Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Arts and sciences flourished in the Dutch Republic during the 17th century. Women such as Anna Maria van Schurman, Margareta van Godewick, and Anna Roemer Visscher excelled in scholarly pursuits and art practice. They were greatly admired, but they were nonetheless categorized as exceptional cases and never possessed the freedom to voice ideas enjoyed by their male counterparts. Working in a variety of art forms, including miniature painting, drawing, embroidery, and paper cutting, these women often meant to address no other audience than the artist herself.
Culinary historian Michael Twitty, author of the James Beard-winning book, The Cooking Gene, discusses the impact of the collective perceptions of African American foodways on how we experience a broader vision of healing. With such foodways often stigmatized as a continuation of socio-cultural trauma or defended with a mark of "authentic" racial identity, Twitty offers alternative ways to see how the revitalization of ancestral foodways and culinary justice is a necessary part of our collective national experience.
In the 17th century, the Dutch Republic was a fast-paced, successful, modern society—economically, politically, and artistically. The work ethic of its citizens amazed foreign visitors, who compared the Dutch to crawling ants. Its flourishing art production showed the bustle of everyday life with almost scientific precision. Yet many artworks amassed by Dutch citizens in their homes portray scenes of silence and serenity. Such works, including genre pieces by Johannes Vermeer and still lifes featuring fruit, nuts or bread by Willem Heda and Adriaen Coorte, suggest a deep engagement with...
This conference brings together scholars whose research investigates the relationship between the African diaspora, Afro-descendants, and the built environment of North America and the Caribbean from a variety of lenses that are specific to the scholars’ fields of inquiry. The goal is to begin to expand the field of landscape history by taking into consideration questions that are not always deemed central to the practice of design, if design is understood as an activity that has featured—in the historical narratives—the presence of an author-designer, a client, and a variety of tools...
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
David Cheng Chang is an associate professor of humanities and the associate director of Global China Center at the Hong Kong University of Science and Technology. While at Radcliffe, he is using interdisciplinary source materials to write a book that will weave together the personal histories of more than 3,000 Chinese interpreters for the American and British allied forces during World War II with the larger military, political, diplomatic, and social history of World War II, the Chinese Civil War, the Korean War, and the Cold War. Join Chang as he discusses this project and the...
Before the development of synthetic dyes in the second half of the 1800s, natural dyes were some of the most prized and sought-after commodities in the global economy. This talk uses historical images and texts to excavate changing approaches to indigenous environmental knowledge in colonial Mexico and early modern Europe through the study of cochineal.
This insect, native to the Americas, produced the world's best quality and most valuable red dye from the 1520s until the rise of the modern chemical dye industry. Long used by indigenous people in the Americas, under Spanish...
In Texas’ freedom colonies — African American settlements founded 1866-1930 — descendants of community founders engage in heritage conservation by keeping folklife, sacred rituals, and other cultural expressions that sustain communities’ Black sense of place. However, rural, vernacular African American placekeeping strategies are rarely framed in planning and architectural history as transgressive or expressions of Black liberation.
Presenting an excerpt from her forthcoming book, Never Sell the Land, Dr. Roberts shares case studies in which descendants of Deep East...
Día de los Muertos (Day of the Dead) is a Mexican tradition that seeks to commemorate and celebrate the lives of loved ones who have passed away. The creation of an altar is a key component of this celebration, which is both bittersweet and joyful. In this program, Los Angeles-based artist, educator, and altarista Ofelia Esparza will share her philosophy and approach to making altars and to keeping Día de los Muertos alive in the U.S. She will be joined by her daughter,...
A presentation from 2021–2022 Walter Jackson Bate Fellow Uri McMillan.
Uri McMillan, an associate professor in the Department of African American Studies and Department of English at UCLA, is a cultural historian who researches and writes in the interstices between black cultural studies, performance studies, queer theory, and contemporary art. He is writing a book about the effervescent artistic practices and networks of affiliation of three artists living and working in 1970s New York City: the Jamaican American visual artist Grace Jones, the Nuyorican illustrator Antonio...
