Hunnewell Building, Arnold Arboretum, 125 Arborway, Boston
Woodturning has a long history, going back to 1300 BC Egypt. Unique in relation to most woodworking, due to its use of a lathe, woodturners turn out practical, functional pieces or “turn” to the purely aesthetic. Each craftsman brings their own personal artistic vision to the objects they create, and the pieces in maple, cherry, and other wood from far and near (look for work turned from Arnold Arboretum deaccessioned trees), offer a unique look at the “personality” within the wood itself. The three Woodturning associations, as well as Harvard Woodturning students, have come together for...
Curated by Elisa H. Hamilton for the Crossings Gallery, Breakaway features the work of four artists who push beyond the confines of a gallery wall. Experimenting with shape, line, texture and color, each artist blurs the boundaries that inform our perception. Pieces by Adria Arch, Destiny Palmer, Rebecca Rose Greene, and Vanessa Irzyk invite the viewer to experience that compelling moment when the two-dimensional breaks away from the wall to become something new.
Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston
Join us for a lecture with Natalia Arbelaez, 2018-19 Artist In Residence at the Ceramics Program, Office for the Arts at Harvard as she discusses the work developed during her residency over the past year. Immediately following the lecture, join us in Gallery 224 from 5:00pm–7:00pm for the opening reception of Passages of Absence, Arbelaez's solo exhibition.
Concert for One will pair individual listeners with solo musicians for 60 seconds of focused live performance and concentrated listening, fostering intimate connections between performers and audience members. Performances will take place inside a temporary art installation on the Science Center Plaza featuring an interactive lobby and performance space that will have just enough room for two chairs, two people and an instrument.
Concert for One is free and open to the public, no reservations or tickets required.The performer’s name, instrument, and what...
The Special Exhibitions Gallery, Science Center 251, 1 Oxford St., Cambridge
This exhibit features images and objects drawn from a variety of disciplines and time periods that show the importance of visual experiences in science. Images have played many roles in scientific research. Images can record fleeting observations, whether a painting of an animal glimpsed in the field or an interaction between sub-atomic particles that lasts a millisecond. They can also make unseen things visible.
Physical models can make abstract mathematical concepts into something that researchers can touch; properly arranged, sand, metal plates, and a violin bow can make...
Crossings Gallery, Harvard Ed Portal, 224 Western Ave., Allston
Join the Harvard Ed Portal for an exhibition reception for Cross Country. In her first exhibition since moving from Minneapolis to Boston in 2018, Anda Tanaka explores the question of what happens to an artist’s work when her environment changes. Cross Country features two sets of abstract landscapes: prints and paintings she created in previous years while based in the Midwest, and a new series of drawings made since arriving in Boston. Contrasting these two bodies of work, Tanaka reveals the ongoing and inexorable dialogue between an artist and her environment, an...
Crossings Gallery, Harvard Ed Portal, 224 Western Ave., Allston
In her first exhibition since moving from Minneapolis to Boston in 2018, Anda Tanaka explores the question of what happens to an artist’s work when her environment changes. Cross Country features two sets of abstract landscapes: prints and paintings she created in previous years while based in the Midwest, and a new series of drawings made since arriving in Boston. Contrasting these two bodies of work, Tanaka reveals the ongoing and inexorable dialogue between an artist and her environment, an evolution made manifest in the materiality of her work.
Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston
Join Ceramics Program, Office for the Arts at Harvard for a lecture with Colby Charpentier, 2018–19 Artist In Residence, as he discusses the work he developed during his residency. Charpentier has created work that explores the question “What if we took clay out of the vessel and glaze was all that remained? And what does it mean to replicate a 3-D printing process by hand? The result is ceramic: glass, devitrified.”
Immediately following the lecture will be the opening reception of Devitrified, Charpentier's solo exhibition.
Unbound Visual Arts (UVA) and the Harvard Ed Portal’s Crossings Gallery are proud to present their newest exhibition: The Waste Land on Earth? This innovative exhibition explores the impacts of a constant cycle of consumption on landscapes and communities. UVA guest curator Caitlin Bowler invited artists to respond to a world shaped by this mindset of disposability.
