On Account of Sex (1920)


    Radcliffe Institute for Advanced Study at Harvard—Online

    The passage of the 19th Amendment in 1920 did not "give" women the vote. Rather, it established a negative: that the right to vote could not be abridged on account of sex alone. This session brings together diverse participants who will each illuminate one facet of women’s political history at this key transitional moment. Together, participants will emphasize the radical achievement of the amendment, exploring the full implications of what it meant to remove sex as a barrier to voting, which resulted in the largest-ever one-time expansion of the electorate and mobilized a...

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    Schlesinger 75th Anniversary Celebration


    Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge, MA

    In this performance and discussion, “The Suffragists” captures the power and passion of American women’s fight for the vote through song. Created by the acclaimed singer-songwriter Shaina Taub, the musical tells the story of the last decade of the struggle through the rivalry between Carrie Chapman Catt and Alice Paul. Taub’s musical gives voice to these women in ways that powerfully resonate in today’s political landscape. The performance will be followed by a multidisciplinary panel discussion.


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    Film Screening & Panel Discussion: The Cinema of Patience: Reflecting on N!ai, the Story of a !Kung Woman


    Geological Lecture Hall, 24 Oxford Street, Cambridge, MA

    Thirty years after its release, N!ai, the Story of a !Kung Woman remains an exemplar of ethnographic filmmaking. Directed and edited by John Marshall and Adrienne Miesmer, the film documents the life of N!ai, a Ju/hoan woman and the harsh realities of apartheid in 1980s Namibia, and it presents an intimate portrait of life in one of the last hunting and gathering communities. In honor of the fiftieth anniversary of Documentary Educational Resources, this program will explore the film’s importance to the preservation of intangible culture, and Marshall’s influence on...

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