Join curatorial fellow Caitlin Clerkin and Lissette Jiménez, assistant professor of museum studies from San Francisco State University, for a virtual conversation on how grief is expressed in ancient Egyptian portraits and teaching about loss.
Harvard Art Museums, Menschel Hall, 32 Quincy St., Cambridge
At the top of a painting of a Crucifixion by Pietro Lorenzetti (c. 1280–1348), an angel holds in one hand an unfurled scroll and in the other a bloody tunic. Never previously noted, let alone explained, this unique combination of motifs provides the key to understanding the panel’s unusual imagery. It sheds fresh light on the complex nexus between art, piety, and theology in 14th-century Italy, in particular at Assisi—the site of the mother house of the Franciscan order, where the panel most likely was made.
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Drop in to learn about archaeology with graduate students. Join archaeologist Jack Bishop and examine ancient stone tools for a glimpse into the early domestication of animals and the rise of agriculture in the Middle East (11:00 am–1:00 pm). See how the ancient Inka of Peru (c. 1400–1532 CE) wrote with string. Join archaeologist Mack FitzPatrick in deciphering a khipu—a knotted string record-keeping system–through close examination of a working replica. (1:00–3:00 pm). Handle examples and ask questions. Look for the archaeologists in the third-floor gallery.
The inaugural Dr. Martin Luther King Jr. Commemorative Lecture at Harvard recognizes an individual who, through their activism, advocacy, scholarship, or service, has made an indelible contribution to advancing justice and equality.
The 2022 lecture honors civil rights and education leader Freeman A. Hrabowski III, PhD, who will deliver a keynote speech on October 12.
Widely acclaimed as one of the most transformative leaders in higher education, Dr. Hrabowski’s 30-year tenure as president of the University of Maryland, Baltimore County (UMBC) received national...
Join paintings conservator Sally Woodcock and conservation scientist Narayan Khandekar for a virtual conversation on how grief is expressed in ancient Egyptian portraits and teaching about loss.
Funerary Portraits from Roman Egypt: Facing Forward is a collaborative effort drawing from the expertise of staff across the museums and other members of our community. The exhibition invites visitors to reflect upon objects that represent the deceased and were once...
Harvard Museum of Natural History, 26 Oxford St., Cambridge
Paleontology is about more than dinosaurs! Harvard paleontologists study amazing non-dinosaur fossils including early mammals, ancient invertebrates, whales, crabs, and more! Meet members of the Stephanie E. Pierce Lab for Vertebrate Paleontology and the Ortega-Hernández Lab for Invertebrate Paleontology to see their favorite fossils, learn about their research, and ask them your questions. See what new techniques and technologies are being used to study fossils, learn what fossils can teach us about evolution, and hear about current research projects. Join us to celebrate National...
Online or In-Person at Geological Lecture Hall, 24 Oxford St., Cambridge
In ancient Egypt, one of the final steps in the mummification process was to equip the body with a permanent face covering that helped protect the head and also ritually transform the deceased into a god. The earliest examples of these were stylized masks, later replaced by more realistically rendered painted portraits. Using evidence from the archaeological record and the Book of the Dead—a series of spells meant to guide the dead as they sought eternal life—art professor Lorelei Corcoran will discuss the production and function of the "mummy portraits" that were popular throughout...
Smith Campus Center, 1350 Massachusetts Ave., Cambridge
In honor of Latinx Heritage Month, the Harvard Foundation for Intercultural and Race Relations, Phillips Brooks House Association, Ethnicity, Migration, & Rights, the Department of Romance Languages, and Fuerza Latina invite you to a documentary screening of "Latino Pioneers in Boston," a fireside conversation with documentary maker Blanca Bonillo and Latino Pioneers: Tony Molina, Jaime Rodriguez, Carmen Paola, Frieda Garcia, and Regla Gonzalez. There will also be a reception afterwards for students, staff, faculty, alumni, and community members to socialize and eat delicious food...
The COVID-19 pandemic triggered the most synchronous economic downturn in more than a century. Ninety-percent of countries posted a decline in real per capita GDP in 2020, more than any other year since 1900 -- including two world wars and the economic depression of the 1930s. The health crisis pushed an estimated 120 million people into extreme poverty. For Emerging Markets and Developing Economies (EMDEs) however, the setback in their development markers did not start with the pandemic. COVID-19 deepened and accelerated a troubling trend of economic backsliding that had appeared around...
