Harvard Museum of Natural History, 26 Oxford St., Cambridge
Celebrate the fiftieth anniversary of the 1969 moon landing at this one-of-a-kind evening event exclusively for guests 21+. Enjoy cocktails, beer, light refreshments, and 60s music, as well as moon-inspired demonstrations and activities. More details on the full program coming soon!
Photographer, Northeastern University professor emeritus, and former Harvard section leader Neal Rantoul presents a reflection on the present-day American West through images of the Utah desert and the Paradise, California Camp Fire aftermath. Together, these two landscapes show the West as both an inspiration for classical landscape photography and the site of human and environmental devastation. American West makes clear how the environment of the former American frontier now faces serious threats to its long-term survival.
In established art circles, photographers often describe their work as “making” images, as opposed to “taking” pictures. While this language accurately describes artistic authorship, it can also allow photographers and viewers to sidestep questions about agency and consent with human subjects.
In this exhibition, curator and photographer Anna Rae presents the work of four Boston-area photographers, Atma, Kat Waterman, Lucas Hall, and Jaypix Belmer, who explore the role of consent in their portraits.
Hunnewell Building, Arnold Arboretum, 125 Arborway, Boston
Artist, Paul Olson, has been discovering the nuances of the Arnold Arboretum’s collections since he first passed through its gates in 2011. A landscape painter for decades, Olson explores the grounds with sketchbook in hand, typically in the early morning hours. His goal is to be unencumbered by any agenda and open to what the light of the day presents. In 2012, he had an exhibition at the Arboretum titled “Drawn to Woods.” The expressive ink drawings in that show were all completed en plein air—on-site in the open air.
In this new exhibition, Olson brings his on-site...
Crossings Gallery, Harvard Ed Portal, 224 Western Ave., Allston
In connection with the centennial celebrations of the Bauhaus, one of the most influential schools of art, architecture, and design of the early 20th century, a two-part exhibition, The Bauhaus Studio, highlights the legacy of the Bauhaus today through artistic responses by Harvard students.
Primary Materials at the Harvard Ed Portal features single-material investigations that reactivate exercises pioneered within the Bauhaus’s Vorkurs (Preliminary Course). Secondary Sources at the ArtLab brings together research-based artworks developed...
For five years British photographer Chloe Dewe Mathews traveled through the countries surrounding the Caspian Sea: Kazakhstan, Azerbaijan, Turkmenistan, Russia, and Iran. In images that range from stark and elemental to lush and mysterious, she recorded the vastly diverse peoples, politics, and geography of Central Asia, centering always on the great inland sea.
In this conversation with Makeda Best, Richard L. Menschel Curator of Photography at the Harvard Art Museums, Dewe Mathews will discuss her project and new book, Caspian: The Elements (2018, Aperture and...
Ensemble Adilei performs traditional Georgian polyphonic songs and chants, although their main passion lies in the songs from the province of Guria in Western Georgia. Gurian music is sometimes compared to jazz, because of the emphasis on improvisation, and non-parallel movement in all the voice parts. Gurian song is also characterized by k'rimanch'uli, a yodeling technique often present in the upper voice.
For the members of Adilei singing is the primary mode of communication with the world: it is more of a lifestyle than a performance practice and is not just relegated to...
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
Beauties is a newly commissioned exhibition by noted contemporary American sculptor, printer, and conceptual and visual artist Willie Cole. He is known for using irons and ironing as central motifs in his work for 30 years, evoking everything from African masks to slave ship diagrams to the routines of domestic servitude. In this special installation, the gallery will be lined with haunting, full-scale prints made from crushed and hammered ironing boards, allowing visitors to confront the contradictory energies running through them.
Fisher Family Commons, CGIS Knafel Building, 1737 Cambridge Street, Cambridge
Join the Davis Center for a reception to celebrate the opening of a new exhibition, "Fighting Pencil" vs. The Bureaucrat: Satirical Posters from the Soviet Union.
By the 1960’s and 1970’s, outrageous practices in Soviet bureaucracy flourished. Poor planning, endless paper-pushing, redundancy and shirking, bribery, embezzlement, phony reporting, and cover-ups at all levels of the centralized economy had become the norm. The results included shoddy construction, inefficient farming methods, empty store shelves, environmental pollution, and a decidedly uncivil...
