John Knowles Paine Concert Hall, 3 Oxford St, Cambridge, MA
Shostakovich Two Pieces for String Quartet; Beethoven String Quartet in E Minor, Op.59 No.2; Shostakovich Piano Quintet in G Minor, Op.57 (with Orion Weiss). Free but tickets required, available beginning November 16 at Harvard Box Office. Tickets may be picked up in person or obtained by phone or online. 496-2222. There is a small charge for phone or online orders.
John Knowles Paine Concert Hall, 3 Oxford St, Cambridge, MA
Shostakovich Two Pieces for String Quartet; Beethoven String Quartet in E Minor, Op.59 No.2; Shostakovich Piano Quintet in G Minor, Op.57 (with Orion Weiss). Free but tickets required, available beginning November 16 at Harvard Box Office. Tickets may be picked up in person or obtained by phone or online. 496-2222. There is a small charge for phone or online orders.
Harvard Graduate School of Design, Gund Hall, Piper Auditorium 105, 48 Quincy Street, Cambridge, MA 02138
Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine Galleries, London. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show “World Soup” (The Kitchen Show) in 1991 he has curated more than 300 shows.
So far in 2018, Obrist has co-curated at the Serpentine Galleries solo shows for Rose Wylie, Wade Guyton, Ian Cheng, Sondra Perry, Tom Abts and Christo. In 2014 he curated the Swiss Pavilion at the 14th International Architecture Biennale in Venice, where he presented Lucius Burckhardt and...
Geological Lecture Hall, 24 Oxford Street, Cambridge, MA 02138
On July 12, 1969, Ruth Davis, a young American volunteer at Dr. Jane Goodall’s research site in Gombe Stream National Park, Tanzania, left camp to follow a chimpanzee into the forest. Six days later, her body was found floating at the base of a high waterfall. What happened? Drawing on his recent book, The Ghosts of Gombe...
Harvard Graduate School of Design, Gund Hall, Stubbins Room 112, 48 Quincy Street, Cambridge, MA 02138
HHF Architects was founded in 2003 by Tilo Herlach, Simon Hartmann and Simon Frommenwiler. Since its establishment, HHF have realized numerous projects in Switzerland, Germany, China, France, Mexico and the USA. The scope of work ranges from urbanism and large-scale construction to public pavilions and interior design.
Harvard Graduate School of Design, Gund Hall, Piper Auditorium 105, 48 Quincy Street, Cambridge, MA 02138
Shirin Neshat‘s lecture will offer an overview of the development of her art and her ongoing multi-media practice involving still-photography, video installations, performance, and feature length films. She will primarily focus on her most recent projects, including her direction of an opera “Aida,” which was presented at the Salzburg Music Festival in 2017, in collaboration with world renowned Riccardo Muti and Soprano singer, Anna Netrebko; as well as speaking, and showing clips of her latest movie “Looking for...
Harvard Graduate School of Design, Gund Hall, Stubbins Room 112, 48 Quincy Street, Cambridge, MA 02138
Dr. Sharif will be sharing a collection of the various thoughts and ideas provoked by her own journeys and narratives when she lived and worked in Palestine, and which were later transformed into projects.
The work will unpack alternative means to re-read and redraw the Palestinian landscape – from a Palestinian perspective – by stripping it off the dominant power of lines. Dr. Sharif will be using speculation – and at times...
Harvard Dance Center, 66 Garden St., Cambridge, MA
A panel discussion with Professor Michael Stein, Executive Director of the Harvard Law School Project on Disability and one of the world’s leading experts on disability law and policy; Heidi Latsky, dancer, choreographer, and artistic director of Heidi Latsky Dance, a physically-integrated dance company; Tiffany Geigel, dancer with Heidi Latsky Dance; Dr. Debra Levine, Director of Undergraduate Studies and Lecturer on Theater, Dance & Media; and other Harvard faculty. This event is free and open to the public. Online registration is required due to...
Harvard Dance Center, 66 Garden St., Cambridge, MA
Join in a master class led by Heidi Latsky, Artistic Director of Heidi Latsky Dance (HLD), and company dancer Tiffany Geigel, that will introduce students to the techniques and intentions behind Latsky’s installation work "ON DISPLAY". "ON DISPLAY" is a series of movement installations that have been disrupting the urban landscape worldwide since 2015. Participants will then have the opportunity to perform "ON DISPLAY GLOBAL", HLD’s annual worldwide initiative that commemorates the UN’s International Day of Persons with Disabilities every December third, on Harvard’s campus on...
