Cochineal, a tiny insect found on certain species of Oaxacan cacti, was harvested for millennia by Indigenous peoples to dye fabrics a vibrant red color. But following the European invasion of the Americas in the sixteenth century, it became a widely coveted, globally traded commodity that transformed textiles and art, and made Mexico a center for technological innovation. Cochineal: How Mexico Made the World See Red explores how this Indigenous technology changed the world, becoming an international symbol of power, while simultaneously disenfranchising its discoverers.
Inclusions, an art installation created by Kiana Rawji '23, Cecilia Zhou '23, and Luke Reeve MDE '23, affirms that just as Harvard has shaped its students, so too have the students shaped Harvard; the student bricks will serve as records of formative contact between entities, expressions of individual identity, presence, and power in public space. During the month of April 2022, the bricks will be used to create a cohesive installation in Harvard Yard near Thayer Hall.
Join Kiana and Cecilia, with special guest commentator Professor Tracy K. Smith and moderator...
Join us for a discussion featuring leading activists and scholars working toward menstrual justice. The program will open the exhibition Out for Blood: Feminine Hygiene to Menstrual Equity.
Let us introduce you to some of the most infamous female authors you’ve never heard of who carved out cultural spaces for themselves. Our challenge to you: Remember their names. Share their stories. Rewrite history.
Highlights include:
A copy of Phillis Wheatley's collection of poems autographed by the author
A mysterious ownership inscription by a medieval woman named "Johanna" in a copy of Jerome's Vitas Patrum
Mary Wroth's copy of Xenophon's Cyropaedia, bearing her cryptic monogram...
On View: November 17, 2018–November 13, 2022 University Collections Gallery, African Art, Harvard Art Museums
This exhibition highlights artistic innovation and creativity in Africa as seen primarily through the traditions of ceramic arts from across the continent and over its long history. Countering the assumption that African arts and societies are largely unchanging and bound to traditions and customs, the remarkable diversity of objects and styles on display here tells a different story. A selection of more than 50 works on loan from the...
Harvard Museum of the Ancient Near East, 6 Divinity Ave., Cambridge
Mediterranean Marketplaces: Connecting the Ancient World explores how the movement of goods, peoples, and ideas around the ancient Mediterranean transformed the lives and livelihoods of people at all levels of society, driving innovations that had lasting impacts—even on the modern world.
Peabody Museum of Archaeology & Ethnology, 1 Divinity Ave., Cambridge
Muchos Méxicos explores Mexico’s rich history as a site of human innovation, creativity and cultural diversity. Featuring Mexican objects from the Peabody Museum collections, this bilingual exhibit tells the story of Mexico as a multicultural and geographic crossroads—one where the exchange of resources, products, and ideas among Indigenous peoples throughout the Americas before the Spanish invasion, and then with cultures around the globe—have all created a vibrant nation.
On View: January 22, 2022–May 8, 2022 University Teaching Gallery, Harvard Art Museums
Drawn from the museums’ rich Asian art collections, this installation complements a Harvard undergraduate course that explores the art of the Himalayan region, focusing on the major cultural centers such as the Kathmandu Valley and Buddhist sites across the Tibetan plateau, while examining the history of reception and imagination of the Himalayas in the west. The course is taught by Jinah Kim, George P. Bickford Professor of Indian and South Asian Art. In...
On View: January 22, 2022–May 8, 2022 University Research Gallery, Harvard Art Museums
From swaddling newborns to enshrouding the deceased, woven fabrics touch nearly every aspect of human existence. The textiles in this exhibition are particularly meaningful, for they tell a bigger story about political and social power, class, trade, and concerns for the afterlife during a transformative period in Egyptian history. In the medieval era, control of the region shifted repeatedly, as Egypt was subsumed under a sequence of empires—Byzantine,...
On this tour commemorating Native American Heritage Month, Jacqueline Zoeller ’23 will contrast colonial visions of the Western U.S. landscape, such as Albert Bierstadt’s Rocky Mountains, “Lander’s Peak” (1863), with the realities lived and portrayed by Native American artists. Stops on the tour will include Diné artist Will Wilson’s Mexican Hat Disposal Cell (2020), a landscape photograph of Halchita, Utah, the Navajo...