Join the Harvard Ed Portal for a reception to celebrate the latest Crossings Gallery exhibition, Partition Perspectives. The 1947 Partition of British India displaced millions of people along religious lines and led to the creation of two new countries: Pakistan and India. In this exhibition, Mahbub Jokhio and Krupa Makhija, Spring 2019 Visiting Artist Fellows at Harvard’s Lakshmi Mittal and Family South Asia Institute, reflect on the impact of the partition. Their work explores the...
Chris Morgan's goal as a photographer is to evoke the emotions he feels when he views patterns and textures in nature, in the shapes of trees, and in the movements of birds. He brings details to life. The Arboretum, with its rich collections of flora and fauna, has been a major interest of his for over fifteen years, especially during blizzards, when dramatic photo opportunities appear. Digital photography, which offers a happy marriage of the arts and the sciences, lets him explore larger-format photography in creative ways through digital panorama techniques.
Johnson-Kulukundis Family Gallery, Byerly Hall, 8 Garden Street Cambridge, MA 02138
In a newly commissioned exhibition, artist Clarissa Tossin considers the ecology of an uncertain future. Inspired by Octavia E. Butler’s science fiction trilogy Xenogenesis (1989), in which the Amazon becomes the site for a new civilization of alien-human hybrids, Tossin speculates upon a postapocalyptic world following ecological collapse. Pairing DIY plastic recycling techniques with the materials and practices of Amazonian aesthetic traditions, Tossin highlights the contemporary footprint left in the geological sedimentation of the earth. These new works consider...
Beyond the headlines and rhetoric, millions of migrant laborers plant, tend, and harvest our food. La Meta, roughly translated as “goal,” “purpose,” and “home,” is an honest portrait of those striving in the shadows for life’s most basic successes: to live, to provide, and to thrive. Photojournalist and Nieman Fellow Samantha Appleton is known for her work covering conflicts around the world and serving as an official White House photographer for President Barack Obama. In this exhibition, she revisits an ongoing project that has taken on new meaning and urgency.
Join the Harvard Ed Portal for a reception celebrating the latest Crossings Gallery exhibition, In Over My Head. Using photography, audio, and archival material, In Over My Headforms a complex narrative that is rooted in the labor of a specific person and place, but is also inherently fictional. Even as it captures artist Thalassa Raasch’s experience of digging graves,...
Harvard Ceramics Program, Office for the Arts at Harvard, 224 Western Ave, Allston, MA 02134
Join us to celebrate the opening of Raise a Glass—A Contemporary Response to Animal-Shaped Vessels from the Ancient World, an exhibition at the Harvard Ceramics Program that is inspired by the Harvard Art Museums’ current special exhibition, Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings.
On view from October 13 through November 26, 2018, Raise a Glass features contemporary ceramic artists responding to the elaborate vessels featured in the Animal-Shaped Vessels exhibition. Fourteen internationally recognized...
Geological Lecture Hall, 24 Oxford Street, Cambridge, MA
Patrick E. McGovern, Scientific Director, Biomolecular Archaeology Project for Cuisine, Fermented Beverages, and Health, University of Pennsylvania Museum of Archaeology and Anthropology; Adjunct Professor of Anthropology, University of Pennsylvania
The makers of the earliest fermented beverages must have marveled at the “magical” process by which mixtures of wild fruits, honey, and cereals produced mind-altering drinks. In this special event, Patrick McGovern will venture back to the origins of brewing in the ancient world. Drawing on archaeology,...
Join the Harvard Ed Portal for a reception celebrating the latest Crossings Gallery exhibition, Matter of Intention. Allston-based sculptor Chloe DuBois and Providence-based painter Renée Silva depict everyday habits through recreation and abstraction. Matter of Intention focuses on materiality and pattern to explore personal tendencies. The work confronts ideas of intention and the familiar desire to compartmentalize our thoughts and environments.
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
We rely on our eyes like never before: to navigate not only the physical world, but also the narrative and information landscapes we increasingly inhabit. In a fast-moving cascade of images and ideas, the author and cartoonist Scott McCloud shares why there are no neutral visual decisions, why all pictures are words, and why an era of misinformation calls for a new approach to visual education.