Scott Manning Stevens is an associate professor and director of Native American and Indigenous Studies at Syracuse University. In this lecture, he will discuss his new project, which focuses on ways Indigenous communities can confront cultural alienation and appropriation in museums, galleries, and archives.
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of The Music of Black Americans: A History and founder and editor of The Black Perspective in Music. In 1976, Eileen Southern became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). Southern played an important institutional role at Harvard. She was central in developing the Department of Afro-American Studies (now African and African American Studies), serving as an early chair, and was on the faculty of the Department of Music, where she taught...
ArtsBites is the OFA round-table discussion series with undergraduate students and visiting artists. Discover and explore how you can create an expressive career and a performative life. Join us for a conversation with John Cariani, Tony-nominated actor and playwright for Almost, Maine, featured this fall in Caroline, or Change on Broadway. This event is in partnership with Harvard-Radcliffe Dramatic Club.
Dulière, winner of Harvard Graduate School of Design's 2018 Wheelwright Prize, presents the conclusion of her research proposal, offering a collection of stories on the use and reuse of materials across building sites, demolition sites, salvage yards, quarries, film sets, and other out-of-the-way locations.
Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Arts and sciences flourished in the Dutch Republic during the 17th century. Women such as Anna Maria van Schurman, Margareta van Godewick, and Anna Roemer Visscher excelled in scholarly pursuits and art practice. They were greatly admired, but they were nonetheless categorized as exceptional cases and never possessed the freedom to voice ideas enjoyed by their male counterparts. Working in a variety of art forms, including miniature painting, drawing, embroidery, and paper cutting, these women often meant to address no other audience than the artist herself.
Through stories behind six recent cultural projects from the studio, Hu and Wenjing, Founding Partners of OPEN, discuss the changing role and opportunity for architects in a transformative society, and the importance of being radical yet poetic at the same time.
Join Houghton Library for a peek behind the scenes of Apple TV+’s Dickinson, a biographical comedy about poet Emily Dickinson. Show creator Alena Smith, Set Decorator Marina Parker, and Costume Designer Jennifer Moeller will be joined by Ernest Bernbaum Professor of English Deidre Lynch to delve into the research and creativity driving the show. The show’s archive—scripts, set and costume designs, tone books, and more—are now housed at Houghton Library as part of its Emily Dickinson Collection.
Culinary historian Michael Twitty, author of the James Beard-winning book, The Cooking Gene, discusses the impact of the collective perceptions of African American foodways on how we experience a broader vision of healing. With such foodways often stigmatized as a continuation of socio-cultural trauma or defended with a mark of "authentic" racial identity, Twitty offers alternative ways to see how the revitalization of ancestral foodways and culinary justice is a necessary part of our collective national experience.
In the 17th century, the Dutch Republic was a fast-paced, successful, modern society—economically, politically, and artistically. The work ethic of its citizens amazed foreign visitors, who compared the Dutch to crawling ants. Its flourishing art production showed the bustle of everyday life with almost scientific precision. Yet many artworks amassed by Dutch citizens in their homes portray scenes of silence and serenity. Such works, including genre pieces by Johannes Vermeer and still lifes featuring fruit, nuts or bread by Willem Heda and Adriaen Coorte, suggest a deep engagement with...
ArtsBites is the OFA round-table discussion series with undergraduate students and visiting artists. Discover and explore how you can create an expressive career and a performative life. Join us for a conversation with Jocelyn Bioh, performer and playwright who adapted Merry Wives of Windsor for Shakespeare in the Park in New York City. This event is in partnership with Harvard BlackCAST.
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
The future of democratic societies rests not simply on shared values but on shared spaces: the libraries, childcare centers, and parks where crucial connections are formed. Drawing on extensive sociological research, Klinenberg claims that “social infrastructure,” which he defines as the physical spaces that shape our interactions, plays an essential but unappreciated role in modern societies, generating inequalities in health, education, crime, climate vulnerability, and social networks. In this lecture, he shares key findings from his landmark book, Palaces for the People, and...
A close look at a group of bold watercolors by Zelda Fitzgerald confirms her originality, talent, and wit as an artist. Known to her contemporaries as F. Scott Fitzgerald’s temperamental wife, Zelda was a creative force in her own right.
Ceramics Program, Office for the Arts at Harvard—Online
The Ceramics Program, Office for the Arts at Harvard presents a series of lectures by 2021-22 Artists In Residence.
Shea Burke is a ceramic artist from Rochester New York. Their work employs the ceramic vessel as a container for thoughts and histories around their Black biracial ancestry. Shea dreams of their role as a future ancestor themself. Shea received their BFA from Alfred University in 2017 and an MFA from School of the Art Institute of Chicago in 2021. They were the recipient of a Zenobia Award for a residency at Watershed Ceramics in 2018.
David Cheng Chang is an associate professor of humanities and the associate director of Global China Center at the Hong Kong University of Science and Technology. While at Radcliffe, he is using interdisciplinary source materials to write a book that will weave together the personal histories of more than 3,000 Chinese interpreters for the American and British allied forces during World War II with the larger military, political, diplomatic, and social history of World War II, the Chinese Civil War, the Korean War, and the Cold War. Join Chang as he discusses this project and the...
Before the development of synthetic dyes in the second half of the 1800s, natural dyes were some of the most prized and sought-after commodities in the global economy. This talk uses historical images and texts to excavate changing approaches to indigenous environmental knowledge in colonial Mexico and early modern Europe through the study of cochineal.
This insect, native to the Americas, produced the world's best quality and most valuable red dye from the 1520s until the rise of the modern chemical dye industry. Long used by indigenous people in the Americas, under Spanish...