German artist Käthe Kollwitz’s reception in the Global South has only recently begun to be considered. Known for its socialist and anti-war sentiments, her work was largely introduced to South Africa by exiles fleeing Nazism, and her prints became an important touchstone for many of the country’s politically minded artists in the years leading up to and during apartheid.
Looking to Kollwitz’s 1905 cycle, Peasant’s War, Jessica Williams will explore how these images circulated among South Africa’s Left and how her work came to influence an entirely new generation of lesser-...
Repeats every week every Thursday until Thu Jun 24 2021 .
4:30pm to 6:30pm
Harvard Ed Portal—Online
Remember Play Doh when you were a kid? What if we told you you're never too old to play with clay? Sign up for our 5-session Zoom clay class, where we will make and decorate mugs, phone holders, sculptures—whatever you want, really!—using our hands and objects you can find at home. No experience necessary!
We'll teach you everything you need to know, PLUS we'll mail you all the stuff you'll need! You'll get to keep your final product and, as an added bonus, we'll chat about how working with clay can help you relax and knead-out some of the stress you may be feeling.
In this program, professor Yurika Wakamatsu will examine Lotus in Autumn (1872), an exceptionally large and immersive ink painting by Okuhara Seiko (1837–1913). The work takes the viewer on a journey from an intricate web of tangled lines and inky blotches to a lotus pond bathed in moonlight.
Rising from the depths of muddy pools, lotuses have long been cherished for their unsullied pink blossoms crowning slender green stems at the height of summer. But in Seiko’s painting, leaves unfurl into broad, broken parasols, and seed pods hang from dry, bent stalks. Why did Seiko...
In 1943, the museum was gifted 25 stone fragments from the Tianlongshan cave temples in China’s northern Shanxi province. Beginning in the late 1920s, the reliefs and sculptures were removed from the site and published by art dealer Sadajirō Yamanaka, sparking interest among collectors worldwide. This talk will highlight a collaboration with Harvard students that investigates the creation of the works, their meaning in Buddhist medieval China, their sale and journey to their current home, and the ravaged site they left behind.
This seminar will explore how photographers from the Civil War era constructed landscapes of slavery. What symbols and facts did they draw upon, and what narratives and interpretations were they in dialogue with and which did they promote?
Join us for a virtual tour of the famous Glass Flowers! This docent-led tour will delve into the history, artistry, and significance of the collection and give participants the opportunity to explore the gallery online. These interactive tours are approximately one-hour in length, and offer time for Q&A with your tour guide.
The fable of the 19th-century European “discovery” of Japanese prints and their catalytic effect on Impressionist painting is by now comfortably worn, threadbare even. But what were painters in Europe actually encountering?
In this talk, curator Rachel Saunders will take a close look at a major new acquisition that shines a distinctly different light on European interest in “Japanese art,” and the ways in which this new category was constructed in Japan itself.
The Ceramics Program, Office for the Arts at Harvard presents an online community sale featuring ceramic planters made by participants in its spring 2021 online classes. Shop online and pick up by appointment or arrange for shipping.
Join exhibition production specialist Steve Deane to discover an amazingly intricate silver cup in the shape of a fox head. We will explore how the cup was made, how its use was tied to hunting, and how our exhibition team made the cup “float” for display in an exhibition.
We’ll also look at a series of prints of Reynard the Fox and a small fox sculpture from the fifth century. Families will learn how to make their own sculpture from Play-Doh!
*For high school students living or attending school in Allston, Brighton, or Cambridge!*
Do you daydream about places you've loved or imagined? Are you curious about how writers turn ideas into stories? Join author Abdul-Razak Zachariah for a glimpse into the children’s book writing process. Write your own story idea for a new generation of readers based on your life and experiences. Abdul will read from his children’s book "...
One of the best documented Egyptian rituals—occurring in both cultic and funerary contexts—is known as the Opening of the Mouth ritual. Performing this ritual was believed to animate statues and temples, while also restoring the senses of the deceased, thus ensuring that they could eat, drink, and breathe in the afterlife. Textual and iconographic references to the ritual are found in different time periods, from the Old Kingdom through the Roman Period.
In this lecture, Mariam Ayad uses the Opening of the Mouth ritual as a case study to illustrate the power of imagery and the...
Photographer Amy Ragus specializes in multiple frame images of New England landscapes—digital photocollages. Before and during the pandemic, Ragus spent time in the Arboretum, particularly interested in its role as a public space, its open access to everyone. Her work captures the discoveries she found just off a road or path, as well as the people who share this space and enjoy nature throughout the seasons. Explore her sensitive, creative depictions of walks in the Arboretum in this virtual exhibition.
The Harvard Art Museums collections have played an important role in the popular undergraduate course Stories from the End of the World, taught by Harvard Divinity School professor Giovanni Bazzana. This fascinating course, which is part of the Harvard College Program in General Education, explores why humans have always imagined the end of their worlds. In this conversation, Professor Bazzana and Jen Thum of the Harvard Art Museums will discuss their recent online collaboration for the course and what students learned about artists’ apocalyptic inspirations over time.
Radcliffe Institute for Advanced Study at Harvard—Online
Ana Paiva is a computer science professor at Instituto Superior Técnico, Universidade de Lisboa, and is investigating the design of intelligent interactive systems by creating “social agents'' that can interact with humans in a natural manner. Over the years, she has developed this field by engineering social agents that exhibit specific capabilities, including emotions, personality, culture, nonverbal behavior, empathy, and collaboration, among others.
Join Paiva to learn about her current investigation into the conditions and mechanisms that drive societies of agents and...
Online via Harvard Music Department Events YouTube channel
Blodgett Artists-in-Residence the Parker Quartet present a concert live from Paine Hall on Harvard Music Department's YouTube Channel. Concert site will be active from 8pm on Friday April 23 through Sunday, April 25 at midnight.
This session includes brief talks, followed by a roundtable discussion, by academics and museum professionals who focus on Dutch and American art and history. Speakers will discuss specific objects—ranging from the 17th to the 21st century—that have posed interpretive and museological challenges. They will also present new possibilities for considering the relationship between slavery’s past and present-day racial injustice.
This is the fourth and final session of Art Museums and the Legacies of the Dutch Slave Trade: Curating Histories, Envisioning Futures, presented...
Renowned writer Jamaica Kincaid and groundbreaking visual artist Rosana Paulino will discuss their explorations of the legacies of slavery in their work. They will be joined in conversation by eminent art historian Cheryl Finley.
The hearth of Olmec civilization is located in the tropical lowlands of Mexico’s southern Gulf Coast region, in the majestic archaeological site of San Lorenzo. The inhabitants of this first Olmec capital developed a distinctive geo-political territory and managed complex trade systems. The Olmec also created spectacular earthen architecture and magnificent stone sculpture—including the famous Colossal Heads—that reflect their stratified social organization and centralized political system backed by religion and directed by hereditary rulers.
Cecilia Puga is the Director and founding partner of CECILIA PUGA – PAULA VELASCO ARQUITECTURA. Since 1995 she has developed her professional practice independently in Santiago, where she has carried out design projects at different scales and programs, from single-family homes (most notably the House in Bahia Azul), to collective housing, educational and industrial equipment, and urban design such as the renovation of public spaces in Cerro Toro. She has developed her academic activity at Universidad Católica de Santiago, at ETH Zurich’s School of Architecture, Austin’s University of...