In this opening discussion for Radcliffe’s contemporary art exhibition, Precipitation for an Arid Landscape, the artist Gala Porras-Kim will engage in a wide-ranging conversation with art historian Martha Buskirk. The exhibition grows out of Porras-Kim’s 2019–2020 fellowship at Harvard Radcliffe Institute. Her fellowship project centered on items dredged from the Sacred Cenote of Chichén Itzá, a Maya site in the Yucatan peninsula of Mexico, and how they arrived in the collections of Harvard’s Peabody Museum of Archaeology and Ethnology.
The 2022 Kim and Judy Davis Dean’s Lecture in the Humanities will feature Midori—artist, activist, and educator who explores and builds connections between music and the human experience, which makes her one of the most outstanding violinists of our time. She has performed with many of the world’s most prestigious orchestras and has collaborated with world-renowned musicians, including Leonard Bernstein, Yo-Yo Ma, and many others.
The new genre of interior painting enjoyed great popularity among 17th-century Dutch citizens. Its indoor scenes featuring people involved in mundane activities resemble the domestic settings in which they were hung. Other art forms such as perspective boxes and dollhouses further reinforce the link connecting physical, pictorial, and mental space by relating home to the interiority of the individual.
Double reed pipes, known as auloi, were popular musical instruments in the ancient Mediterranean. In 1921, archaeologists exploring the necropolis of Meroë (northern Sudan)—as part of the Harvard University-Boston Museum of Fine Arts Expedition—found a large collection of auloi in the pyramid of Nubian Queen Amanishakheto. Susanne Gänsicke will discuss the discovery’s importance and what it reveals about the connections between Nubia and the Mediterranean world as well as the significance of far-reaching musical traditions. She will also share recent efforts to conserve...
As the pushback against stories that center on nonwhite characters continues to threaten the fabric of the American narrative, this lecture will serve as a reminder of why our stories truly matter.
Jacqueline Woodson is an internationally-acclaimed children's and young adult author with over eight million books in print. She has received more than 300 awards, including the National Book Award, four Newbery Honors, three Coretta Scott King medals, the Astrid Lindgren Memorial Award, and the Hans Christian Andersen Award.
Scott Manning Stevens is an associate professor and director of Native American and Indigenous Studies at Syracuse University. In this lecture, he will discuss his new project, which focuses on ways Indigenous communities can confront cultural alienation and appropriation in museums, galleries, and archives.
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of The Music of Black Americans: A History and founder and editor of The Black Perspective in Music. In 1976, Eileen Southern became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). Southern played an important institutional role at Harvard. She was central in developing the Department of Afro-American Studies (now African and African American Studies), serving as an early chair, and was on the faculty of the Department of Music, where she taught...
ArtsBites is the OFA round-table discussion series with undergraduate students and visiting artists. Discover and explore how you can create an expressive career and a performative life. Join us for a conversation with John Cariani, Tony-nominated actor and playwright for Almost, Maine, featured this fall in Caroline, or Change on Broadway. This event is in partnership with Harvard-Radcliffe Dramatic Club.
Dulière, winner of Harvard Graduate School of Design's 2018 Wheelwright Prize, presents the conclusion of her research proposal, offering a collection of stories on the use and reuse of materials across building sites, demolition sites, salvage yards, quarries, film sets, and other out-of-the-way locations.
Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Arts and sciences flourished in the Dutch Republic during the 17th century. Women such as Anna Maria van Schurman, Margareta van Godewick, and Anna Roemer Visscher excelled in scholarly pursuits and art practice. They were greatly admired, but they were nonetheless categorized as exceptional cases and never possessed the freedom to voice ideas enjoyed by their male counterparts. Working in a variety of art forms, including miniature painting, drawing, embroidery, and paper cutting, these women often meant to address no other audience than the artist herself.
Through stories behind six recent cultural projects from the studio, Hu and Wenjing, Founding Partners of OPEN, discuss the changing role and opportunity for architects in a transformative society, and the importance of being radical yet poetic at the same time.
Culinary historian Michael Twitty, author of the James Beard-winning book, The Cooking Gene, discusses the impact of the collective perceptions of African American foodways on how we experience a broader vision of healing. With such foodways often stigmatized as a continuation of socio-cultural trauma or defended with a mark of "authentic" racial identity, Twitty offers alternative ways to see how the revitalization of ancestral foodways and culinary justice is a necessary part of our collective national experience.
In the 17th century, the Dutch Republic was a fast-paced, successful, modern society—economically, politically, and artistically. The work ethic of its citizens amazed foreign visitors, who compared the Dutch to crawling ants. Its flourishing art production showed the bustle of everyday life with almost scientific precision. Yet many artworks amassed by Dutch citizens in their homes portray scenes of silence and serenity. Such works, including genre pieces by Johannes Vermeer and still lifes featuring fruit, nuts or bread by Willem Heda and Adriaen Coorte, suggest a deep engagement with...
ArtsBites is the OFA round-table discussion series with undergraduate students and visiting artists. Discover and explore how you can create an expressive career and a performative life. Join us for a conversation with Jocelyn Bioh, performer and playwright who adapted Merry Wives of Windsor for Shakespeare in the Park in New York City. This event is in partnership with Harvard BlackCAST.
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
The future of democratic societies rests not simply on shared values but on shared spaces: the libraries, childcare centers, and parks where crucial connections are formed. Drawing on extensive sociological research, Klinenberg claims that “social infrastructure,” which he defines as the physical spaces that shape our interactions, plays an essential but unappreciated role in modern societies, generating inequalities in health, education, crime, climate vulnerability, and social networks. In this lecture, he shares key findings from his landmark book, Palaces for the People, and...
A close look at a group of bold watercolors by Zelda Fitzgerald confirms her originality, talent, and wit as an artist. Known to her contemporaries as F. Scott Fitzgerald’s temperamental wife, Zelda was a creative force in her own right.