Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Explore the new Resetting the Table exhibition, starting at the dinner table set for a party. Family-friendly activities about what we eat will be set up throughout the gallery: drop in for smell stations, Play-Doh® desserts, games with prizes, and a raffle of dinner for two at a Harvard Square restaurant.
Painting Edo—one of the largest exhibitions ever presented at the Harvard Art Museums—offers a window onto the supremely rich visual culture of Japan’s early modern era. Selected from the unparalleled collection of Robert S. and Betsy G. Feinberg, the more than 120 works in the exhibition connect visitors with a seminal moment in the history of Japan, as the country settled into an era of peace under the warrior government of the shoguns and opened its doors to greater engagement with the outside world. The dizzying array of artistic lineages and studios active during the Edo...
As part of the Harvard Art Museums' opening celebration for Painting Edo: Japanese Art from the Feinberg Collection, SOAS University of London art history professor Timon Screech will present "Into the Kaleidoscope: Painting in Edo Japan."
Tickets are required for the lecture and may be acquired in person, by phone, or online for a small fee through the Harvard Box Office. Limit of two tickets per person.
Be among the first to see over 120 works included in the Harvard Art Museums' latest show, which celebrates the rich visual culture of Japan's early modern era. The galleries are open late, and admission is free for...
Join curator Mary Schneider Enriquez for an in-depth tour of our exhibition “Crossing Lines, Constructing Home: Displacement and Belonging in Contemporary Art,” on view through January 5, 2020 in the Special Exhibitions Gallery on Level 3.
This event is open to the public and free with museums admission. The tour is limited to 15 people and tickets are required. Ten minutes before the tour, tickets will become available at the admissions desk.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Resetting the Table: Food and Our Changing Tastes explores food choices and eating habits in the United States, including the sometimes hidden, but always important, ways in which our tables are shaped by cultural, historical, political, and technological influences.
One dinner served in 1910 will form the centerpiece—literally—of Resetting the Table. The historical and cultural roots of the foods on the menu, and the privileged context of their presentation, will be explored. Selections from ten University collections will reveal the long history...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
"Shrink" yourself down to "walk" into an ancient Maya vessel using augmented reality! Maya women were often essential for uniting kingdoms. When a marriage was arranged between Maya royal families, kings would exchange gifts like this ceramic three-legged plate for serving chocolate. Use the museum’s iPad as a "magic window" to discover fine details on one such plate that cannot be seen on the actual artifact. A gallery facilitator will guide you through the experience and will share more about the Maya.
"Travel" in fifteen minutes to an archaeological site in Ashkelon, Israel to explore the first-ever excavation of a Philistine burial ground. For years archaeologists have searched for evidence of these Biblical people. Transport yourself to the center of 360° scenes of an archaeological expedition while your gallery facilitator explains what you are seeing. Borrow a device from the museum or download the virtual reality app on your smart phone and bring it to place in a 3D viewer at the museum for an immersive experience.
Concert for One will pair individual listeners with solo musicians for 60 seconds of focused live performance and concentrated listening, fostering intimate connections between performers and audience members. Performances will take place inside a temporary art installation on the Science Center Plaza featuring an interactive lobby and performance space that will have just enough room for two chairs, two people and an instrument.
Concert for One is free and open to the public, no reservations or tickets required.The performer’s name, instrument, and what...
The Special Exhibitions Gallery, Science Center 251, 1 Oxford St., Cambridge
This exhibit features images and objects drawn from a variety of disciplines and time periods that show the importance of visual experiences in science. Images have played many roles in scientific research. Images can record fleeting observations, whether a painting of an animal glimpsed in the field or an interaction between sub-atomic particles that lasts a millisecond. They can also make unseen things visible.
Physical models can make abstract mathematical concepts into something that researchers can touch; properly arranged, sand, metal plates, and a violin bow can make...
Harvard Art Museums, Special Exhibitions Gallery, 32 Quincy St., Cambridge
What does it mean to be displaced from culture and home? What are the historical contexts for understanding our contemporary moment? How does an artist’s work and process embody and engage the narratives of displacement and belonging?
Crossing Lines, Constructing Home investigates two parallel ideas: national, political, and cultural conceptions of boundaries and borders; and the evolving hybrid spaces, identities, languages, and beliefs created by the movement of peoples.
Harvard Art Museums, University Research Gallery, 32 Quincy St., Cambridge
In this new exhibit, discover how celebrated American artist Winslow Homer’s work for the illustrated periodical Harper’s Weekly helped shape his later career as a painter and watercolorist.
During the Civil War (1861–1865), American artist Winslow Homer (1836–1910) served as a correspondent for Harper’s. His sketches of soldiers, both in battle on the front lines and in quieter moments back at camp, were reproduced to accompany the journal’s accounts of the conflict. Homer worked for Harper’s just as new technologies were making it possible to rapidly...
Harvard Art Museums, University Teaching Gallery, 32 Quincy St., Cambridge
Christianity has important early roots in the Nile Valley and Ethiopia. Related arts often embody core local African values—an aesthetics that privileges moral value and simplicity over opulence, wealth, or power. This is an art of the people: limestone not marble, wool and linen rather than silk, bone instead of ivory, terracotta, wood, and copper in place of gold.
Harvard Art Museums, University Teaching Gallery, 32 Quincy St., Cambridge
Critical Printing is an experimental course offered by Harvard’s Department of Art, Film, and Visual Studies that integrates studio and seminar instruction, allowing students to explore print as artists and scholars simultaneously. In this installation, as in the course, prints are organized not by medium or chronology, but by fundamental modes of critical thinking that emerge from the printmaking process. In the gallery, works are grouped around the following themes: reversal; pressure; color separation; depth; and replicability.
Harvard Museum of Natural History, 26 Oxford St., Cambridge
Fruits in Decay is a new special exhibit in the Glass Flowers gallery that explores blight, rot, and other diseases on summer fruits. It features exquisitely detailed glass botanical models of strawberries, peaches, apricots, plums, and pears made by famed glass artist Rudolf Blaschka. On display for the first time in nearly two decades, these models capture—with astonishing realism—the intricacies and strange beauty of fruits in various stages of decay.
Edison and Newman Room, Houghton Library, Harvard Yard, Cambridge
Join curator John Overholt for a guided tour of the exhibition Small Steps, Giant Leaps to learn about the ways early modern science inspired and made possible the historic Apollo 11 moon landing.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Nearly as universal as war itself has been the inclination to decorate the weapons of war. People through time and in nearly all cultures - rich and poor, leaders and followers, foragers in the most forbidding climates on the planet, and kings of the world’s great civilizations - have painstakingly embellished their weapons. We may marvel at their splendor in startling contrast to their deadly purpose, and we may wonder why we have always felt so compelled to transform implements of war into objects of surprising beauty.
Sneha Shrestha (aka Imagine), Ed.M.’17 brings her large scale mural indoors to Gutman Library by reducing the size of her work while still sharing a big mindful message. She invites viewers to slow down and meditate over the multiple layers in this painting and wishes to share with and inspire the community to keep their sense of wonder and be open to surprises that we encounter in our lives and our careers.
Sneha Shrestha (aka Imagine), Ed.M.’17 brings her large-scale mural indoors to Gutman Library by reducing the size of her work while still sharing a big mindful message. She invites viewers to slow down and meditate over the multiple layers in this painting and wishes to inspire the community to keep their sense of wonder and be open to surprises that we encounter in our lives and our careers.