The final installment in the summer series of Virtual Radcliffe Book Talks will feature a discussion of Our Bodies, Ourselves, first published in 1971. This event is organized in recognition of the 50th anniversary of the book’s first edition and in connection with the Boston Women’s Health Book Collective Records housed in the Schlesinger Library. The event will also include audience Q&A.
In this talk, Ph.D. candidate Kéla Jackson discusses the role of music, color, and interiority in Louis Delsarte’s 1995 print Unity, made during the artist’s residency at the Brandywine Workshop and Archives. Founded in Philadelphia in 1972 by Allan L. Edmunds, the workshop has supported generations of artists by fostering a deep sense of collective education and art making, foregrounding the “fresh, human and personal” aspects of art and the power of improvisation.
The third installment of the Virtual Radcliffe Book Talks will feature Daniel Carpenter, author of Democracy by Petition: Popular Politics in Transformation, 1790–1870 (Harvard University Press, 2021). Carpenter is the faculty director of the social sciences at Harvard Radcliffe Institute and the Allie S. Freed Professor of Government in the Harvard Faculty of Arts and Sciences.
Carpenter's reading will be followed by a discussion with Nikki M. Taylor, professor of history and chair of the Department of History at Howard University. The event will also include an...
The second installment of the Virtual Radcliffe Book Talks will feature Tiya Miles, author of All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake (Random House, 2021). Miles is a Radcliffe Alumnae Professor at Harvard Radcliffe Institute and a professor of history in the Harvard Faculty of Arts and Sciences.
Miles's reading will be followed by a discussion with Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, Daniel P.S. Paul Professor of Constitutional Law at Harvard Law School, professor of history in the Harvard Faculty of Arts and...
The first installment in the summer series of Virtual Radcliffe Book Talks will feature Clint Smith, author of How the Word Is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021) and staff writer at The Atlantic. Smith's reading will be followed by a discussion with Kyera Singleton, executive director of the Royall House and Slave Quarters, in Medford, Massachusetts. The event will also include audience Q and A.
A close look at Edward Hopper’s watercolors depicting Cape Cod, including the masterpiece Highland Light (1930) and a new acquisition, reveals a landscape in transformation.
Led by: Joachim Homann, Maida and George Abrams Curator of Drawings, Division of European and American Art
Cecilia Zhou ’22 looks at the historically specific ways humor is deployed in a few serious works of art from across time that may make you laugh out loud (LOL). She’ll focus on the 1640s painting The Drunken Silenus, by Francesco Fracanzano; the 18th-century scroll painting Puppies with Hotei and Jittoku, by Nagasawa Rosetsu; and a...
Egyptian makers were skilled at using only a few materials to create a rich variety of textiles, but we rarely have detailed information about the people who made them or their artistic processes.
Join conservation fellow Julie Wertz to explore what close looking, microscopy, and micro-analytical techniques can teach us about the materials and methods these unknown makers used to create beautiful and functional art objects.
We’re bringing Painting Edo: Japanese Art from the Feinberg Collection to you! Join us for this final talk in our series of virtual conversations exploring themes highlighted in the exhibition.
How has Japonisme shaped the reception of Japanese art? In this online program, professors Elizabeth Emery and Chelsea Foxwell will consider the persistent influence of the western construct of Japonisme and the new aesthetic forms it inspired.
In 1872, French art critic Philippe Burty coined the term “Japonisme” to refer to the growing western admiration for “all things...
Explore a vibrant collection of watercolors featuring a flock of fantastic birds inspired by a king’s royal menagerie in Jean-Baptiste Oudry’s Avian Album.
Creature Feature, an online series from the Harvard Art Museums, offers a chance for families to explore magical creatures across the collections through close looking and curious exploration with museum staff. Creature Feature talks are free, open to explorers ages 6 and up, and offered once a...
Join the Harvard Art Museums on Zoom for a bite-size look at the role of food in art, presented in partnership with the Food Literacy Project at Harvard University Dining Services.
From vegetable-based dyes to dairy fixatives, food and art share a long and interesting history. In this talk, curatorial and conservation fellows Ruby Awburn, Lauren Hanson, Leonie Mueller, and Julie Wertz will take us on a culinary tour of the Harvard Art Museums and discuss the varied roles that food has played in art.