Western scholarship has focused on the monumental sculptures in Afghanistan’s Bamiyan Valley as Buddhas created in the late sixth and early seventh centuries. This lecture tells an alternative story based on Islamic sources from the tenth to the twentieth century, which saw these sculptures not as Buddhas but as legendary heroes representing the mythic conversion of the Bamiyan Valley to Islam.
At the beginning of the twenty-first century, the Taliban destroyed the sculptures—as Buddhas. After the fall of the Taliban, the sculptures’ entangled histories and the viewpoints of...
Join us for a virtual preview and conversation about the Muchos Méxicos exhibition! Three scholars who contributed to the making of the show will discuss their favorite objects, and how they each tell stories of exchange and innovation—as well as loss and perseverance—across time and space.
Live interpretation available in English and Spanish.
The artist Tomashi Jackson and Tomiko Brown-Nagin, dean of the Harvard Radcliffe Institute, will engage in a wide-ranging conversation to mark the opening of Jackson’s new Radcliffe exhibition, Brown II, which explores the challenges of implementing the landmark 1954 US Supreme Court decision Brown v. Board of Education of Topeka. Her work centers on the subsequent 1955 case (referred to as Brown II), which stated that the effort to desegregate schools in the United States was to be undertaken with “all deliberate speed.”
Jackson and Brown-Nagin will consider the Brown II...
The final installment in the summer series of Virtual Radcliffe Book Talks will feature a discussion of Our Bodies, Ourselves, first published in 1971. This event is organized in recognition of the 50th anniversary of the book’s first edition and in connection with the Boston Women’s Health Book Collective Records housed in the Schlesinger Library. The event will also include audience Q&A.
The third installment of the Virtual Radcliffe Book Talks will feature Daniel Carpenter, author of Democracy by Petition: Popular Politics in Transformation, 1790–1870 (Harvard University Press, 2021). Carpenter is the faculty director of the social sciences at Harvard Radcliffe Institute and the Allie S. Freed Professor of Government in the Harvard Faculty of Arts and Sciences.
Carpenter's reading will be followed by a discussion with Nikki M. Taylor, professor of history and chair of the Department of History at Howard University. The event will also include an...
The second installment of the Virtual Radcliffe Book Talks will feature Tiya Miles, author of All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake (Random House, 2021). Miles is a Radcliffe Alumnae Professor at Harvard Radcliffe Institute and a professor of history in the Harvard Faculty of Arts and Sciences.
Miles's reading will be followed by a discussion with Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, Daniel P.S. Paul Professor of Constitutional Law at Harvard Law School, professor of history in the Harvard Faculty of Arts and...
The first installment in the summer series of Virtual Radcliffe Book Talks will feature Clint Smith, author of How the Word Is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021) and staff writer at The Atlantic. Smith's reading will be followed by a discussion with Kyera Singleton, executive director of the Royall House and Slave Quarters, in Medford, Massachusetts. The event will also include audience Q and A.
Immerse yourself in the deep beauty of trees in this story and music journey through the Arboretum. Led by Oracle award-winning storyteller Diane Edgecomb and Celtic harper Margot Chamberlain, this unfolding performance of ancient tales and songs from cultures around the world takes place in a variety of groves—birch, cherry, and evergreen—at some of the Arboretum’s loveliest spots.
This event is free, but registration is required and limited. Not designed for children under 12, and dogs are not allowed. COVID guidelines will be followed.
One of the best documented Egyptian rituals—occurring in both cultic and funerary contexts—is known as the Opening of the Mouth ritual. Performing this ritual was believed to animate statues and temples, while also restoring the senses of the deceased, thus ensuring that they could eat, drink, and breathe in the afterlife. Textual and iconographic references to the ritual are found in different time periods, from the Old Kingdom through the Roman Period.
In this lecture, Mariam Ayad uses the Opening of the Mouth ritual as a case study to illustrate the power of imagery and the...