Harvard Graduate School of Design, Gund Hall, Piper Auditorium, Room 105 48 Quincy Street Cambridge, MA 02138
Stanislaus Fung is a researcher in landscape architecture and architecture who has written extensively on Chinese landscape architecture and architecture in both traditional and contemporary contexts. He is best known for his...
HGSD, Gund Hall, Stubbins Room 112, 48 Quincy Street, Cambridge, MA 02138
In conjunction with the 2017 Veronica Rudge Green Prize in Urban Design, a panel discussion with some of those most closely involved with realizing the High Line will allow a deeper understanding of its value as an urban design prototype being disseminated and adopted worldwide.
HGSD, Gund Hall, Piper Auditorium 105, 48 Quincy Street, Cambridge, MA 02138
Please join us for two days of events in conjunction with the 2017 Veronica Rudge Green Prize in Urban Design, awarded to the High Line.
The events begin Wednesday, November 14 at 6:30 PM with remarks in the GSD's Piper Auditorium from Diane Davis (Chair of the Department of Urban Planning and Design, GSD), Ric Scofidio (Diller Scofidio & Refro), James Corner and Lisa Tziona Switkin (...
HGSD, Gund Hall, Stubbins Room 112, 48 Quincy Street, Cambridge, MA 02138
“The vision behind, and motivation for my work is to explore and use architecture as a medium to strengthen cultural and individual confidence, to support local economies and to foster the ecological balance. Joyful living is a creative and active process and I am deeply interested in the sustainable development of our society and our built environment. For me, sustainability is a synonym for beauty: a building that is harmonious in its design, structure, technique and use of materials, as well as with the location, the environment, the user, the socio-...
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge, MA 02138
This conference will explore the ways in which contemporary notions of disability are linked to concepts of citizenship and belonging. Leaders in advocacy, education, medicine, and politics will consider how ideas of community at the local, national, and international levels affect the understanding of and policies related to disability—and how this has manifested itself, in particular, in higher education.
Harvard Graduate School of Design, Gund Hall, Piper Auditorium 105, 48 Quincy Street, Cambridge, MA 02138
Public parks are a source of civic identity for the communities they serve – inclusivity and authenticity are crucial. Similarly, memorials are bastions of democratic exchange and act as repositories of our cultural past and evolution. Thomas Woltz will present projects from the portfolio of Nelson Byrd Woltz Landscape Architects (NBW) that demonstrate the power of the firm’s research-based design to reframe our relationship with civic, ecological, and cultural systems within the public realm. Lastly, Thomas will present NBW projects that...
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge, MA 02138
Anna Von Mertens is an exhibited artist who uses the structures of quilting and drawing to explore the frontiers of human understanding. Her new exhibition "Measure" explores the life and work of Henrietta Leavitt, one of the women “computers” hired to study glass-plate astronomical photographs at the Harvard College Observatory a century ago. Leavitt’s findings provided a unit of measurement for galactic distances. Reimagined in meticulous stitches and intricate graphite marks, Von Mertens examines our current understanding of the size and shape of...
B-04 Carpenter Center for Visual Arts, 24 Quincy Street, Cambridge
Tracking the progress of modern-day film score development, Score: A Film Music Documentaryillustrates how the first few notes on a piano keyboard end up in the most dramatic moments of a film’s emotional climax. Turning the spotlight on the creative struggles that make up a major motion picture score, the documentary showcases the way the world’s...
Gund Hall, Piper Auditorium 105, 48 Quincy Street, Cambridge, MA 02138
Why do design? What is it for? These are forward-looking questions for a creative discipline that seems more slippery to define than ever. In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an on-going educational practice. We need new proposals for how to organize society, how to structure our governments, how to...
Geological Lecture Hall, 24 Oxford Street, Cambridge, MA 02138
Christina Riggs, Professor of the History of Art and Archaeology, University of East Anglia, United Kingdom
When Howard Carter found the sealed entrance to Tutankhamun’s tomb in 1922, he secured the services of archaeological photographer Harry Burton to document the site. Over the course of ten years, Burton produced more than 3,000 glass negatives of the tomb, its contents, and the many people—including Egyptian men, women, and children—who participated in the excavation. Christina Riggs will discuss how Burton’s photography helped create “King Tut” at a...
Menschel Hall, Harvard Art Museums, 32 Quincy Street, Cambridge, MA
Corinne Wasmuht (b. 1964) is considered one of the most important German painters of her generation. In this lecture, the artist will discuss her work, from her early naturalistic structures of the late 1980s to more recent large-scale oil paintings, which reflect her interest in digital imagery and the anonymity of public space.