Harvard’s Mittal Institute 2020 Visiting Artist Fellows Shah Numair Ahmed Abbasi and Suhasini Kejriwal present their exhibition, Everyday Encounters. Reflecting on their personal accounts of documenting and engaging with rapidly changing South Asian cities and their people, the artists’ work explores the deeply personal issues of identity and culture in this region.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
This exhibit explores how early Harvard scholars influenced the development of anthropology and archaeology in the Pacific region. Produced in collaboration with over thirty other museums around the world, Harvard’s contributing exhibit will feature historical images and objects from the Peabody collections, including intricately carved Fijian clubs, models of distinctive Pacific outriggers, and a striking example of Samoan bark cloth (siapo). Together they weave a compelling narrative about the ideas, people, and networks pivotal to both early understandings and ongoing studies...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Explore the new Resetting the Table exhibition, starting at the dinner table set for a party. Family-friendly activities about what we eat will be set up throughout the gallery: drop in for smell stations, Play-Doh® desserts, games with prizes, and a raffle of dinner for two at a Harvard Square restaurant.
Join the Harvard Ed Portal for an exhibition reception for PARTLY CLOUDY.
Chris Sageman’s artwork revolves around the overwhelming and the confusing. In assembling segments of text, images, and abstract graphics, Sageman creates large-scale paintings that reflect the volume of visual information we consume on a daily basis. In PARTLY CLOUDY, Sageman presents a series of paintings that diagram our current moment. By isolating fractions of imagery in each diagram, the paintings serve as disjointed road maps that try to make sense of all the bits and pieces and...
Painting Edo—one of the largest exhibitions ever presented at the Harvard Art Museums—offers a window onto the supremely rich visual culture of Japan’s early modern era. Selected from the unparalleled collection of Robert S. and Betsy G. Feinberg, the more than 120 works in the exhibition connect visitors with a seminal moment in the history of Japan, as the country settled into an era of peace under the warrior government of the shoguns and opened its doors to greater engagement with the outside world. The dizzying array of artistic lineages and studios active during the Edo...
As part of the Harvard Art Museums' opening celebration for Painting Edo: Japanese Art from the Feinberg Collection, SOAS University of London art history professor Timon Screech will present "Into the Kaleidoscope: Painting in Edo Japan."
Tickets are required for the lecture and may be acquired in person, by phone, or online for a small fee through the Harvard Box Office. Limit of two tickets per person.
Be among the first to see over 120 works included in the Harvard Art Museums' latest show, which celebrates the rich visual culture of Japan's early modern era. The galleries are open late, and admission is free for...
Hunnewell Building, Arnold Arboretum, 125 Arborway, Boston
Join the Arnold Arboretum for an opening reception for their newest exhibition, The Path Taken: Photography by Lawrence Mullings.
On any given day, Lawrence Mullings can be found exploring the paths and hidden corners of the Arboretum. While walking in the landscape to regain his health, his joy in photography was rekindled. He saw how the Arboretum was many different things to him, and to the many different people who come here from around the neighborhood and around the world. To Mullings, the Arboretum is its trees, as well as the myriad ways visitors enjoy them...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Resetting the Table: Food and Our Changing Tastes explores food choices and eating habits in the United States, including the sometimes hidden, but always important, ways in which our tables are shaped by cultural, historical, political, and technological influences.
One dinner served in 1910 will form the centerpiece—literally—of Resetting the Table. The historical and cultural roots of the foods on the menu, and the privileged context of their presentation, will be explored. Selections from ten University collections will reveal the long history...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
"Shrink" yourself down to "walk" into an ancient Maya vessel using augmented reality! Maya women were often essential for uniting kingdoms. When a marriage was arranged between Maya royal families, kings would exchange gifts like this ceramic three-legged plate for serving chocolate. Use the museum’s iPad as a "magic window" to discover fine details on one such plate that cannot be seen on the actual artifact. A gallery facilitator will guide you through the experience and will share more about the Maya.
