In this intricate drawing, 17th-century Dutch artist Balthasar van der Ast captured the natural beauty of a “feathered cone”—the discarded shell of a sea snail indigenous to the Indo-Pacific. Join curatorial fellow Joanna Seidenstein as she explores the histories of global trade and colonization behind this work and the curatorial questions that have come up in preparation for its display.
The upcoming national investment in infrastructure is most welcomed; it will add jobs and stimulate the economy. However, it is imperative for the infrastructure to be sustainable, resilient, and mitigate climate change. How can that be ensured?
Since its founding in 2008, the research at the Zofnass Program has focused on providing tools for designers and planners to measure the sustainability and resilience of infrastructure. Recently, the focus is on expanding the tools for mitigating climate change. Today, the outcome of the Zofnass Program empowers both sides: the design...
Among its many disruptions, the pandemic robbed students of the opportunity to explore works of art, in person, in the Harvard Art Museums. With considerable help from colleagues and some simple technology, however, visiting lecturer and senior scholar Margaret Morgan Grasselli was able to teach her seminar Drawing Lessons from the Art Study Center and to approximate for her students the joy of experiencing artworks up close. Join her as she talks about the challenges she faced and presents favorite drawings by Michelangelo, Rubens, Watteau, and Van Gogh, among others.
Western scholarship has focused on the monumental sculptures in Afghanistan’s Bamiyan Valley as Buddhas created in the late sixth and early seventh centuries. This lecture tells an alternative story based on Islamic sources from the tenth to the twentieth century, which saw these sculptures not as Buddhas but as legendary heroes representing the mythic conversion of the Bamiyan Valley to Islam.
At the beginning of the twenty-first century, the Taliban destroyed the sculptures—as Buddhas. After the fall of the Taliban, the sculptures’ entangled histories and the viewpoints of...
Join us for a virtual preview and conversation about the Muchos Méxicos exhibition! Three scholars who contributed to the making of the show will discuss their favorite objects, and how they each tell stories of exchange and innovation—as well as loss and perseverance—across time and space.
Live interpretation available in English and Spanish.
What does it mean to be a human ornament, to be a subject who survives as or through crushing objecthood? What is beauty for the unbeautiful?
This talk takes a series of humanoid objects – monsters, cyborgs, and standing vases – as fulcrums through which to explore how racialized gender, specifically the specter of the yellow woman, animates the designs of futurity and enables the slippage between the human and the inhuman so fundamental to the dream of modernity.
The artist Tomashi Jackson and Tomiko Brown-Nagin, dean of the Harvard Radcliffe Institute, will engage in a wide-ranging conversation to mark the opening of Jackson’s new Radcliffe exhibition, Brown II, which explores the challenges of implementing the landmark 1954 US Supreme Court decision Brown v. Board of Education of Topeka. Her work centers on the subsequent 1955 case (referred to as Brown II), which stated that the effort to desegregate schools in the United States was to be undertaken with “all deliberate speed.”
Jackson and Brown-Nagin will consider the Brown II...
Devour the Land explores the unknown and often hidden consequences of militarism on habitats and well-being in the United States. Featuring approximately 160 photographs across 7 thematic...
Like architecture and landscape architecture, but possibly even more so, urban design is a discipline that relies on precise and complex knowledge. This knowledge has been patiently accumulated over time and is the sum of the intelligence, experience, and creativity of those who have built up our cities and the discipline itself.
The lecture addresses this layered historical and contemporary knowledge of the city: How can we really see our built environment and understand its intertwinings that reveal and create genealogies? How can we organise its solutions in compendiums...
The replacement of the unique and specific with the generic is a sign of our times. Cities make no exception. In the name of the modern, new and improved, the luring richness, unexpected and uncontrolled are being standardized out of our urban landscapes. The result is often a sterile built environment with scary resemblance to architectural renderings that has little to do with the unfolding of human experience.
Robin Winogrond will show a series of her recent projects in Switzerland and Germany, most often on the urban periphery, which increasingly focus on sussing out the...
John Marin's vibrant watercolors of Mt. Chocorua in the White Mountains of New Hampshire offer an exhilarating experience of the New England landscape. What’s left of the promises of American Modernism that these works helped usher in?
French painter Jean Frédéric Bazille's Summer Scene is one of the most iconic—and most enigmatic—paintings in the Harvard Art Museums collections. Join curator A. Cassandra Albinson as she traces this work's history—from its making and its reception during Bazille's lifetime to the painting’s final journey from France to Cambridge, in the summer of 1937.
The final installment in the summer series of Virtual Radcliffe Book Talks will feature a discussion of Our Bodies, Ourselves, first published in 1971. This event is organized in recognition of the 50th anniversary of the book’s first edition and in connection with the Boston Women’s Health Book Collective Records housed in the Schlesinger Library. The event will also include audience Q&A.
In this talk, Ph.D. candidate Kéla Jackson discusses the role of music, color, and interiority in Louis Delsarte’s 1995 print Unity, made during the artist’s residency at the Brandywine Workshop and Archives. Founded in Philadelphia in 1972 by Allan L. Edmunds, the workshop has supported generations of artists by fostering a deep sense of collective education and art making, foregrounding the “fresh, human and personal” aspects of art and the power of improvisation.
The third installment of the Virtual Radcliffe Book Talks will feature Daniel Carpenter, author of Democracy by Petition: Popular Politics in Transformation, 1790–1870 (Harvard University Press, 2021). Carpenter is the faculty director of the social sciences at Harvard Radcliffe Institute and the Allie S. Freed Professor of Government in the Harvard Faculty of Arts and Sciences.
Carpenter's reading will be followed by a discussion with Nikki M. Taylor, professor of history and chair of the Department of History at Howard University. The event will also include an...
The second installment of the Virtual Radcliffe Book Talks will feature Tiya Miles, author of All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake (Random House, 2021). Miles is a Radcliffe Alumnae Professor at Harvard Radcliffe Institute and a professor of history in the Harvard Faculty of Arts and Sciences.
Miles's reading will be followed by a discussion with Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, Daniel P.S. Paul Professor of Constitutional Law at Harvard Law School, professor of history in the Harvard Faculty of Arts and...
The first installment in the summer series of Virtual Radcliffe Book Talks will feature Clint Smith, author of How the Word Is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021) and staff writer at The Atlantic. Smith's reading will be followed by a discussion with Kyera Singleton, executive director of the Royall House and Slave Quarters, in Medford, Massachusetts. The event will also include audience Q and A.
A close look at Edward Hopper’s watercolors depicting Cape Cod, including the masterpiece Highland Light (1930) and a new acquisition, reveals a landscape in transformation.
Led by: Joachim Homann, Maida and George Abrams Curator of Drawings, Division of European and American Art
Repeats every week every Monday until Mon Jun 28 2021 . Also includes Sat Jul 10 2021.
1:00pm to 4:00pm
1:00pm to 4:00pm
1:00pm to 4:00pm
Location:
Harvard Ceramics Program—Online
This three-hour workshop (with 3 different dates to choose from) will provide an overview of basic glazing and decorating techniques. Consider it part introduction, part refresher, part crash course in glazing, decorating and surface. The session covers how to prepare your work for glazing and explores different ways to apply glaze. Considerations related to atmosphere, use and functionality will be discussed. Basic decorating methods using slips, underglazes and wax resist will be demonstrated. This includes the use of different tools and techniques including brush work, slip trailing,...