Events

    Opening Lecture: Painting Edo

    Location: 

    Harvard Art Museums, 32 Quincy St., Cambridge

    As part of the Harvard Art Museums' opening celebration for Painting Edo: Japanese Art from the Feinberg Collection, SOAS University of London art history professor Timon Screech will present "Into the Kaleidoscope: Painting in Edo Japan."

    Tickets are required for the lecture and may be acquired in person, by phone, or online for a small fee through the Harvard Box Office. Limit of two tickets per person.

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    Opening Celebration: Painting Edo

    Location: 

    Harvard Art Museums, 32 Quincy St., Cambridge

    Join the Harvard Art Museums to celebrate the opening of Painting Edo: Japanese Art from the Feinberg Collection, on view from February 14–July 26, 2020.

    Be among the first to see over 120 works included in the Harvard Art Museums' latest show, which celebrates the rich visual culture of Japan's early modern era. The galleries are open late, and admission is free for...

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    Lecture & Exhibition Reception: Passages of Absence

    Location: 

    Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston

    Join us for a lecture with Natalia Arbelaez, 2018-19 Artist In Residence at the Ceramics Program, Office for the Arts at Harvard as she discusses the work developed during her residency over the past year. Immediately following the lecture, join us in Gallery 224 from 5:00pm–7:00pm for the opening reception of Passages of Absence, Arbelaez's solo exhibition.

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    Lecture & Exhibition Reception: Devitrified

    Location: 

    Ceramics Program, Office for the Arts at Harvard, 224 Western Ave., Allston

    Join Ceramics Program, Office for the Arts at Harvard for a lecture with Colby Charpentier, 2018–19 Artist In Residence, as he discusses the work he developed during his residency. Charpentier has created work that explores the question “What if we took clay out of the vessel and glaze was all that remained? And what does it mean to replicate a 3-D printing process by hand? The result is ceramic: glass, devitrified.”

    Immediately following the lecture will be the opening reception of Devitrified, Charpentier's solo exhibition.

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    Caspian: The Elements Preview and Lecture

    Location: 

    Geological Lecture Hall, 24 Oxford St., Cambridge

    For five years British photographer Chloe Dewe Mathews traveled through the countries surrounding the Caspian Sea: Kazakhstan, Azerbaijan, Turkmenistan, Russia, and Iran. In images that range from stark and elemental to lush and mysterious, she recorded the vastly diverse peoples, politics, and geography of Central Asia, centering always on the great inland sea.

    In this conversation with Makeda Best, Richard L. Menschel Curator of Photography at the Harvard Art Museums, Dewe Mathews will discuss her project and new book, Caspian: The Elements (2018, Aperture and...

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    The Veronica Rudge Green Prize In Urban Design: The High Line

    Location: 

    HGSD, Gund Hall, Piper Auditorium 105, 48 Quincy Street, Cambridge, MA 02138

    Please join us for two days of events in conjunction with the 2017 Veronica Rudge Green Prize in Urban Design, awarded to the High Line.

    The events begin Wednesday, November 14 at 6:30 PM with remarks in the GSD's Piper Auditorium from Diane Davis (Chair of the Department of Urban Planning and Design, GSD), Ric Scofidio (Diller Scofidio & Refro), James Corner and Lisa Tziona Switkin (...

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    Exhibition Opening: Measure

    Location: 

    Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge, MA 02138

    Anna Von Mertens is an exhibited artist who uses the structures of quilting and drawing to explore the frontiers of human understanding. Her new exhibition "Measure" explores the life and work of Henrietta Leavitt, one of the women “computers” hired to study glass-plate astronomical photographs at the Harvard College Observatory a century ago. Leavitt’s findings provided a unit of measurement for galactic distances. Reimagined in meticulous stitches and intricate graphite marks, Von Mertens examines our current understanding of the size and shape of...

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