Join us for an evening of art, fun, food, and more! This event is free and open to everyone.
Bring your friends to mingle in the Calderwood Courtyard, chat over a snack or drink at Jenny’s Cafe, browse the shop, and of course, wander the galleries to take in our world-class collections of art.
Between the late 16th and early 18th centuries, artists working in the Dutch Republic produced an extraordinary number of landscape drawings, many depicting sites that were either recognizable as or evocative of the country’s cities, villages, and countryside. This profusion of local imagery coincided with the young country’s quest for...
Founded by Allan Edmunds in Philadelphia in 1972, the Brandywine Workshop and Archives provides a fertile environment for artists from diverse backgrounds to create cutting-edge prints. This exhibition marks the first presentation of a group of works acquired by the Harvard...
Join us for an evening of art, fun, food, and more! This event is free and open to everyone.
Bring your friends to mingle in the Calderwood Courtyard, chat over a snack or drink at Jenny’s Cafe, browse the shop, and of course, wander the galleries to take in our world-class collections of art. Our June event will feature the smooth sounds of Boston-area DJ C-Zone.
These tours, designed and led by Harvard undergraduates from a range of academic disciplines, focus on objects chosen by each student guide and provide visitors a unique, thematic view into collections.
Tours are limited to 18 people, and it is required that you reserve your place. At 10am the day of the event, reservations will open and may be arranged online through this form. The Student Guide Tour reservation will also serve as your...
Named after Washington Allston—a visionary painter and 1800 Harvard graduate—the town of Allston features vibrant, eclectic art that reflects the neighborhood's creativity and diversity. On this self-guided tour, you'll discover "can't-miss" public art installations along Western Avenue and learn the stories behind them and their artists. Follow along to explore hand-painted murals, sky-high sculptures, 25-cent art prints, and more!
Tour Stops: 27 Tour Length: 1 hour (shorter routes included) Tour Distance: Up to 2 miles...
Anneliese Hager (1904–1997) made significant contributions to the medium of camera-less photography and to the wider surrealist movement in Europe. The camera-less photograph, or photogram, is an image made by placing objects directly on (or in close proximity to)...
German artist Anneliese Hager (1904–1997) made significant contributions to the medium of camera-less photography and to the wider surrealist movement in Europe. The camera-less photograph, or photogram, is an image made by placing objects directly on (or in close...
In this tour, Sophia Clark ’23 explores the varied means and ends of humor in three works of art that, at first glance, may not seem funny. They are Mervin Jules’s 1937 painting The Art Lover; Charles Bird King’s 1830 painting The Vanity of the Artist’s Dream; and the Archaic Greek Eye cup: Athena (c. 530 BCE), which gives drinkers a different face...
In celebration of Women's History Month, Sinead Danagher '22, Calla Bai '22, and Alexis Boo '22, three Ho Family Student Guides who were classmates in Harvard's Critical Printing seminar last fall, will explore printmaking and how it relates to womanhood. They will examine a variety of works from the collections.
In this tour, Eve Crompton ’23 will focus on works depicting women in poor health and what values were attributed to the figures. She will look at an Attic grave stele Woman Dying in Childbirth (c. 330 BCE); the painting Mother and Child (c. 1901) that Pablo Picasso was inspired to make after visiting a French prison hospital; and Erich Heckel’s painting ...
Sawyer Taylor-Arnold ’23 will highlight a few of the not-so-pretty subjects that have fascinated painters over the centuries—notably, head wounds, decapitated bodies, and severed heads. Moving through the museums’ collections, Taylor-Arnold will explore the symbolic and historical significance of Lorenzo Lotto’s portrait Friar Angelo Ferretti as St. Peter Martyr (1549), Gustave Moreau’s The Apparition (1876–77), and Johannes Molzahn’s...
Repeats every week every Thursday until Thu Feb 24 2022 .
8:00pm to 8:30pm
8:00pm to 8:30pm
8:00pm to 8:30pm
Location:
Harvard Art Museums—Online
Harvard undergraduates lead these tours focused on several objects in our collections. This interactive tour will take place online via Zoom. The link to join will be updated soon. The tours are free and open to all; no pre-registration required.
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
Sinead Danagher ’22 will explore the representation of motherhood as seen in three works of art: the wood sculpture Virgin and Child in Majesty [Seat of Divine Wisdom] made in 12th-century France; the erotic Madonna lithograph made by Norwegian artist Edvard Munch in Berlin in 1895; and the woodcut Widow I (1922–23) that Käthe Kollwitz—artist and mother of two sons—made in Berlin...
In her tour, Maeve Miller ’22 will explore how performance and entertainment figure into three works of art. She will examine the woodcut Magician (1956), which Erich Heckel made in Germany more than 40 years after the heyday of his involvement with the Expressionist art movement; the painting Ventriloquist (1952), which Jacob Lawrence made in Harlem, New York, as part of his Performance Series; and a woodblock print depicting...
Kaitlin Hao ’21 explores how three historical vessels bring us into the worlds that created them, along with their legacies and their sense of the world yet to come.
First, she will discuss a ritual food vessel made in China in the 11th or 10 century BCE. She will then turn to a stoneware storage jar by David Drake, also known as Dave the Potter, an enslaved Black man in antebellum South Carolina. And finally, she will take a...
Both David Hammons and Kerry James Marshall consider their time as students of Charles White at the Otis Art Institute in the 1960s and ’70s as an important experience for them as young Black men and artists.
On this tour coinciding with Juneteenth, Maeve Miller ’22 and Cecilia Zhou ’22 will talk about a work by each of these artists: White’s linocut print of blues icon Bessie Smith (1950); Hammons’s Untitled [Body Print] (1974), which he made partly by...
