On View: January 22, 2022–May 8, 2022 University Research Gallery, Harvard Art Museums
From swaddling newborns to enshrouding the deceased, woven fabrics touch nearly every aspect of human existence. The textiles in this exhibition are particularly meaningful, for they tell a bigger story about political and social power, class, trade, and concerns for the afterlife during a transformative period in Egyptian history. In the medieval era, control of the region shifted repeatedly, as Egypt was subsumed under a sequence of empires—Byzantine,...
The new genre of interior painting enjoyed great popularity among 17th-century Dutch citizens. Its indoor scenes featuring people involved in mundane activities resemble the domestic settings in which they were hung. Other art forms such as perspective boxes and dollhouses further reinforce the link connecting physical, pictorial, and mental space by relating home to the interiority of the individual.
In collaboration with the Harvard Art Museums' current exhibit Devour the Land, the Harvard Film Archive presents a program of films that critically engage landscape as a site where deeper political, socio-cultural and historical forces are powerfully legible.
The Airstrip is a profound study of the heavy legacy of modernist architecture that traces its deep roots in the fascist ideologies and militarist imperatives that rose to strength in the WWII era and continue to gain strength to this day.
Double reed pipes, known as auloi, were popular musical instruments in the ancient Mediterranean. In 1921, archaeologists exploring the necropolis of Meroë (northern Sudan)—as part of the Harvard University-Boston Museum of Fine Arts Expedition—found a large collection of auloi in the pyramid of Nubian Queen Amanishakheto. Susanne Gänsicke will discuss the discovery’s importance and what it reveals about the connections between Nubia and the Mediterranean world as well as the significance of far-reaching musical traditions. She will also share recent efforts to conserve...
Scott Manning Stevens is an associate professor and director of Native American and Indigenous Studies at Syracuse University. In this lecture, he will discuss his new project, which focuses on ways Indigenous communities can confront cultural alienation and appropriation in museums, galleries, and archives.
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of The Music of Black Americans: A History and founder and editor of The Black Perspective in Music. In 1976, Eileen Southern became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). Southern played an important institutional role at Harvard. She was central in developing the Department of Afro-American Studies (now African and African American Studies), serving as an early chair, and was on the faculty of the Department of Music, where she taught...
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of “The Music of Black Americans: A History” and founder and editor of “The Black Perspective in Music.”
In 1976, Eileen Southern (1920–2002) became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). She was central in developing...
Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Arts and sciences flourished in the Dutch Republic during the 17th century. Women such as Anna Maria van Schurman, Margareta van Godewick, and Anna Roemer Visscher excelled in scholarly pursuits and art practice. They were greatly admired, but they were nonetheless categorized as exceptional cases and never possessed the freedom to voice ideas enjoyed by their male counterparts. Working in a variety of art forms, including miniature painting, drawing, embroidery, and paper cutting, these women often meant to address no other audience than the artist herself.
Join Houghton Library for a peek behind the scenes of Apple TV+’s Dickinson, a biographical comedy about poet Emily Dickinson. Show creator Alena Smith, Set Decorator Marina Parker, and Costume Designer Jennifer Moeller will be joined by Ernest Bernbaum Professor of English Deidre Lynch to delve into the research and creativity driving the show. The show’s archive—scripts, set and costume designs, tone books, and more—are now housed at Houghton Library as part of its Emily Dickinson Collection.
Culinary historian Michael Twitty, author of the James Beard-winning book, The Cooking Gene, discusses the impact of the collective perceptions of African American foodways on how we experience a broader vision of healing. With such foodways often stigmatized as a continuation of socio-cultural trauma or defended with a mark of "authentic" racial identity, Twitty offers alternative ways to see how the revitalization of ancestral foodways and culinary justice is a necessary part of our collective national experience.
In the 17th century, the Dutch Republic was a fast-paced, successful, modern society—economically, politically, and artistically. The work ethic of its citizens amazed foreign visitors, who compared the Dutch to crawling ants. Its flourishing art production showed the bustle of everyday life with almost scientific precision. Yet many artworks amassed by Dutch citizens in their homes portray scenes of silence and serenity. Such works, including genre pieces by Johannes Vermeer and still lifes featuring fruit, nuts or bread by Willem Heda and Adriaen Coorte, suggest a deep engagement with...
This conference brings together scholars whose research investigates the relationship between the African diaspora, Afro-descendants, and the built environment of North America and the Caribbean from a variety of lenses that are specific to the scholars’ fields of inquiry. The goal is to begin to expand the field of landscape history by taking into consideration questions that are not always deemed central to the practice of design, if design is understood as an activity that has featured—in the historical narratives—the presence of an author-designer, a client, and a variety of tools...
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
David Cheng Chang is an associate professor of humanities and the associate director of Global China Center at the Hong Kong University of Science and Technology. While at Radcliffe, he is using interdisciplinary source materials to write a book that will weave together the personal histories of more than 3,000 Chinese interpreters for the American and British allied forces during World War II with the larger military, political, diplomatic, and social history of World War II, the Chinese Civil War, the Korean War, and the Cold War. Join Chang as he discusses this project and the...
Before the development of synthetic dyes in the second half of the 1800s, natural dyes were some of the most prized and sought-after commodities in the global economy. This talk uses historical images and texts to excavate changing approaches to indigenous environmental knowledge in colonial Mexico and early modern Europe through the study of cochineal.
This insect, native to the Americas, produced the world's best quality and most valuable red dye from the 1520s until the rise of the modern chemical dye industry. Long used by indigenous people in the Americas, under Spanish...
In Texas’ freedom colonies — African American settlements founded 1866-1930 — descendants of community founders engage in heritage conservation by keeping folklife, sacred rituals, and other cultural expressions that sustain communities’ Black sense of place. However, rural, vernacular African American placekeeping strategies are rarely framed in planning and architectural history as transgressive or expressions of Black liberation.
Presenting an excerpt from her forthcoming book, Never Sell the Land, Dr. Roberts shares case studies in which descendants of Deep East...
Día de los Muertos (Day of the Dead) is a Mexican tradition that seeks to commemorate and celebrate the lives of loved ones who have passed away. The creation of an altar is a key component of this celebration, which is both bittersweet and joyful. In this program, Los Angeles-based artist, educator, and altarista Ofelia Esparza will share her philosophy and approach to making altars and to keeping Día de los Muertos alive in the U.S. She will be joined by her daughter,...
A presentation from 2021–2022 Walter Jackson Bate Fellow Uri McMillan.
Uri McMillan, an associate professor in the Department of African American Studies and Department of English at UCLA, is a cultural historian who researches and writes in the interstices between black cultural studies, performance studies, queer theory, and contemporary art. He is writing a book about the effervescent artistic practices and networks of affiliation of three artists living and working in 1970s New York City: the Jamaican American visual artist Grace Jones, the Nuyorican illustrator Antonio...