Davis Center for Russian & Eurasian Studies—Online
The myriad effects of Russia’s war on Ukrainian women and the women’s movement. Participation has ranged from military service to humanitarian and volunteering initiatives, including extraordinary actions by many women and girls. How have Ukrainian feminists and the transnational women’s movement responded? What was the effect of feminist anti-war manifestoes? As the war continues, how has its impact on women evolved?
Davis Center for Russian & Eurasian Studies, 1730 Cambridge St., Room S354, Cambridge
Georgia is the world's oldest wine producer, and the history of Georgian wine is woven together with the country's culture, politics, and economics. Join Mamuka Tsereteli for a lecture on the significance of Georgian wine, followed by a Q&A—and stick around for a tasting to find out for yourself why Georgian wine is so special!
Davis Center for Russian & Eurasian Studies, 1730 Cambridge St., Room S010, Cambridge
During the Cold War, four legendary female chess players from Georgia revolutionized women’s chess across the globe, and became Soviet icons of female emancipation. Glory to the Queen (2020) reveals their interwoven biographies and is both a rare look into the present lives of chess stars Nona Gaprindashvili, Nana Alexandria, Maia Chiburdanidze and Nana Ioseliani, as well as a chronicle of their lasting legacy.
Georgian director Tatia Skhirtladze will present her film and participate in a discussion afterwards.
1737 Cambridge St., Room K262, Cambridge or Zoom Webinar
In recent years, Georgian cinema has been witnessing an astonishing period of revival, a new generation of filmmakers has emerged, and today a new wave of Georgian filmmakers has managed to find a new and strong language of cinema, in order to speak with international audience about contemporary issues of Georgian society. Levan Lomjaria will explore these and other aspects of the history of Georgian cinema in his lecture.
The Mittal Institute at Harvard University invites you to a concert celebrating 75 years of South Asian independence from British colonial rule. Qawwali is a uniquely South Asian musical tradition that is widely popular in the region and around the world – join us as we commemorate this historic event with one of the region’s most-celebrated Qawwali groups.
Cost: Full Price: $20 / Harvard ID: $10 / All Valid Student IDs: $10
Seventeenth-century artist Simon de Vlieger was one of many Dutch draftsmen who captured panoramas of the cities and towns that surrounded them. In his observed and accurate drawing of Weesp, a municipality located outside Amsterdam on the river Vecht, aspects of this recognizable view speak to larger questions of commerce and the environment. Join curatorial research associate Susan Anderson to discover these details within the broader artistic and cultural milieu of landscape drawing in the Dutch Republic.
Curator Sara Schechner, from Harvard’s Collection of Historical Scientific Instruments, and Lynette Roth, curator of the Busch-Reisinger Museum, will team up to explore a 120-year-old Zeiss photographic microscope. The curators will look at the assemblage of its various parts and share with visitors what they tell us about how scientists work with such a microscope. Its diverse components, housed in a wooden case, reveal not only the technical challenges of taking photographs through a microscope lens, but also the instrument’s inherent social, cultural, and aesthetic connections....
Seventeenth-century Dutch artists, such as Abraham Bloemaert, Hendrick Avercamp, and Albert Cuyp, achieved coloristic effects through a variety of means. Join curator Joachim Homann in an exploration of colorful papers, inks, and washes from artists of the Dutch Republic.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Latino/a/x teens in the Hear Me Out/Escúchame project exhibit a group artwork that challenges stereotypes. What is important to know about Salvadoran or Honduran culture? What is overlooked in Mexican, Colombian, or Guatemalan culture? Drop in to see their response, and create “light-up” postcards or an art piece about your identity with simple art materials. Sketch and try other hands-on activities. Take your place with us and share how you want to be represented.
Limited metered parking available on Oxford Street or...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
The Olmec civilization of ancient Mexico is known for its mysterious sculptures of giant heads that rise up to eleven feet high. Touch a huge modern replica in the museum for one day that is based on Monument One, The King. Explore artifacts with an educator that show Olmec influence on architecture, the ball game, written language, and pigments. Handle reproductions and paint a mini-plaster head of your own to take home.
Workshops also available at 1:45pm and 2:30pm (one hour each)
Registration Deadline: Friday, May 13, 12:00 pm Ages 6–10,...
The talk will highlight amateur botanist Ella Hurd and the process she used to make her cyanotypes. It will also explore the importance of camera-less photography to scientific research and documentation in the 19th century.
Ladee Hubbard is a writer whose most recent novel is “The Rib King” (Amistad, 2021). In this lecture, she will discuss her current project, a novel that examines the implications of the ways in which Black people in the United States have historically been represented as an internal threat to both public health and safety, placing the 1980s War on Drugs in dialogue with the larger history of African Americans being used in drug trials and medical experiments.
Ancient Egypt conjures images of pharaonic temples, tombs, and pyramids, and perhaps, even the familiar illustrations from children’s books and magazines showing kilted workers on the Nile toiling away on their kings’ great monuments. But what is the relationship between these images—along with the deep history they evoke and the processes of discovery that made them visible—and the history of modern Egypt?
In this talk, Wendy Doyon will discuss the relationship between state, archaeology, and labor in Mehmed (or Muhammad) Ali’s Egypt—an autonomous khedival, or viceregal,...
Join curator Horace D. Ballard for fresh perspective on two of the museums’ iconic portraits of George Washington through the meaning of gesture and the materialities of fashion. Inspired by Ballard’s recent research on Washington and his rewriting of the portraits’ gallery labels, the talk will explore the important role artists played in shaping the nation’s sense of self after the partisan politics of the Revolutionary War.
Cochineal (Dactylopius coccus) is a small insect that produces a brilliant red pigment. Found in textiles, paintings, cosmetics, and many other objects that span the globe, cochineal is an integral part of world history. Cochineal pigment was used by Mesoamerican peoples long before the Spanish arrived in the sixteenth century. After being introduced to Europe, it quickly became a precious commodity and control over its global trade was a source of conflict and competition for over three centuries. In this lecture, Gabriela Soto Laveaga will trace the fascinating history of cochineal...
Mélanie Lamotte is an assistant professor of French at Tulane University. After completing her first book, under contract with Harvard University Press, she is undertaking a research project that examines the material life of the enslaved across the early modern French empire, thereby reconstructing the cultural, social, economic, and political experiences of slave communities. Join her to learn more about her work.
Cochineal, a tiny insect found on certain species of Oaxacan cacti, was harvested for millennia by Indigenous peoples to dye fabrics a vibrant red color. But following the European invasion of the Americas in the sixteenth century, it became a widely coveted, globally traded commodity that transformed textiles and art, and made Mexico a center for technological innovation. Cochineal: How Mexico Made the World See Red explores how this Indigenous technology changed the world, becoming an international symbol of power, while simultaneously disenfranchising its discoverers.
The Harvard University Native American Program (HUNAP) and the Harvard Art Museums present a lecture by author David Treuer.
David Treuer, an Ojibwe Indian, will offer a fresh and in-depth perspective on the current state of affairs for Native and Indigenous peoples in the Americas. Drawing from his experience growing up on the Leech Lake Reservation in northern Minnesota and as an accomplished academic, Treuer’s work includes both nonfiction and fiction.