Arnold Arboretum (Hunnewell Building), 125 Arborway, Boston
Dr. Liseli A. Fitzpatrick, a Trinidadian-scholar in the field of African Diasporic cosmologies and sacred ontologies, will lead an engaging lecture and discussion exploring African mythologies and folkloric cultures.
The after effects of the January 6 insurrection continue to reverberate across America. Since that fateful and disturbing day, pushbacks against the teaching of race in America, abortion rollbacks, and Covid denialism have swept across the country. What has been the role of evangelical Christianity in fueling these issues?
Professor Anthea Butler's lecture will explore the historical antecedents of Evangelical beliefs and political action leading up to today’s troubling times, and the prospects for the future of religion, peace and political action in America.
Initiation – In Love Solidarity is a choreographic narrative exploring the embodiment of the Middle Passage, and the resilience and evolving identities of women in the African diaspora. A film component of the work was created at historic sites in New England related to the transatlantic slave trade and emancipation. The imagery of the cowrie shell is present throughout, chosen as an emblem of the transformative identity of the Black female body.
Immerse yourself in the deep beauty of trees in this story and music journey through the Arboretum. Led by Oracle award-winning storyteller Diane Edgecomb and Celtic harper Margot Chamberlain, this unfolding performance of ancient tales and songs from cultures around the world takes place in a variety of groves—birch, cherry, and evergreen—at some of the Arboretum’s loveliest spots.
This event is free, but registration is required and limited. Not designed for children under 12, and dogs are not allowed. COVID guidelines will be followed.
Maya female ceramic figurines from the island of Jaina in Campeche, Mexico, produced in the Late Classic Period (600–900 CE) are admired for their lifelike, poignant, and sometimes amusing characteristics. Long assumed to be elite women or moon goddesses, these figurines reveal a complexity of Maya social life, especially for women, that is rarely seen in other painted ceramics or monumental sculpture. They also offer insights into the culture of Jaina Island, including disturbing enslavement practices.
Mary Miller will discuss various interpretations of Jaina figurines—...