Fisher Family Commons, CGIS Knafel Building, 1737 Cambridge Street, Cambridge
Join the Davis Center for a reception to celebrate the opening of a new exhibition, "Fighting Pencil" vs. The Bureaucrat: Satirical Posters from the Soviet Union.
By the 1960’s and 1970’s, outrageous practices in Soviet bureaucracy flourished. Poor planning, endless paper-pushing, redundancy and shirking, bribery, embezzlement, phony reporting, and cover-ups at all levels of the centralized economy had become the norm. The results included shoddy construction, inefficient farming methods, empty store shelves, environmental pollution, and a decidedly uncivil...
Join the Harvard Ed Portal for a reception to celebrate the latest Crossings Gallery exhibition, Partition Perspectives. The 1947 Partition of British India displaced millions of people along religious lines and led to the creation of two new countries: Pakistan and India. In this exhibition, Mahbub Jokhio and Krupa Makhija, Spring 2019 Visiting Artist Fellows at Harvard’s Lakshmi Mittal and Family South Asia Institute, reflect on the impact of the partition. Their work explores the...
Chris Morgan's goal as a photographer is to evoke the emotions he feels when he views patterns and textures in nature, in the shapes of trees, and in the movements of birds. He brings details to life. The Arboretum, with its rich collections of flora and fauna, has been a major interest of his for over fifteen years, especially during blizzards, when dramatic photo opportunities appear. Digital photography, which offers a happy marriage of the arts and the sciences, lets him explore larger-format photography in creative ways through digital panorama techniques.
Harvard Art Museums, 32 Quincy Street Cambridge, MA
Join us to celebrate the opening of our latest special exhibition, The Bauhaus and Harvard, on view February 8–July 28, 2019.
Following an introduction to the exhibition by curator Laura Muir, Berlin-based artist Judith Raum will present a lecture-performance titled “Fabric in space, fabric out of space.”
Raum’s installations and videos aim to both reconstruct and deconstruct the functional fabrics developed in the Bauhaus weaving workshop. Her...
Johnson-Kulukundis Family Gallery, Byerly Hall, 8 Garden Street Cambridge, MA 02138
In a newly commissioned exhibition, artist Clarissa Tossin considers the ecology of an uncertain future. Inspired by Octavia E. Butler’s science fiction trilogy Xenogenesis (1989), in which the Amazon becomes the site for a new civilization of alien-human hybrids, Tossin speculates upon a postapocalyptic world following ecological collapse. Pairing DIY plastic recycling techniques with the materials and practices of Amazonian aesthetic traditions, Tossin highlights the contemporary footprint left in the geological sedimentation of the earth. These new works consider...
Beyond the headlines and rhetoric, millions of migrant laborers plant, tend, and harvest our food. La Meta, roughly translated as “goal,” “purpose,” and “home,” is an honest portrait of those striving in the shadows for life’s most basic successes: to live, to provide, and to thrive. Photojournalist and Nieman Fellow Samantha Appleton is known for her work covering conflicts around the world and serving as an official White House photographer for President Barack Obama. In this exhibition, she revisits an ongoing project that has taken on new meaning and urgency.
Harvard Ed Portal, 224 Western Avenue, Allston, MA
Celebrate the fall harvest season by feasting with your neighbors! Join the Harvard Ed Portal in collaboration with the Harvard Art Museums and the Ceramics Program, Office for the Arts at Harvard, for a special evening inspired by the Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings exhibition, on view at the Harvard Art Museums through January 6, 2019.
Join the Harvard Ed Portal for a reception celebrating the latest Crossings Gallery exhibition, In Over My Head. Using photography, audio, and archival material, In Over My Headforms a complex narrative that is rooted in the labor of a specific person and place, but is also inherently fictional. Even as it captures artist Thalassa Raasch’s experience of digging graves,...
Harvard Ceramics Program, Office for the Arts at Harvard, 224 Western Ave, Allston, MA 02134
Join us to celebrate the opening of Raise a Glass—A Contemporary Response to Animal-Shaped Vessels from the Ancient World, an exhibition at the Harvard Ceramics Program that is inspired by the Harvard Art Museums’ current special exhibition, Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings.
On view from October 13 through November 26, 2018, Raise a Glass features contemporary ceramic artists responding to the elaborate vessels featured in the Animal-Shaped Vessels exhibition. Fourteen internationally recognized...
Geological Lecture Hall, 24 Oxford Street, Cambridge, MA
Patrick E. McGovern, Scientific Director, Biomolecular Archaeology Project for Cuisine, Fermented Beverages, and Health, University of Pennsylvania Museum of Archaeology and Anthropology; Adjunct Professor of Anthropology, University of Pennsylvania
The makers of the earliest fermented beverages must have marveled at the “magical” process by which mixtures of wild fruits, honey, and cereals produced mind-altering drinks. In this special event, Patrick McGovern will venture back to the origins of brewing in the ancient world. Drawing on archaeology,...
Join the Harvard Ed Portal for a reception celebrating the latest Crossings Gallery exhibition, Matter of Intention. Allston-based sculptor Chloe DuBois and Providence-based painter Renée Silva depict everyday habits through recreation and abstraction. Matter of Intention focuses on materiality and pattern to explore personal tendencies. The work confronts ideas of intention and the familiar desire to compartmentalize our thoughts and environments.
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
We rely on our eyes like never before: to navigate not only the physical world, but also the narrative and information landscapes we increasingly inhabit. In a fast-moving cascade of images and ideas, the author and cartoonist Scott McCloud shares why there are no neutral visual decisions, why all pictures are words, and why an era of misinformation calls for a new approach to visual education.
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
What do millennial feminists want? This panel invites rising artists, thinkers, and organizers to share their visions of gender equality for the 21st century. Panelists will reflect on their art and activism in the service of intersecting and sometimes competing feminisms. They’ll also discuss the ways they do—and don’t—engage the legacy of their 19th- and 20th-century foremothers as they work to move society forward.
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
Lead, Line, and Plummet features more than 40 intriguing objects, including unique artifacts, tools, images, and videos. Contributed by the incoming class of 2018–2019 Radcliffe fellows, this constellation of items introduces viewers to an array of projects and perspectives that animate the Institute’s vibrant multidisciplinary community of scholars, scientists, and artists.