"Travel" in fifteen minutes to an archaeological site in Ashkelon, Israel to explore the first-ever excavation of a Philistine burial ground. For years archaeologists have searched for evidence of these Biblical people. Transport yourself to the center of 360° scenes of an archaeological expedition while your gallery facilitator explains what you are seeing. Borrow a device from the museum or download the virtual reality app on your smart phone and bring it to place in a 3D viewer at the museum for an immersive experience.
Curated by Elisa H. Hamilton for the Crossings Gallery, Breakaway features the work of four artists who push beyond the confines of a gallery wall. Experimenting with shape, line, texture and color, each artist blurs the boundaries that inform our perception. Pieces by Adria Arch, Destiny Palmer, Rebecca Rose Greene, and Vanessa Irzyk invite the viewer to experience that compelling moment when the two-dimensional breaks away from the wall to become something new.
Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston
Join us for a lecture with Natalia Arbelaez, 2018-19 Artist In Residence at the Ceramics Program, Office for the Arts at Harvard as she discusses the work developed during her residency over the past year. Immediately following the lecture, join us in Gallery 224 from 5:00pm–7:00pm for the opening reception of Passages of Absence, Arbelaez's solo exhibition.
Concert for One will pair individual listeners with solo musicians for 60 seconds of focused live performance and concentrated listening, fostering intimate connections between performers and audience members. Performances will take place inside a temporary art installation on the Science Center Plaza featuring an interactive lobby and performance space that will have just enough room for two chairs, two people and an instrument.
Concert for One is free and open to the public, no reservations or tickets required.The performer’s name, instrument, and what...
The Special Exhibitions Gallery, Science Center 251, 1 Oxford St., Cambridge
This exhibit features images and objects drawn from a variety of disciplines and time periods that show the importance of visual experiences in science. Images have played many roles in scientific research. Images can record fleeting observations, whether a painting of an animal glimpsed in the field or an interaction between sub-atomic particles that lasts a millisecond. They can also make unseen things visible.
Physical models can make abstract mathematical concepts into something that researchers can touch; properly arranged, sand, metal plates, and a violin bow can make...
Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston
Join Ceramics Program, Office for the Arts at Harvard for a lecture with Colby Charpentier, 2018–19 Artist In Residence, as he discusses the work he developed during his residency. Charpentier has created work that explores the question “What if we took clay out of the vessel and glaze was all that remained? And what does it mean to replicate a 3-D printing process by hand? The result is ceramic: glass, devitrified.”
Immediately following the lecture will be the opening reception of Devitrified, Charpentier's solo exhibition.
Harvard Art Museums, Special Exhibitions Gallery, 32 Quincy St., Cambridge
What does it mean to be displaced from culture and home? What are the historical contexts for understanding our contemporary moment? How does an artist’s work and process embody and engage the narratives of displacement and belonging?
Crossing Lines, Constructing Home investigates two parallel ideas: national, political, and cultural conceptions of boundaries and borders; and the evolving hybrid spaces, identities, languages, and beliefs created by the movement of peoples.
Harvard Art Museums, University Research Gallery, 32 Quincy St., Cambridge
In this new exhibit, discover how celebrated American artist Winslow Homer’s work for the illustrated periodical Harper’s Weekly helped shape his later career as a painter and watercolorist.
During the Civil War (1861–1865), American artist Winslow Homer (1836–1910) served as a correspondent for Harper’s. His sketches of soldiers, both in battle on the front lines and in quieter moments back at camp, were reproduced to accompany the journal’s accounts of the conflict. Homer worked for Harper’s just as new technologies were making it possible to rapidly...
Harvard Art Museums, University Teaching Gallery, 32 Quincy St., Cambridge
Christianity has important early roots in the Nile Valley and Ethiopia. Related arts often embody core local African values—an aesthetics that privileges moral value and simplicity over opulence, wealth, or power. This is an art of the people: limestone not marble, wool and linen rather than silk, bone instead of ivory, terracotta, wood, and copper in place of gold.