Dana Greenhouse Classroom, Arnold Arboretum, 125 Arborway, Boston
Grafting is the technique of joining parts of separate plants in such a manner that they unite and continue their growth as one. Learn basic principles of grafting with an overview of different types of dormant-season grafts. Arnold Arboretum propagator Sean Halloran will provide step-by-step instructions so that you can practice both cleft and side veneer grafts using apple root stock. Simple after-care will be required until planting out in springtime. Registrants will need to sign an Assumption of Risk and Release in order to participate in this class.
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden St., Cambridge
At Radcliffe, Daniel M. Callahan is beginning his second book, “Conducting Oneself,” which examines how the bodies, identities, and repertoire of orchestra conductors produce, legitimate, and limit their movements on the podium and off, from conservatories to coveted positions. Drawing on movement analysis, oral history, and affect theory, the project explores how conductors visibly embody their empathy with scores while simultaneously projecting expertise and power.
Harvard Graduate School of Design, Gund Hall, Piper Auditorium, 48 Quincy Street, Cambridge
Please join the Harvard Graduate School of Design for the Sylvester Baxter Lecture featuring a discussion by landscape architects Ron Henderson, Julian Raxworthy, and Douglas Reed, and moderated by Danielle Choi.
In this lecture, David Altshuler, the chief science director of Vertex Pharmaceuticals, discusses the promise of precision medicine and gene-editing therapy to potentially cure serious genetic illnesses.
The HFA continues its specially priced screenings of films for children and accompanying adults, plus a special selection for teenagers. Drawing from the Harvard Film Archive collection and beyond, this series of classic and contemporary films are screened in their original formats and languages.
All Weekend Matinee screenings are admission-free for holders of a valid Cambridge Public Library card!
Schedule December 15: Three Wishes for Cinderella January 25: Tito and the Birds February 8: Whisper of the Heart ...
Wildly popular in Japan, Tetsuya Mariko’s breakthrough feature tells the story of a young man drawn mysteriously into a spiral of unrelenting violence. A purposefully problematic film, Destruction Babies seems at one level to embrace the unreal ultra-violence of manga, video games and commercial cinema while also bending it into a kind of parodic self-criticism.
The Tasmanian devil is the world’s largest living carnivorous marsupial. This species was once abundant in Australia, but today is only found on the island of Tasmania, where it is at risk of extinction due to two rare, contagious cancers. Mark Margres will discuss how this species is adapting in response to these diseases, whether there is any hope for the Tasmanian devil to avoid extinction, and what can be learned about human cancers from studying the disease in other animal species.
Join the Harvard Ed Portal for an exhibition reception for PARTLY CLOUDY.
Chris Sageman’s artwork revolves around the overwhelming and the confusing. In assembling segments of text, images, and abstract graphics, Sageman creates large-scale paintings that reflect the volume of visual information we consume on a daily basis. In PARTLY CLOUDY, Sageman presents a series of paintings that diagram our current moment. By isolating fractions of imagery in each diagram, the paintings serve as disjointed road maps that try to make sense of all the bits and pieces and...
Join the Radcliffe Institute for a poetry reading and discussion with Clint Smith.
Clint Smith is a doctoral candidate at Harvard University and an Emerson Fellow at New America. He has received fellowships from the Art For Justice Fund, Cave Canem, and the National Science Foundation, while his writing has been published in the New Yorker, the New York Times Magazine, the Atlantic, Poetry Magazine, the Paris Review, and elsewhere. His first full-length collection of poetry, Counting Descent, was published in 2016. It won the 2017...
Matt Wolf’s engaging documentary tells two stories: one, the life story of a remarkably prescient and stubbornly individualistic radical librarian who refused to fit neatly into the role of wife or mother, and a second that traces the emergence and arguably disastrous effects of the twenty-four-hour American news cycle that she secretly recorded in her Philadelphia home from 1979-2012.
Hunnewell Building, Arnold Arboretum, 125 Arborway, Boston
Families need nature all year round! Meet inside the main gate at the Visitor Center. We will find a place to play together, making snow angels, snow humans, and more! Afterwards, families are invited to come inside the Lecture Hall to warm up with cookies and cocoa. Free and open to all, most suitable for children ages four through ten.
Bussey St. Gate, Arnold Arboretum, 125 Arborway, Boston
Docent Robbie Apfel leads this winter walk in an exploration of the Arboretum's conifer collection. Beginning from the Bussey Street Gate, you will be introduced to the Arboretum's grand gymnosperms, learn the botany of conifers, and hear about Hemlock Hill's evolving ecosystem. This tour will also introduce you to native and non-native conifers in the winter landscape.
Painting Edo—one of the largest exhibitions ever presented at the Harvard Art Museums—offers a window onto the supremely rich visual culture of Japan’s early modern era. Selected from the unparalleled collection of Robert S. and Betsy G. Feinberg, the more than 120 works in the exhibition connect visitors with a seminal moment in the history of Japan, as the country settled into an era of peace under the warrior government of the shoguns and opened its doors to greater engagement with the outside world. The dizzying array of artistic lineages and studios active during the Edo...
As part of the Harvard Art Museums' opening celebration for Painting Edo: Japanese Art from the Feinberg Collection, SOAS University of London art history professor Timon Screech will present "Into the Kaleidoscope: Painting in Edo Japan."
Tickets are required for the lecture and may be acquired in person, by phone, or online for a small fee through the Harvard Box Office. Limit of two tickets per person.
Egypt’s recorded history spans six thousand years and is therefore one of the longest and best known in the world. Today, Egyptians practice several religious, artistic, and social traditions that can be traced to ancient Egypt, demonstrating the power and longevity of cultural memory. Drawing on research in archaeology, Egyptian art, writing, and culture, Fayza Haikal will examine Egyptian society’s cultural expressions from antiquity to the present, focusing on language, spirituality, superstitions, funerary traditions, and folklore.
Be among the first to see over 120 works included in the Harvard Art Museums' latest show, which celebrates the rich visual culture of Japan's early modern era. The galleries are open late, and admission is free for...
Davis Center, Knafel Building, Room K262, 1730 Cambridge St., Cambridge
Moscow writer Lev Rubinstein will read from his work and engage in a wide-ranging conversation in a special Davis Center seminar.
Rubinstein exemplifies a striking aesthetic response to life in repressive times, one that emphasizes the artist’s freedom of expression and the power of humor in the face of lies. He has won multiple prizes at home and abroad and has a readiness to push at the boundaries of literary norms. Author of more than a dozen books in Russian, Rubinstein has been more active as an essayist since the start of the 2000s. He has also emerged as a public figure...
As a Radcliffe fellow, Anthony Romero (RI '20) is working on a multimedia research and visual art project that includes a collection of related but discrete works which attempt to articulate how indigenous populations, under European colonial rule in Australia, South Asia, and the United States, were controlled through the criminalization and legislating of native sound and music practices. Taken together, these histories reveal how carceral and criminalizing strategies sowed the seeds for the ongoing over-policing of black and brown communities.