Join curatorial fellow Caitlin Clerkin and Lissette Jiménez, assistant professor of museum studies from San Francisco State University, for a virtual conversation on how grief is expressed in ancient Egyptian portraits and teaching about loss.
Harvard Art Museums, Menschel Hall, 32 Quincy St., Cambridge
At the top of a painting of a Crucifixion by Pietro Lorenzetti (c. 1280–1348), an angel holds in one hand an unfurled scroll and in the other a bloody tunic. Never previously noted, let alone explained, this unique combination of motifs provides the key to understanding the panel’s unusual imagery. It sheds fresh light on the complex nexus between art, piety, and theology in 14th-century Italy, in particular at Assisi—the site of the mother house of the Franciscan order, where the panel most likely was made.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Drop in to learn about archaeology with graduate students. Join archaeologist Jack Bishop and examine ancient stone tools for a glimpse into the early domestication of animals and the rise of agriculture in the Middle East (11:00 am–1:00 pm). See how the ancient Inka of Peru (c. 1400–1532 CE) wrote with string. Join archaeologist Mack FitzPatrick in deciphering a khipu—a knotted string record-keeping system–through close examination of a working replica. (1:00–3:00 pm). Handle examples and ask questions. Look for the archaeologists in the third-floor gallery.
Join paintings conservator Sally Woodcock and conservation scientist Narayan Khandekar for a virtual conversation on how grief is expressed in ancient Egyptian portraits and teaching about loss.
Funerary Portraits from Roman Egypt: Facing Forward is a collaborative effort drawing from the expertise of staff across the museums and other members of our community. The exhibition invites visitors to reflect upon objects that represent the deceased and were once...
Online or In-Person at Geological Lecture Hall, 24 Oxford St., Cambridge
In ancient Egypt, one of the final steps in the mummification process was to equip the body with a permanent face covering that helped protect the head and also ritually transform the deceased into a god. The earliest examples of these were stylized masks, later replaced by more realistically rendered painted portraits. Using evidence from the archaeological record and the Book of the Dead—a series of spells meant to guide the dead as they sought eternal life—art professor Lorelei Corcoran will discuss the production and function of the "mummy portraits" that were popular throughout...
Smith Campus Center, 1350 Massachusetts Ave., Cambridge
In honor of Latinx Heritage Month, the Harvard Foundation for Intercultural and Race Relations, Phillips Brooks House Association, Ethnicity, Migration, & Rights, the Department of Romance Languages, and Fuerza Latina invite you to a documentary screening of "Latino Pioneers in Boston," a fireside conversation with documentary maker Blanca Bonillo and Latino Pioneers: Tony Molina, Jaime Rodriguez, Carmen Paola, Frieda Garcia, and Regla Gonzalez. There will also be a reception afterwards for students, staff, faculty, alumni, and community members to socialize and eat delicious food...
CGIS South, Belfer Case Study Room S020, 1730 Cambridge St., Cambridge
What is the role of art in deeply unequal societies? Are aesthetics political? Can artists challenge dominant orders? Please join us for a conversation between eminent Carnatic vocalist and activist T.M. Krishna, social and cultural historian Shailaja Paik, lawyer and social critic Suraj Yengde, and jazz musician and scholar Vijay Iyer. The event will be moderated by Ajantha Subramanian, Mehra Family Professor of South Asian Studies and Professor of Anthropology and South Asian Studies, Harvard University.
Davis Center for Russian & Eurasian Studies—Online
The myriad effects of Russia’s war on Ukrainian women and the women’s movement. Participation has ranged from military service to humanitarian and volunteering initiatives, including extraordinary actions by many women and girls. How have Ukrainian feminists and the transnational women’s movement responded? What was the effect of feminist anti-war manifestoes? As the war continues, how has its impact on women evolved?
Davis Center for Russian & Eurasian Studies, 1730 Cambridge St., Room S354, Cambridge
Georgia is the world's oldest wine producer, and the history of Georgian wine is woven together with the country's culture, politics, and economics. Join Mamuka Tsereteli for a lecture on the significance of Georgian wine, followed by a Q&A—and stick around for a tasting to find out for yourself why Georgian wine is so special!