Radcliffe Institute for Advanced Study at Harvard—Online
Phillip B. Williams is the author of the poetry collection “Thief in the Interior.” His artistic interests manifest through lyrical and narrative investigations of the aesthetic possibilities and historical implications of the grotesque and through (re)creation of Afro-diasporic mythologies within contemporary timeframes.
Join Williams as he discusses researching, writing, and revising poems (title: “Mutiny”) and prose (title: “Threshold”) during his Radcliffe fellowship year. Within both genres, he hopes to research and explore Black folklore, African-diasporic mythologies...
The prominence of powerful goddesses and queens in the Nubian Kingdom of Kush (now Northern Sudan) highlights the unusually high status of women in this ancient African society and serves as a fitting focus for the study of female power in the ancient world. Using temple inscriptions found in Egypt and Nubia, the rich funerary goods found in royal burials, and temple and tomb imagery, Solange Ashby will discuss how ancient Africans of the Nile Valley understood female power and presence. Songs from Beyoncé’s recent production "Black Is King" will be woven into this presentation on...
In 1867, nineteenth-century sanitary engineer George E. Waring, Jr. (1833–1898) published an influential manual entitled “Draining for Profit, Draining for Health,” reflecting the obsessions of his gilded age—wealth, health, and miasma. Even as the germ theory emerged, Waring supported the anti-contagionist miasma theory, positing that disease spread through the air as a poisonous vapor, emerging from damp soil. He applied his knowledge of farm drainage to an urban theory of public health, with a drainage plan for Central Park; a sewerage system for Memphis; a transformation of New York...
Radcliffe Institute for Advanced Study at Harvard—Online
Pumla Gobodo-Madikizela, a professor and South African National Research Foundation Chair in Violent Histories and Transgenerational Trauma at Stellenbosch University, focuses her research on trauma in the aftermath of gross human rights violations and on remorse and forgiveness that emerge in victim-perpetrator dialogues. At Radcliffe, Gobodo-Madikizela returns to the archive of the Truth and Reconciliation Commission to think through the horrific violence in contemporary South Africa. Is this violence a reflection of “ghosts” from the past, the death of hope in the present, or a...
Renewed uprising against the death-making apparatus of police and prison demands that we attend to the relationship between property and personhood, specifically to how the theft of land is facilitated by the theft of life. This talk, given on the occasion of International Women’s Day and during the week that marks the first anniversary of Breonna Taylor’s killing, focuses on the propertization of the gendered subject in the making of whiteness. The time of abolition, Roy argues, requires the undoing of gender-property logics. What does this entail within the university? Speaking as "...
Radcliffe Institute for Advanced Study at Harvard—Online
The stories of Asian American women extend far beyond the geographic borders of the United States. Inspired by tales and objects from family history, their narratives often reflect the transnational nature of Asian American women’s lives. Despite the importance of these narratives to expanding and complicating our understanding of war, migration, inequity, and difference, the accounts and perspectives of Asian American women have often been overlooked in formal records, and the tangible objects providing critical evidence of their histories have been ignored. This program will bring...
Toxic Beauty. Troubled Allure. Fallow Fairness. Not Vacant, Open. Not Abandoned, Changing.
D.I.R.T. cultivates a perverse attraction and an unapologetic approach to wrecked landscapes.
Not Restorative, Regenerative.
The work holds back. It doesn’t make everything perfectly okay. The work listens. It hears them above trying to make sense, below the ground producing heritage. The work hurts. It flips preconceptions of stuck minds. The work is messy. It’s all about finding. The work emerges.
It doesn’t descend. The work leaves. It lets you in....
Wolff is a design studio concerned with developing an architectural practice of consequence through the mediums of design, advocacy, research and documentation. The Wolff team is led by Ilze & Heinrich Wolff who work collaboratively with a group of highly skilled, committed and engaged architects, creative practitioners and administrators.
Radcliffe Institute for Advanced Study at Harvard—Online
John Alba Cutler, associate professor of English and Latinx studies at Northwestern University, is working on a new book examining the prodigious literary archive of early-20th-century Spanish-language newspapers in the United States. Newspapers in Latinx communities from New York to San Diego published tens of thousands of poems, short stories, chronicles, and serialized novels. These works show how Latinx communities grappled with the collision of Latin American and US modernities long before the advent of what we think of as “modern” Latinx literature.