Participating artists: Agusta Agustsson, Lani Asuncion, Nancer Ballard, Jennifer Costello, Nancy Crasco, Gary Duehr, Mary Gillis, Lynda Goldberg, Muriel Horvath, Tom Jackson, Amy Kelly, Elizabeth...
Unbound Visual Arts (UVA) and the Harvard Ed Portal’s Crossings Gallery are proud to present their newest exhibition: The Waste Land on Earth? This innovative exhibition explores the impacts of a constant cycle of consumption on landscapes and communities. UVA guest curator Caitlin Bowler invited artists to respond to a world shaped by this mindset of disposability.
Participating artists: Agusta Agustsson, Lani Asuncion, Nancer Ballard, Jennifer Costello, Nancy Crasco, Gary Duehr, Mary Gillis, Lynda Goldberg, Muriel Horvath, Tom Jackson, Amy Kelly,...
Sneha Shrestha (aka Imagine), Ed.M.’17 brings her large scale mural indoors to Gutman Library by reducing the size of her work while still sharing a big mindful message. She invites viewers to slow down and meditate over the multiple layers in this painting and wishes to share with and inspire the community to keep their sense of wonder and be open to surprises that we encounter in our lives and our careers.
Sneha Shrestha (aka Imagine), Ed.M.’17 brings her large-scale mural indoors to Gutman Library by reducing the size of her work while still sharing a big mindful message. She invites viewers to slow down and meditate over the multiple layers in this painting and wishes to inspire the community to keep their sense of wonder and be open to surprises that we encounter in our lives and our careers.
Gallery 224, Ceramics Program—Office for the Arts at Harvard, 224 Western Ave., Allston
Join the Ceramics Program—Office for the Arts at Harvard for a free exhibition reception for Mary Roettger.
This exhibition of work by Mary Roettger (1956-2017) honors and commemorates a former Ceramics Program instructor and artist in residence. Mary was a gifted teacher, who inspired beginning and advanced students with challenging, in-depth projects which expanded their expressive potential and technical abilities. In homage to the breadth and depth of Mary’s teaching and creative practice, this exhibition will present a wide range of her work so that students...
Photographer, Northeastern University professor emeritus, and former Harvard section leader Neal Rantoul presents a reflection on the present-day American West through images of the Utah desert and the Paradise, California Camp Fire aftermath. Together, these two landscapes show the West as both an inspiration for classical landscape photography and the site of human and environmental devastation. American West makes clear how the environment of the former American frontier now faces serious threats to its long-term survival.
Houghton Library, Edison and Newman Room, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
Harvard Art Museums, Art Study Center, 32 Quincy St., Cambridge
The Harvard Art Museums Archives is participating in Cambridge Open Archives, an annual event that offers the rare chance to visit a number of unique archives and collecting agencies in Cambridge. In the Art Study Center, select archival photographs, correspondence, and objects documenting the history of the museums’ teaching mission and its wider impact in the United States will be on display for close examination. Archives staff will be on hand to share the stories behind the materials.
Cost: Free with museums admission (note that admission is always free...
Photographer, Northeastern University professor emeritus, and former Harvard section leader Neal Rantoul presents a reflection on the present-day American West through images of the Utah desert and the Paradise, California Camp Fire aftermath. Together, these two landscapes show the West as both an inspiration for classical landscape photography and the site of human and environmental devastation. American West makes clear how the environment of the former American frontier now faces serious threats to its long-term survival.
Houghton Library, Edison and Newman Room, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
2019 marks the centennial of the Bauhaus, and Harvard is celebrating! The Bauhaus, considered the twentieth century’s most influential school of art and design, has deep connections to Harvard, including the Harvard Law School (HLS).
Explore HLS’s connection to the Bauhaus and its role in shaping campus life in these excerpts from the full exhibit, on view daily 9am–5pm in Langdell Hall's ...
In established art circles, photographers often describe their work as “making” images, as opposed to “taking” pictures. While this language accurately describes artistic authorship, it can also allow photographers and viewers to sidestep questions about agency and consent with human subjects.
In this exhibition, curator and photographer Anna Rae presents the work of four Boston-area photographers, Atma, Kat Waterman, Lucas Hall, and Jaypix Belmer, who explore the role of consent in their portraits.