Chris Morgan's goal as a photographer is to evoke the emotions he feels when he views patterns and textures in nature, in the shapes of trees, and in the movements of birds. He brings details to life. The Arboretum, with its rich collections of flora and fauna, has been a major interest of his for over fifteen years, especially during blizzards, when dramatic photo opportunities appear. Digital photography, which offers a happy marriage of the arts and the sciences, lets him explore larger-format photography in creative ways through digital panorama techniques.
Johnson-Kulukundis Family Gallery, Byerly Hall, 8 Garden Street Cambridge, MA 02138
In a newly commissioned exhibition, artist Clarissa Tossin considers the ecology of an uncertain future. Inspired by Octavia E. Butler’s science fiction trilogy Xenogenesis (1989), in which the Amazon becomes the site for a new civilization of alien-human hybrids, Tossin speculates upon a postapocalyptic world following ecological collapse. Pairing DIY plastic recycling techniques with the materials and practices of Amazonian aesthetic traditions, Tossin highlights the contemporary footprint left in the geological sedimentation of the earth. These new works consider...
Beyond the headlines and rhetoric, millions of migrant laborers plant, tend, and harvest our food. La Meta, roughly translated as “goal,” “purpose,” and “home,” is an honest portrait of those striving in the shadows for life’s most basic successes: to live, to provide, and to thrive. Photojournalist and Nieman Fellow Samantha Appleton is known for her work covering conflicts around the world and serving as an official White House photographer for President Barack Obama. In this exhibition, she revisits an ongoing project that has taken on new meaning and urgency.
Join the Harvard Ed Portal for a reception celebrating the latest Crossings Gallery exhibition, In Over My Head. Using photography, audio, and archival material, In Over My Headforms a complex narrative that is rooted in the labor of a specific person and place, but is also inherently fictional. Even as it captures artist Thalassa Raasch’s experience of digging graves,...
Harvard Ceramics Program, Office for the Arts at Harvard, 224 Western Ave, Allston, MA 02134
Join us to celebrate the opening of Raise a Glass—A Contemporary Response to Animal-Shaped Vessels from the Ancient World, an exhibition at the Harvard Ceramics Program that is inspired by the Harvard Art Museums’ current special exhibition, Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings.
On view from October 13 through November 26, 2018, Raise a Glass features contemporary ceramic artists responding to the elaborate vessels featured in the Animal-Shaped Vessels exhibition. Fourteen internationally recognized...
Join the Harvard Ed Portal for a reception celebrating the latest Crossings Gallery exhibition, Matter of Intention. Allston-based sculptor Chloe DuBois and Providence-based painter Renée Silva depict everyday habits through recreation and abstraction. Matter of Intention focuses on materiality and pattern to explore personal tendencies. The work confronts ideas of intention and the familiar desire to compartmentalize our thoughts and environments.
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
Lead, Line, and Plummet features more than 40 intriguing objects, including unique artifacts, tools, images, and videos. Contributed by the incoming class of 2018–2019 Radcliffe fellows, this constellation of items introduces viewers to an array of projects and perspectives that animate the Institute’s vibrant multidisciplinary community of scholars, scientists, and artists.