Join us for a virtual preview and conversation about the Muchos Méxicos exhibition! Three scholars who contributed to the making of the show will discuss their favorite objects, and how they each tell stories of exchange and innovation—as well as loss and perseverance—across time and space.
Live interpretation available in English and Spanish.
Virtual experiences connect the collections of the four Harvard Museums of Science & Culture. In HMSC Connects! Celebrating Women, go behind the scenes with women in academia while listening to the HMSC Connects! Podcast, discovering women’s work, Story Time videos, and coloring pages.
Four hundred years have passed since the Wampanoag Nation encountered English immigrants who settled on the shores of their land at Patuxet—now called Plymouth. Harvard University has had a relationship with the Wampanoag and other local tribal communities for nearly as long, establishing the Harvard Indian College on campus in 1655. In acknowledgment of this early history, the Peabody Museum has asked Wampanoag tribal members to reflect on collections spanning...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
This exhibit explores how early Harvard scholars influenced the development of anthropology and archaeology in the Pacific region. Produced in collaboration with over thirty other museums around the world, Harvard’s contributing exhibit will feature historical images and objects from the Peabody collections, including intricately carved Fijian clubs, models of distinctive Pacific outriggers, and a striking example of Samoan bark cloth (siapo). Together they weave a compelling narrative about the ideas, people, and networks pivotal to both early understandings and ongoing studies...
Painting Edo—one of the largest exhibitions ever presented at the Harvard Art Museums—offers a window onto the supremely rich visual culture of Japan’s early modern era. Selected from the unparalleled collection of Robert S. and Betsy G. Feinberg, the more than 120 works in the exhibition connect visitors with a seminal moment in the history of Japan, as the country settled into an era of peace under the warrior government of the shoguns and opened its doors to greater engagement with the outside world. The dizzying array of artistic lineages and studios active during the Edo...
Be among the first to see over 120 works included in the Harvard Art Museums' latest show, which celebrates the rich visual culture of Japan's early modern era. The galleries are open late, and admission is free for...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Ave., Cambridge
Resetting the Table: Food and Our Changing Tastes explores food choices and eating habits in the United States, including the sometimes hidden, but always important, ways in which our tables are shaped by cultural, historical, political, and technological influences.
One dinner served in 1910 will form the centerpiece—literally—of Resetting the Table. The historical and cultural roots of the foods on the menu, and the privileged context of their presentation, will be explored. Selections from ten University collections will reveal the long history...
"Travel" in fifteen minutes to an archaeological site in Ashkelon, Israel to explore the first-ever excavation of a Philistine burial ground. For years archaeologists have searched for evidence of these Biblical people. Transport yourself to the center of 360° scenes of an archaeological expedition while your gallery facilitator explains what you are seeing. Borrow a device from the museum or download the virtual reality app on your smart phone and bring it to place in a 3D viewer at the museum for an immersive experience.
Harvard Art Museums, Art Study Center, 32 Quincy St., Cambridge
The Harvard Art Museums Archives is participating in Cambridge Open Archives, an annual event that offers the rare chance to visit a number of unique archives and collecting agencies in Cambridge. In the Art Study Center, select archival photographs, correspondence, and objects documenting the history of the museums’ teaching mission and its wider impact in the United States will be on display for close examination. Archives staff will be on hand to share the stories behind the materials.
Cost: Free with museums admission (note that admission is always free...
Radcliffe Institute for Advanced Study, Knafel Center, 10 Garden Street, Cambridge
Beauties is a newly commissioned exhibition by noted contemporary American sculptor, printer, and conceptual and visual artist Willie Cole. He is known for using irons and ironing as central motifs in his work for 30 years, evoking everything from African masks to slave ship diagrams to the routines of domestic servitude. In this special installation, the gallery will be lined with haunting, full-scale prints made from crushed and hammered ironing boards, allowing visitors to confront the contradictory energies running through them.