact, and its ethics by exploring current and...
It begins with two strolls: one by the 19th-century naturalist Henry Thoreau, who finds himself inscribed by vegetal forms and powers; and one by Paul Klee's graphic line as it enlists the energies of a human hand to become a doodle. These two walks expose the radical entanglement of human and nonhuman activities, and they call for a lexicon able to acknowledge such a trans-specied kind of agency.
How to bespeak such joint efforts in ways that give the nonhuman its due? What grammar, syntax, and verbal forms best acknowledge the contributions of human, animal, vegetal, mineral...
Ceramics Program, Office for the Arts at Harvard—Online
The Ceramics Program, Office for the Arts at Harvard presents a series of lectures by 2021-22 Artists In Residence.
Andrew Castañeda grew up surfing and skateboarding in sunny southern California. While he fully embraces the spontaneity of life as an artist, he is also a true Virgo and works hard to move forward, always. Andrew has work in two private collections: The American Museum of Ceramic Arts at Pomona, CA and the Kansas City Art Institute Teaching Collection. Andrew earned his BFA in ceramics from the Kansas City Art Institute, and then his MFA from Penn State...
Día de los Muertos (Day of the Dead) is a Mexican tradition that seeks to commemorate and celebrate the lives of loved ones who have passed away. The creation of an altar is a key component of this celebration, which is both bittersweet and joyful. In this program, Los Angeles-based artist, educator, and altarista Ofelia Esparza will share her philosophy and approach to making altars and to keeping Día de los Muertos alive in the U.S. She will be joined by her daughter,...
This event will be held in Portuguese with simultaneous English translation.
One of the most exciting developments in Brazilian art and art history today is the emergence of Indigenous self-representation. The growing presence of Indigenous artists and art curators in exhibitions and museums in the country challenges traditional narratives and modes of display as it generates new spaces for the silenced voices of the over three-hundred Indigenous ethnic groups that inhabit the territories of Brazil. In 2017, the Rio de Janeiro Museum (MAR) organized the exhibition...
Amelia M. Glaser is an associate professor of literature at UC San Diego and the author of Songs in Dark Times: Yiddish Poetry of Struggle from Scottsboro to Palestine, about leftist Yiddish poets who wrote about the struggles of non-Jewish ethnic minorities in the 1930s. Focusing on performative genres such as music, comedy, film, theater, and highly visible poetic performance, Glaser is working on a new book that will examine how artists have re-envisioned the history and future of Ukraine since the 2014 “Maidan” revolution. Join her to learn more about her book and her...
Join the Harvard Graduate School of Design for an interview by Jeannette Kuo (Assistant Professor in Practice at Harvard GSD and founding partner of KARAMUK KUO) with Swiss architects Emanuel Christ and Christoph Gantenbein, and OFFICE founders Kersten Geers and David Van Severen.
Jade Kake (Ngāpuhi, Te Arawa, Te Whakatōhea) leads a small team at Matakohe Architecture + Urbanism, a kaupapa Māori design studio based in Whangārei in the Te Tai Tokerau region of Aotearoa New Zealand. The architectural department of the studio is focused on working primarily with Māori community clients on their papakāinga, marae, commercial and community projects, whilst the pūrākau (culture narrative) integration strand focuses on working to facilitate meaningful hapū participation in the design of major civic, commercial and education projects within their rohe. Matakohe are also...