Crossings Gallery, Harvard Ed Portal, 224 Western Ave., Allston
In her first exhibition since moving from Minneapolis to Boston in 2018, Anda Tanaka explores the question of what happens to an artist’s work when her environment changes. Cross Country features two sets of abstract landscapes: prints and paintings she created in previous years while based in the Midwest, and a new series of drawings made since arriving in Boston. Contrasting these two bodies of work, Tanaka reveals the ongoing and inexorable dialogue between an artist and her environment, an evolution made manifest in the materiality of her work.
Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston
Join Ceramics Program, Office for the Arts at Harvard for a lecture with Colby Charpentier, 2018–19 Artist In Residence, as he discusses the work he developed during his residency. Charpentier has created work that explores the question “What if we took clay out of the vessel and glaze was all that remained? And what does it mean to replicate a 3-D printing process by hand? The result is ceramic: glass, devitrified.”
Immediately following the lecture will be the opening reception of Devitrified, Charpentier's solo exhibition.
Harvard Art Museums, Special Exhibitions Gallery, 32 Quincy St., Cambridge
What does it mean to be displaced from culture and home? What are the historical contexts for understanding our contemporary moment? How does an artist’s work and process embody and engage the narratives of displacement and belonging?
Crossing Lines, Constructing Home investigates two parallel ideas: national, political, and cultural conceptions of boundaries and borders; and the evolving hybrid spaces, identities, languages, and beliefs created by the movement of peoples.
Harvard Art Museums, University Research Gallery, 32 Quincy St., Cambridge
In this new exhibit, discover how celebrated American artist Winslow Homer’s work for the illustrated periodical Harper’s Weekly helped shape his later career as a painter and watercolorist.
During the Civil War (1861–1865), American artist Winslow Homer (1836–1910) served as a correspondent for Harper’s. His sketches of soldiers, both in battle on the front lines and in quieter moments back at camp, were reproduced to accompany the journal’s accounts of the conflict. Homer worked for Harper’s just as new technologies were making it possible to rapidly...
Harvard Art Museums, University Teaching Gallery, 32 Quincy St., Cambridge
Christianity has important early roots in the Nile Valley and Ethiopia. Related arts often embody core local African values—an aesthetics that privileges moral value and simplicity over opulence, wealth, or power. This is an art of the people: limestone not marble, wool and linen rather than silk, bone instead of ivory, terracotta, wood, and copper in place of gold.
Harvard Art Museums, University Teaching Gallery, 32 Quincy St., Cambridge
Critical Printing is an experimental course offered by Harvard’s Department of Art, Film, and Visual Studies that integrates studio and seminar instruction, allowing students to explore print as artists and scholars simultaneously. In this installation, as in the course, prints are organized not by medium or chronology, but by fundamental modes of critical thinking that emerge from the printmaking process. In the gallery, works are grouped around the following themes: reversal; pressure; color separation; depth; and replicability.
Harvard Museum of Natural History, 26 Oxford St., Cambridge
Fruits in Decay is a new special exhibit in the Glass Flowers gallery that explores blight, rot, and other diseases on summer fruits. It features exquisitely detailed glass botanical models of strawberries, peaches, apricots, plums, and pears made by famed glass artist Rudolf Blaschka. On display for the first time in nearly two decades, these models capture—with astonishing realism—the intricacies and strange beauty of fruits in various stages of decay.
Unbound Visual Arts (UVA) and the Harvard Ed Portal’s Crossings Gallery are proud to present their newest exhibition: The Waste Land on Earth? This innovative exhibition explores the impacts of a constant cycle of consumption on landscapes and communities. UVA guest curator Caitlin Bowler invited artists to respond to a world shaped by this mindset of disposability.
Participating artists: Agusta Agustsson, Lani Asuncion, Nancer Ballard, Jennifer Costello, Nancy Crasco, Gary Duehr, Mary Gillis, Lynda Goldberg, Muriel Horvath, Tom Jackson, Amy Kelly, Elizabeth...
Unbound Visual Arts (UVA) and the Harvard Ed Portal’s Crossings Gallery are proud to present their newest exhibition: The Waste Land on Earth? This innovative exhibition explores the impacts of a constant cycle of consumption on landscapes and communities. UVA guest curator Caitlin Bowler invited artists to respond to a world shaped by this mindset of disposability.
Participating artists: Agusta Agustsson, Lani Asuncion, Nancer Ballard, Jennifer Costello, Nancy Crasco, Gary Duehr, Mary Gillis, Lynda Goldberg, Muriel Horvath, Tom Jackson, Amy Kelly,...
Edison and Newman Room, Houghton Library, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition Small Steps, Giant Leaps to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Nearly as universal as war itself has been the inclination to decorate the weapons of war. People through time and in nearly all cultures - rich and poor, leaders and followers, foragers in the most forbidding climates on the planet, and kings of the world’s great civilizations - have painstakingly embellished their weapons. We may marvel at their splendor in startling contrast to their deadly purpose, and we may wonder why we have always felt so compelled to transform implements of war into objects of surprising beauty.
Sneha Shrestha (aka Imagine), Ed.M.’17 brings her large scale mural indoors to Gutman Library by reducing the size of her work while still sharing a big mindful message. She invites viewers to slow down and meditate over the multiple layers in this painting and wishes to share with and inspire the community to keep their sense of wonder and be open to surprises that we encounter in our lives and our careers.
Sneha Shrestha (aka Imagine), Ed.M.’17 brings her large-scale mural indoors to Gutman Library by reducing the size of her work while still sharing a big mindful message. She invites viewers to slow down and meditate over the multiple layers in this painting and wishes to inspire the community to keep their sense of wonder and be open to surprises that we encounter in our lives and our careers.
Harvard Museum of Natural History, 26 Oxford St., Cambridge
On July 20, 2019, the Harvard Museum of Natural History marked the fiftieth anniversary of the first manned mission to the Moon with the unveiling of Cosmic Origins. Visitors to this new mini-exhibit—located within the Earth & Planetary Sciences exhibition—will investigate the origins of and processes shaping planetary bodies and stars using touchable specimens, colorful visuals, and interactive media.
Through November 27, 2019, the exhibit will also feature an original lunar specimen on loan from NASA, collected during the Apollo 12 mission. Don’t miss the...
Gallery 224, Ceramics Program—Office for the Arts at Harvard, 224 Western Ave., Allston
Join the Ceramics Program—Office for the Arts at Harvard for a free exhibition reception for Mary Roettger.
This exhibition of work by Mary Roettger (1956-2017) honors and commemorates a former Ceramics Program instructor and artist in residence. Mary was a gifted teacher, who inspired beginning and advanced students with challenging, in-depth projects which expanded their expressive potential and technical abilities. In homage to the breadth and depth of Mary’s teaching and creative practice, this exhibition will present a wide range of her work so that students...
Edison and Newman Room, Houghton Library, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition Small Steps, Giant Leaps to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
Tours are free and open to the public. No reservation is required.
Exhibition Tours are also offered on the following dates:
Photographer, Northeastern University professor emeritus, and former Harvard section leader Neal Rantoul presents a reflection on the present-day American West through images of the Utah desert and the Paradise, California Camp Fire aftermath. Together, these two landscapes show the West as both an inspiration for classical landscape photography and the site of human and environmental devastation. American West makes clear how the environment of the former American frontier now faces serious threats to its long-term survival.
Houghton Library, Edison and Newman Room, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
Edison and Newman Room, Houghton Library, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition Small Steps, Giant Leaps to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
Tours are free and open to the public. No reservation is required.