Sotomayor's celebrated debut feature follows a young family on a road trip, of which the final destination remains ambiguous. Told largely from the point of view of ten-year-old Lucia as she observes the world unfolding before her and intuits her parents’ fraying relationship, Thursday Till Sunday avoids over-narrativization by focusing upon those in-between spaces and non-events noticed by the young girl.
Cost: $10 for general public; $8 for non-Harvard students & seniors; free for Harvard ID holders
Evolving from his large-format photographs—the same medium of Walker Evans and William Christenberry who also famously focused their lenses on rural Hale County, Alabama—Ross walks a multi-dimensional path both alongside and away from these artistic predecessors. As suns set and moons rise and eclipse, Ross’ camera moves fluidly in and out of invisibility and interaction, capturing moments miniscule and monumental, quotidian and otherworldly, with the same curious, clear eye.
Wildly popular in Japan, Tetsuya Mariko’s breakthrough feature tells the story of a young man drawn mysteriously into a spiral of unrelenting violence. A purposefully problematic film, Destruction Babies seems at one level to embrace the unreal ultra-violence of manga, video games and commercial cinema while also bending it into a kind of parodic self-criticism.
Matt Wolf’s engaging documentary tells two stories: one, the life story of a remarkably prescient and stubbornly individualistic radical librarian who refused to fit neatly into the role of wife or mother, and a second that traces the emergence and arguably disastrous effects of the twenty-four-hour American news cycle that she secretly recorded in her Philadelphia home from 1979-2012.
Be among the first to see over 120 works included in the Harvard Art Museums' latest show, which celebrates the rich visual culture of Japan's early modern era. The galleries are open late, and admission is free for...
Peabody Museum of Archaeology & Ethnology, 11 Divinity Avenue, Cambridge, MA 02138
Instructors: Ventura and Norberto Fabian
Learn how to paint Zapotec design motifs with visiting artists from Oaxaca, Mexico. The father-son team—Ventura and Norberto Fabian—continue the tradition of creating hand-carved and hand-painted wooden figures known as alebrijes. This folk art is rooted in traditional rural village life and is one of Mexico’s most popular crafts. Participants will select an original...