Erica Chenoweth is a Susan S. and Kenneth L. Wallach Professor at Harvard Radcliffe Institute and the Frank Stanton Professor of the First Amendment at Harvard Kennedy School. In this lecture, Chenoweth will present their ongoing research for their next book, written with Zoe Marks. Titled, “Rebel XX: Women on the Frontlines of Revolution,” the book is about the impact of women’s participation on revolutionary outcomes.
Let us introduce you to some of the most infamous female authors you’ve never heard of who carved out cultural spaces for themselves. Our challenge to you: Remember their names. Share their stories. Rewrite history.
A copy of Phillis Wheatley's collection of poems autographed by the author
A mysterious ownership inscription by a medieval woman named "Johanna" in a copy of Jerome's Vitas Patrum
Mary Wroth's copy of Xenophon's Cyropaedia, bearing her cryptic monogram...
HBS's iconic Baker Library is the largest business library in the world—and its collection expanded during the COVID-19 pandemic. For the first time in its 95-year history, Baker brought in non-business books, over 170 titles (to date) organized by Cathy Chukwulebe (MBA 2021) as part of her new non-profit, Little Black Library (LBL).
In response to the racial and social unrest of 2020, Cathy launched Little Black Library to promote Black authors and conversations about the Black experience through books and events at libraries and other partners around the U.S.
Camille T. Dungy is the author of four collections of poetry, most recently Trophic Cascade (Wesleyan University Press, 2017), winner of the Colorado Book Award, and the essay collection Guidebook to Relative Strangers: Journeys into Race, Motherhood and History (W.W. Norton, 2017), a finalist for the National Book Critics Circle Award. Dungy has also edited anthologies including Black Nature: Four Centuries of African American Nature Poetry (University of Georgia Press, 2009) and From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate...
Please join us for a free virtual film screening of the documentary film, "This Ain't Normal." Register for a link to see the documentary at your convenience between February 15 and 16. Then join us for a discussion on...
In Benin Bronzes in Context, Sarah Clunis will look at objects currently in the care of Harvard and discuss the way that these objects represent an iconographic and contextual story of trade, contact, and crossroads between cultures. Diana Loren will moderate a discussion after the presentation.
The bronze, ivory, and wooden artworks broadly known as the “Benin Bronzes” were taken from Benin City as part of the British Punitive Expedition of 1897 and dispersed to private collections and museums around the world. The Peabody Museum of Archaeology & Ethnology...
W. Ralph Eubanks is a visiting professor and writer-in-residence at the University of Mississippi, where he is affiliated with the Center for the Study of Southern Culture. Join Eubanks as he discusses his upcoming book, which weaves together personal history, archival research, reporting, blues and popular culture, and interviews with current Delta residents to tell the region’s history and explore why many residents of this iconic region of Mississippi persist in trying to transform a place that has been deemed broken and beyond repair.
How did Chicago, a city known for commerce, come to have such a splendid public waterfront—its most treasured asset? The book’s authors study the lakefront’s evolution from the middle of the nineteenth century to the twenty-first. Their findings have significance for understanding not only Chicago’s history but also the law’s part in determining the future of significant urban resources such as waterfronts.
Join us for a discussion on Lakefront: Public Trust and Private Rights in Chicago with authors Joseph Kearney and Thomas Merrill and panelists Henry Smith, Richard...
This installment in the Radcliffe Institute’s winter series of book talks will feature Anita Hill, author of Believing: Our Thirty-Year Journey to End Gender Violence (Viking, 2021). Professor Hill is University Professor of Social Policy, Law, and Women’s Gender and Sexuality Studies at Brandeis University.
In this opening discussion for Radcliffe’s contemporary art exhibition, Precipitation for an Arid Landscape, the artist Gala Porras-Kim will engage in a wide-ranging conversation with art historian Martha Buskirk. The exhibition grows out of Porras-Kim’s 2019–2020 fellowship at Harvard Radcliffe Institute. Her fellowship project centered on items dredged from the Sacred Cenote of Chichén Itzá, a Maya site in the Yucatan peninsula of Mexico, and how they arrived in the collections of Harvard’s Peabody Museum of Archaeology and Ethnology.
The 2022 Kim and Judy Davis Dean’s Lecture in the Humanities will feature Midori—artist, activist, and educator who explores and builds connections between music and the human experience, which makes her one of the most outstanding violinists of our time. She has performed with many of the world’s most prestigious orchestras and has collaborated with world-renowned musicians, including Leonard Bernstein, Yo-Yo Ma, and many others.
The new genre of interior painting enjoyed great popularity among 17th-century Dutch citizens. Its indoor scenes featuring people involved in mundane activities resemble the domestic settings in which they were hung. Other art forms such as perspective boxes and dollhouses further reinforce the link connecting physical, pictorial, and mental space by relating home to the interiority of the individual.
In collaboration with the Harvard Art Museums' current exhibit Devour the Land, the Harvard Film Archive presents a program of films that critically engage landscape as a site where deeper political, socio-cultural and historical forces are powerfully legible.
The Airstrip is a profound study of the heavy legacy of modernist architecture that traces its deep roots in the fascist ideologies and militarist imperatives that rose to strength in the WWII era and continue to gain strength to this day.
Double reed pipes, known as auloi, were popular musical instruments in the ancient Mediterranean. In 1921, archaeologists exploring the necropolis of Meroë (northern Sudan)—as part of the Harvard University-Boston Museum of Fine Arts Expedition—found a large collection of auloi in the pyramid of Nubian Queen Amanishakheto. Susanne Gänsicke will discuss the discovery’s importance and what it reveals about the connections between Nubia and the Mediterranean world as well as the significance of far-reaching musical traditions. She will also share recent efforts to conserve...
Scott Manning Stevens is an associate professor and director of Native American and Indigenous Studies at Syracuse University. In this lecture, he will discuss his new project, which focuses on ways Indigenous communities can confront cultural alienation and appropriation in museums, galleries, and archives.
Join us for a one-hour webinar exploring the legacy of Eileen Southern, author of The Music of Black Americans: A History and founder and editor of The Black Perspective in Music. In 1976, Eileen Southern became the first African American woman tenured in Harvard’s Faculty of Arts and Sciences (FAS). Southern played an important institutional role at Harvard. She was central in developing the Department of Afro-American Studies (now African and African American Studies), serving as an early chair, and was on the faculty of the Department of Music, where she taught...
Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Arts and sciences flourished in the Dutch Republic during the 17th century. Women such as Anna Maria van Schurman, Margareta van Godewick, and Anna Roemer Visscher excelled in scholarly pursuits and art practice. They were greatly admired, but they were nonetheless categorized as exceptional cases and never possessed the freedom to voice ideas enjoyed by their male counterparts. Working in a variety of art forms, including miniature painting, drawing, embroidery, and paper cutting, these women often meant to address no other audience than the artist herself.