Davis Center for Russian & Eurasian Studies, 1730 Cambridge St., Room S010, Cambridge
During the Cold War, four legendary female chess players from Georgia revolutionized women’s chess across the globe, and became Soviet icons of female emancipation. Glory to the Queen (2020) reveals their interwoven biographies and is both a rare look into the present lives of chess stars Nona Gaprindashvili, Nana Alexandria, Maia Chiburdanidze and Nana Ioseliani, as well as a chronicle of their lasting legacy.
Georgian director Tatia Skhirtladze will present her film and participate in a discussion afterwards.
1737 Cambridge St., Room K262, Cambridge or Zoom Webinar
In recent years, Georgian cinema has been witnessing an astonishing period of revival, a new generation of filmmakers has emerged, and today a new wave of Georgian filmmakers has managed to find a new and strong language of cinema, in order to speak with international audience about contemporary issues of Georgian society. Levan Lomjaria will explore these and other aspects of the history of Georgian cinema in his lecture.
The MassQ Ball 2022: Origin will feature the diverse artistic expressions of Boston’s communities of color. Interact with the landscape in new and creative ways, transform into a walking work of art through the practice of MassQing (a ritual application of paint to the face derived from ancient traditions of body decoration), and enjoy performances and art work by Boston cultural artists including:
Hemlock Hill and Conifer Collection, Arnold Arboretum, 125 Arborway, Boston
Led by Bengali culture worker Pampi, this audience participatory workshop allows attendees to weave love letters into hand-crafted ceremonial vessels for their loved ones. Vessels will be fashioned out of natural materials sourced from the Arboretum grounds and displayed in the MassQ Ball on July 9.
Seventeenth-century artist Simon de Vlieger was one of many Dutch draftsmen who captured panoramas of the cities and towns that surrounded them. In his observed and accurate drawing of Weesp, a municipality located outside Amsterdam on the river Vecht, aspects of this recognizable view speak to larger questions of commerce and the environment. Join curatorial research associate Susan Anderson to discover these details within the broader artistic and cultural milieu of landscape drawing in the Dutch Republic.
Curator Sara Schechner, from Harvard’s Collection of Historical Scientific Instruments, and Lynette Roth, curator of the Busch-Reisinger Museum, will team up to explore a 120-year-old Zeiss photographic microscope. The curators will look at the assemblage of its various parts and share with visitors what they tell us about how scientists work with such a microscope. Its diverse components, housed in a wooden case, reveal not only the technical challenges of taking photographs through a microscope lens, but also the instrument’s inherent social, cultural, and aesthetic connections....
Seventeenth-century Dutch artists, such as Abraham Bloemaert, Hendrick Avercamp, and Albert Cuyp, achieved coloristic effects through a variety of means. Join curator Joachim Homann in an exploration of colorful papers, inks, and washes from artists of the Dutch Republic.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Latino/a/x teens in the Hear Me Out/Escúchame project exhibit a group artwork that challenges stereotypes. What is important to know about Salvadoran or Honduran culture? What is overlooked in Mexican, Colombian, or Guatemalan culture? Drop in to see their response, and create “light-up” postcards or an art piece about your identity with simple art materials. Sketch and try other hands-on activities. Take your place with us and share how you want to be represented.
Limited metered parking available on Oxford Street or...
Bradley Rosaceous Collection, Arnold Arboretum, 125 Arborway, Boston
Led by Castle of our Skins’ Director of Education Taylor Lena McTootle, “Making a Mythos” focuses on the creative power of storytelling. Young participants will experience firsthand how fictional tales can reflect our cultural values and create them.
Arnold Arboretum (Hunnewell Building), 125 Arborway, Boston
Dr. Liseli A. Fitzpatrick, a Trinidadian-scholar in the field of African Diasporic cosmologies and sacred ontologies, will lead an engaging lecture and discussion exploring African mythologies and folkloric cultures.