On View: January 22, 2022–May 8, 2022 University Teaching Gallery, Harvard Art Museums
Drawn from the museums’ rich Asian art collections, this installation complements a Harvard undergraduate course that explores the art of the Himalayan region, focusing on the major cultural centers such as the Kathmandu Valley and Buddhist sites across the Tibetan plateau, while examining the history of reception and imagination of the Himalayas in the west. The course is taught by Jinah Kim, George P. Bickford Professor of Indian and South Asian Art. In...
On View: January 22, 2022–May 8, 2022 University Research Gallery, Harvard Art Museums
From swaddling newborns to enshrouding the deceased, woven fabrics touch nearly every aspect of human existence. The textiles in this exhibition are particularly meaningful, for they tell a bigger story about political and social power, class, trade, and concerns for the afterlife during a transformative period in Egyptian history. In the medieval era, control of the region shifted repeatedly, as Egypt was subsumed under a sequence of empires—Byzantine,...
The new genre of interior painting enjoyed great popularity among 17th-century Dutch citizens. Its indoor scenes featuring people involved in mundane activities resemble the domestic settings in which they were hung. Other art forms such as perspective boxes and dollhouses further reinforce the link connecting physical, pictorial, and mental space by relating home to the interiority of the individual.
In collaboration with the Harvard Art Museums' current exhibit Devour the Land, the Harvard Film Archive presents a program of films that critically engage landscape as a site where deeper political, socio-cultural and historical forces are powerfully legible.
The Airstrip is a profound study of the heavy legacy of modernist architecture that traces its deep roots in the fascist ideologies and militarist imperatives that rose to strength in the WWII era and continue to gain strength to this day.
Double reed pipes, known as auloi, were popular musical instruments in the ancient Mediterranean. In 1921, archaeologists exploring the necropolis of Meroë (northern Sudan)—as part of the Harvard University-Boston Museum of Fine Arts Expedition—found a large collection of auloi in the pyramid of Nubian Queen Amanishakheto. Susanne Gänsicke will discuss the discovery’s importance and what it reveals about the connections between Nubia and the Mediterranean world as well as the significance of far-reaching musical traditions. She will also share recent efforts to conserve...
As the pushback against stories that center on nonwhite characters continues to threaten the fabric of the American narrative, this lecture will serve as a reminder of why our stories truly matter.
Jacqueline Woodson is an internationally-acclaimed children's and young adult author with over eight million books in print. She has received more than 300 awards, including the National Book Award, four Newbery Honors, three Coretta Scott King medals, the Astrid Lindgren Memorial Award, and the Hans Christian Andersen Award.
Scott Manning Stevens is an associate professor and director of Native American and Indigenous Studies at Syracuse University. In this lecture, he will discuss his new project, which focuses on ways Indigenous communities can confront cultural alienation and appropriation in museums, galleries, and archives.
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of The Music of Black Americans: A History and founder and editor of The Black Perspective in Music. In 1976, Eileen Southern became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). Southern played an important institutional role at Harvard. She was central in developing the Department of Afro-American Studies (now African and African American Studies), serving as an early chair, and was on the faculty of the Department of Music, where she taught...
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of “The Music of Black Americans: A History” and founder and editor of “The Black Perspective in Music.”
In 1976, Eileen Southern (1920–2002) became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). She was central in developing...
ArtsBites is the OFA round-table discussion series with undergraduate students and visiting artists. Discover and explore how you can create an expressive career and a performative life. Join us for a conversation with John Cariani, Tony-nominated actor and playwright for Almost, Maine, featured this fall in Caroline, or Change on Broadway. This event is in partnership with Harvard-Radcliffe Dramatic Club.
Dulière, winner of Harvard Graduate School of Design's 2018 Wheelwright Prize, presents the conclusion of her research proposal, offering a collection of stories on the use and reuse of materials across building sites, demolition sites, salvage yards, quarries, film sets, and other out-of-the-way locations.
Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Arts and sciences flourished in the Dutch Republic during the 17th century. Women such as Anna Maria van Schurman, Margareta van Godewick, and Anna Roemer Visscher excelled in scholarly pursuits and art practice. They were greatly admired, but they were nonetheless categorized as exceptional cases and never possessed the freedom to voice ideas enjoyed by their male counterparts. Working in a variety of art forms, including miniature painting, drawing, embroidery, and paper cutting, these women often meant to address no other audience than the artist herself.
Heralding the exhibition "Interrogative Design: Selected Works of Krzysztof Wodiczko," the artist joins architectural historian and GSD professor Erika Naginski for an exploration of architecture's role in the construction and performance of memory (12pm) and art historian Rosalyn Deutsche to discuss the role of trauma, healing, and survival in his work over the last five decades (2:30pm).
In collaboration with the Harvard Art Museums' current exhibit Devour the Land, the Harvard Film Archive presents a program of films that critically engage landscape as a site where deeper political, socio-cultural and historical forces are powerfully legible.
Jonathan Perel’s latest work is a systematic and forensic study of Argentina’s brutal dictatorship that dissects the insidious support given to the repressive regime by a wide range of still operating national and multi-national companies.
Through stories behind six recent cultural projects from the studio, Hu and Wenjing, Founding Partners of OPEN, discuss the changing role and opportunity for architects in a transformative society, and the importance of being radical yet poetic at the same time.
Join Houghton Library for a peek behind the scenes of Apple TV+’s Dickinson, a biographical comedy about poet Emily Dickinson. Show creator Alena Smith, Set Decorator Marina Parker, and Costume Designer Jennifer Moeller will be joined by Ernest Bernbaum Professor of English Deidre Lynch to delve into the research and creativity driving the show. The show’s archive—scripts, set and costume designs, tone books, and more—are now housed at Houghton Library as part of its Emily Dickinson Collection.
Harvard Memorial Church, 1 Harvard Yard, Cambridge
A selection of works celebrating Handel's time in Italy! We’re thrilled to return to the Memorial Church Sanctuary with this joyful program on the other side of the pandemic year. Featuring Benjamin P. Wenzelberg and Phoebe Carrai.
Handel: Selections from Rodrigo Handel: Selected arias Porpora: Cello concerto Dall' Abaco: Concerto Grosso in D Major Porpora: Selected arias
Free and open to the public. All attendees must be masked and will be asked to present either their Harvard ID at the door, or to show proof of vaccination, or to show a proof of...
Culinary historian Michael Twitty, author of the James Beard-winning book, The Cooking Gene, discusses the impact of the collective perceptions of African American foodways on how we experience a broader vision of healing. With such foodways often stigmatized as a continuation of socio-cultural trauma or defended with a mark of "authentic" racial identity, Twitty offers alternative ways to see how the revitalization of ancestral foodways and culinary justice is a necessary part of our collective national experience.