Caleb Gayle is the 2022–2023 Walter Jackson Bate Fellow at Harvard Radcliffe Institute and an award-winning journalist who writes about the impact of history on race and identity. In this virtual discussion, he will talk about the little-known Black social and political leader Edward McCabe, who led the all-Black Kansan town of Nicodemus in the 1880s before attempting to establish an all-Black state in what is now Oklahoma.
CGIS South, Belfer Case Study Room S020, 1730 Cambridge St., Cambridge
What is the role of art in deeply unequal societies? Are aesthetics political? Can artists challenge dominant orders? Please join us for a conversation between eminent Carnatic vocalist and activist T.M. Krishna, social and cultural historian Shailaja Paik, lawyer and social critic Suraj Yengde, and jazz musician and scholar Vijay Iyer. The event will be moderated by Ajantha Subramanian, Mehra Family Professor of South Asian Studies and Professor of Anthropology and South Asian Studies, Harvard University.
Harvard Radcliffe Institute, Knafel Center, 10 Garden St., Cambridge
The repercussions of violent histories extend far beyond these events to engender repetitions that echo for generations. In this lecture, Pumla Gobodo-Madikizela will reflect on this problem and consider alternative ways of theorizing and making sense of the "transgenerational trauma" phenomenon, with the South African post-apartheid context as backdrop.
Gobodo-Madikizela is a professor and research chair at Stellenbosch University. She holds the South African National Research Foundation Chair in Violent Histories and Transgenerational Trauma and is also the founding...
Davis Center for Russian & Eurasian Studies—Online
The myriad effects of Russia’s war on Ukrainian women and the women’s movement. Participation has ranged from military service to humanitarian and volunteering initiatives, including extraordinary actions by many women and girls. How have Ukrainian feminists and the transnational women’s movement responded? What was the effect of feminist anti-war manifestoes? As the war continues, how has its impact on women evolved?
Davis Center for Russian & Eurasian Studies, 1730 Cambridge St., Room S354, Cambridge
Georgia is the world's oldest wine producer, and the history of Georgian wine is woven together with the country's culture, politics, and economics. Join Mamuka Tsereteli for a lecture on the significance of Georgian wine, followed by a Q&A—and stick around for a tasting to find out for yourself why Georgian wine is so special!
Davis Center for Russian & Eurasian Studies, 1730 Cambridge St., Room S010, Cambridge
During the Cold War, four legendary female chess players from Georgia revolutionized women’s chess across the globe, and became Soviet icons of female emancipation. Glory to the Queen (2020) reveals their interwoven biographies and is both a rare look into the present lives of chess stars Nona Gaprindashvili, Nana Alexandria, Maia Chiburdanidze and Nana Ioseliani, as well as a chronicle of their lasting legacy.
Georgian director Tatia Skhirtladze will present her film and participate in a discussion afterwards.
William Darity Jr. is the 2022–2023 Katherine Hampson Bessell Fellow at Harvard Radcliffe Institute and professor of public policy, African and African American studies, and economics at Duke University. In this lecture, Darity will explore the theoretical framework of stratification economics—a comparatively new subspecialty in the wider field of economics that seeks to explain intergroup inequality—along with its implications for the analysis of immigration, macroeconomic analysis, wealth disparities, educational inequalities, and discrimination.
1737 Cambridge St., Room K262, Cambridge or Zoom Webinar
In recent years, Georgian cinema has been witnessing an astonishing period of revival, a new generation of filmmakers has emerged, and today a new wave of Georgian filmmakers has managed to find a new and strong language of cinema, in order to speak with international audience about contemporary issues of Georgian society. Levan Lomjaria will explore these and other aspects of the history of Georgian cinema in his lecture.
Seventeenth-century artist Simon de Vlieger was one of many Dutch draftsmen who captured panoramas of the cities and towns that surrounded them. In his observed and accurate drawing of Weesp, a municipality located outside Amsterdam on the river Vecht, aspects of this recognizable view speak to larger questions of commerce and the environment. Join curatorial research associate Susan Anderson to discover these details within the broader artistic and cultural milieu of landscape drawing in the Dutch Republic.
Curator Sara Schechner, from Harvard’s Collection of Historical Scientific Instruments, and Lynette Roth, curator of the Busch-Reisinger Museum, will team up to explore a 120-year-old Zeiss photographic microscope. The curators will look at the assemblage of its various parts and share with visitors what they tell us about how scientists work with such a microscope. Its diverse components, housed in a wooden case, reveal not only the technical challenges of taking photographs through a microscope lens, but also the instrument’s inherent social, cultural, and aesthetic connections....