On View: November 17, 2018–November 13, 2022 University Collections Gallery, African Art, Harvard Art Museums
This exhibition highlights artistic innovation and creativity in Africa as seen primarily through the traditions of ceramic arts from across the continent and over its long history. Countering the assumption that African arts and societies are largely unchanging and bound to traditions and customs, the remarkable diversity of objects and styles on display here tells a different story. A selection of more than 50 works on loan from the...
Harvard Museum of the Ancient Near East, 6 Divinity Ave., Cambridge
Mediterranean Marketplaces: Connecting the Ancient World explores how the movement of goods, peoples, and ideas around the ancient Mediterranean transformed the lives and livelihoods of people at all levels of society, driving innovations that had lasting impacts—even on the modern world.
Peabody Museum of Archaeology & Ethnology, 1 Divinity Ave., Cambridge
Muchos Méxicos explores Mexico’s rich history as a site of human innovation, creativity and cultural diversity. Featuring Mexican objects from the Peabody Museum collections, this bilingual exhibit tells the story of Mexico as a multicultural and geographic crossroads—one where the exchange of resources, products, and ideas among Indigenous peoples throughout the Americas before the Spanish invasion, and then with cultures around the globe—have all created a vibrant nation.
Harvard Museum of Natural History, 26 Oxford St., Cambridge
Over their fifty years creating the Glass Flowers, Leopold and Rudolf Blaschka, father and son, continually experimented with materials and methods that pushed the boundaries of glassworking. Years later, their complex and varied practices presented unique challenges for the conservators preserving and protecting the models, which led to a suite of conservation processes nearly as varied as the Blaschka’s techniques. From the Hands of the Makers explores what it takes to both make and conserve a model and investigates the lingering mysteries surrounding the making of the glass...
On View: January 22, 2022–May 8, 2022 University Teaching Gallery, Harvard Art Museums
Drawn from the museums’ rich Asian art collections, this installation complements a Harvard undergraduate course that explores the art of the Himalayan region, focusing on the major cultural centers such as the Kathmandu Valley and Buddhist sites across the Tibetan plateau, while examining the history of reception and imagination of the Himalayas in the west. The course is taught by Jinah Kim, George P. Bickford Professor of Indian and South Asian Art. In...
On View: January 22, 2022–May 8, 2022 University Research Gallery, Harvard Art Museums
From swaddling newborns to enshrouding the deceased, woven fabrics touch nearly every aspect of human existence. The textiles in this exhibition are particularly meaningful, for they tell a bigger story about political and social power, class, trade, and concerns for the afterlife during a transformative period in Egyptian history. In the medieval era, control of the region shifted repeatedly, as Egypt was subsumed under a sequence of empires—Byzantine,...
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Location:
Harvard Art Museums, Modern and Contemporary Art, 32 Quincy St., Cambridge
Explore the state of democracy today through a commissioned artwork by internationally renowned artist Krzysztof Wodiczko, presented at the Harvard Art Museums in partnership with the Harvard University Graduate School of Design. Pre-recorded video interviews capturing voices and opinions from across the political spectrum will activate the Harvard Art Museums’ iconic portrait of George Washington (c. 1795) by Gilbert Stuart, fostering an exchange of views and responses at this time of heightened political division.
Repeats every week on Sunday, Tuesday, Wednesday, Thursday, Friday, Saturday until Sun Jan 02 2022 .
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Location:
Harvard Art Museums, University Research Gallery, 32 Quincy St., Cambridge
Immerse yourself in the world of printmaking, tracing how artists move step by step to painstakingly rework and refine their images. Spanning more than three centuries, the works in this exhibition—by artists such as Pablo Picasso, Rembrandt, Lee Krasner, Jacques Philippe Le Bas, and Louis Delsarte—unveil the layers of creative revision, correction, and adjustment behind finished prints.
Join us for the public reopening of the Harvard Art Museums on Saturday, September 4!
Begin in our Calderwood Courtyard before venturing into the galleries to enjoy three levels of art, spanning ancient to modern times. See the exhibitions “States of Play: Prints from Rembrandt to Delsarte” and “A Colloquium in the Visual Arts.” And don’t forget to stop by the museum shop, just off the courtyard, to round out your visit.
Our new ReFrame initiative, which reimagines the function, role, and future of the university art museum, introduces new artworks to many of our...
Gavin Moulton ’20 will explore the theme of architecture as art in a discussion focused on several works in the collections spanning a thousand years of art history.
Emilė Radytė, May Wan, Gavin Moulton, and Tommy Mahon, our Ho Family Student Guides from the Harvard Class of 2020, will share their favorite artworks from the Harvard Art Museums collections in this special, celebratory tour.
Harvard’s Mittal Institute 2020 Visiting Artist Fellows Shah Numair Ahmed Abbasi and Suhasini Kejriwal present their exhibition, Everyday Encounters. Reflecting on their personal accounts of documenting and engaging with rapidly changing South Asian cities and their people, the artists’ work explores the deeply personal issues of identity and culture in this region.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
This exhibit explores how early Harvard scholars influenced the development of anthropology and archaeology in the Pacific region. Produced in collaboration with over thirty other museums around the world, Harvard’s contributing exhibit will feature historical images and objects from the Peabody collections, including intricately carved Fijian clubs, models of distinctive Pacific outriggers, and a striking example of Samoan bark cloth (siapo). Together they weave a compelling narrative about the ideas, people, and networks pivotal to both early understandings and ongoing studies...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Explore the new Resetting the Table exhibition, starting at the dinner table set for a party. Family-friendly activities about what we eat will be set up throughout the gallery: drop in for smell stations, Play-Doh® desserts, games with prizes, and a raffle of dinner for two at a Harvard Square restaurant.
Join the Harvard Ed Portal for an exhibition reception for PARTLY CLOUDY.
Chris Sageman’s artwork revolves around the overwhelming and the confusing. In assembling segments of text, images, and abstract graphics, Sageman creates large-scale paintings that reflect the volume of visual information we consume on a daily basis. In PARTLY CLOUDY, Sageman presents a series of paintings that diagram our current moment. By isolating fractions of imagery in each diagram, the paintings serve as disjointed road maps that try to make sense of all the bits and pieces and...
Painting Edo—one of the largest exhibitions ever presented at the Harvard Art Museums—offers a window onto the supremely rich visual culture of Japan’s early modern era. Selected from the unparalleled collection of Robert S. and Betsy G. Feinberg, the more than 120 works in the exhibition connect visitors with a seminal moment in the history of Japan, as the country settled into an era of peace under the warrior government of the shoguns and opened its doors to greater engagement with the outside world. The dizzying array of artistic lineages and studios active during the Edo...
As part of the Harvard Art Museums' opening celebration for Painting Edo: Japanese Art from the Feinberg Collection, SOAS University of London art history professor Timon Screech will present "Into the Kaleidoscope: Painting in Edo Japan."
Tickets are required for the lecture and may be acquired in person, by phone, or online for a small fee through the Harvard Box Office. Limit of two tickets per person.